V.S. Gaitonde: Malerei als Prozess, Malerei als Leben (Guggenheim, 2014)
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V.S. Gaitonde: Malerei als Prozess, Malerei als Leben (Guggenheim, 2014)
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- ISBN
- 9783791353784
Über dieses Produkt
Product Identifiers
Publisher
Prestel Gmbh & Co KG.
ISBN-10
3791353780
ISBN-13
9783791353784
eBay Product ID (ePID)
201610793
Product Key Features
Book Title
V. S. Gaitonde : Painting As Process, Painting As Life
Number of Pages
128 Pages
Language
English
Topic
Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General, History / General, Asian / Indian & South Asian
Publication Year
2014
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
42.9 Oz
Item Length
12.1 in
Item Width
10.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2014-944576
Reviews
"Gaitonde's last decades were limited by injuries he suffered in an auto accident in Delhi in 1984. He died in 2001, just as Western interest in contemporary Asian art was reviving. The paintings and drawings in this retrospective not only confirm his achievements but also demonstrate the importance of Asian artists to modernism, a movement that for too long has been considered exclusively Western." --The Wall Street Journal, "Gaitonde's last decades were limited by injuries he suffered in an auto accident in Delhi in 1984. He died in 2001, just as Western interest in contemporary Asian art was reviving. The paintings and drawings in this retrospective not only confirm his achievements but also demonstrate the importance of Asian artists to modernism, a movement that for too long has been considered exclusively Western." -- The Wall Street Journal "Mr. Gaitonde's triumph -- an unlikely word for so recessive a figure -- is also a triumph for a concept that Ms. Poddar calls, in her catalog essay, "polyphonic modernisms," the idea that varied but comparably vital versions of Modernism have flourished at different times and different places. In this revised vision of history, certain Western claims to innovation must be reconsidered." -- The New York Times
Dewey Edition
23
Dewey Decimal
759.5
Synopsis
A seminal colourist whose career remains unparalleled in the history of South Asian modern art, V.S. Gaitonde was known to fellow artists and intellectuals as well as to later generations of students and collectors as a man of uncompromising integrity of spirit and purpose. Accompanying an exhibition at the Solomon R. Guggenheim Museum, New York, this book of major paintings and works on paper serves as a means to explore the context of Indian modern art as it played out in the metropolitan centres of Mumbai and New Delhi from the late 1940s through the end of the 20th century. It also introduces readers to a reclusive genius who developed a unique non-objective style that employed palette knives and paint rollers. The exquisite reproductions reveal Gaitonde's extraordinary use of colour, form and texture, as well as symbolic elements and calligraphy to create works that seem to glow with an inner light. A comprehensive essay relates Gaitonde's nuanced understanding of colour to major American, European and Asian traditions and movements, analyses the artist's use of the term "non-objective" within its historical context, and provides valuable insights into Gaitonde's life and work in the context of Indian modernism., Filled with stunning reproductions of V. S. Gaitonde's luminous paintings, this book on the revered Indian artist fills a valuable niche in the study of South Asian art and comparative modernity's., Filled with stunning reproductions of V. S. Gaitonde's luminous paintings, this book on the revered Indian artist fills a valuable niche in the study of South Asian art and comparative modernities. A seminal colorist whose career remains unparalleled in the history of South Asian modern art, V.S. Gaitonde was known to fellow artists and intellectuals as well as to later generations of students and collectors as a man of uncompromising integrity of spirit and purpose. Accompanying an exhibition at the Solomon R. Guggenheim Museum, New York, this book of major paintings and works on paper serves as a means to explore the context of Indian modern art as it played out in the metropolitan centers of Mumbai and New Delhi from the late 1940s through the end of the 20th century. It also introduces readers to a reclusive genius who developed a unique nonobjective style that employed palette knives and paint rollers. The exquisite reproductions reveal Gaitonde's extraordinary use of color, form, and texture, as well as symbolic elements and calligraphy to create works that seem to glow with an inner light. A comprehensive essay relates Gaitonde's nuanced understanding of color to major American, European and Asian traditions and movements, analyses the artist's use of the term "nonobjective" within its historical context, and provides valuable insights into Gaitonde's life and work in the context of Indian modernism., Filled with stunning reproductions of V. S. Gaitonde's luminous paintings, this book on the revered Indian artist fills a valuable niche in the study of South Asian art and comparative modernities. A seminal colorist whose career remains unparalleled in the history of South Asian modern art, V.S. Gaitonde was known to fellow artists and intellectuals as well as to later generations of students and collectors as a man of uncompromising integrity of spirit and purpose. Accompanying an exhibition at the Solomon R. Guggenheim Museum, New York, this book of major paintings and works on paper serves as a means to explore the context of Indian modern art as it played out in the metropolitan centers of Mumbai and New Delhi from the late 1940s through the end of the 20th century. It also introduces readers to a reclusive genius who developed a unique nonobjective style that employed palette knives and paint rollers. The exquisite reproductions reveal Gaitonde's extraordinary use of color, form, and texture, as well as symbolic elements and calligraphy to create works that seem to glow with an inner light. A comprehensive essay relates Gaitonde's nuanced understanding of color to major American, European and Asian traditions and movements, analyses the artist's use of the term nonobjective within its historical context, and provides valuable insights into Gaitonde's life and work in the context of Indian modernism.
LC Classification Number
ND1010
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Verkäuferbewertungen (2'507)
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Alle Artikel (2'507)
- 7***7 (25)- Bewertung vom Käufer.Letzter MonatBestätigter KaufItem came in great shape and got it quickly
- r***- (102)- Bewertung vom Käufer.Letzter MonatBestätigter KaufArrived safe and clean
- e***7 (802)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThx