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Afroamerikanis che Kunst von Patton, Sharon F.
by Patton, Sharon F. | PB | Good
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eBay-Artikelnr.:376193990579
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9780192842138
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0192842137
ISBN-13
9780192842138
eBay Product ID (ePID)
230395
Product Key Features
Book Title
African-American Art
Number of Pages
320 Pages
Language
English
Publication Year
1998
Topic
American / African American, American / General
Illustrator
Yes
Genre
Art
Book Series
Oxford History of Art Ser.
Format
Uk-Trade Paper
Dimensions
Item Height
0.7 in
Item Weight
26.2 Oz
Item Length
9.4 in
Item Width
6.6 in
Additional Product Features
Intended Audience
Trade
LCCN
98-190459
Reviews
'Sharon Patton has written a much needed text which surveys the broad scope of the history of African-American art from slavery to the present. She has followed a different tack, tracing art themes and their development throughout the history, rather than the influences of specific artists orperiods. Thus, she shows how ideas such as crafts, formal painting and sculpture, or architecture, co-existed with equal importance to the culture from the times of the Colonies. In so doing, she breaks down the barrier between folk and formal art, and articulates an interrelationship of bothconcepts to African-American people and their culture. Her book expands the framework for the visual arts in the United States in the last two centuries.'Professor Keith Morrison, Dean, College of Creative Arts, San Francisco State University, 'Sharon Patton has written a much needed text which surveys the broad scope of the history of African-American art from slavery to the present. She has followed a different tack, tracing art themes and their development throughout the history, rather than the influences of specific artists or periods. Thus, she shows how ideas such as crafts, formal painting and sculpture, or architecture, co-existed with equal importance to the culture from the times ofthe Colonies. In so doing, she breaks down the barrier between folk and formal art, and articulates an interrelationship of both concepts to African-American people and their culture. Her book expandsthe framework for the visual arts in the United States in the last two centuries.'Professor Keith Morrison, Dean, College of Creative Arts, San Francisco State University, 'Sharon Patton has written a much needed text which surveys the broadscope of the history of African-American art from slavery to the present. Shehas followed a different tack, tracing art themes and their developmentthroughout the history, rather than the influences of specific artists orperiods. Thus, she shows how ideas such as crafts, formal painting andsculpture, or architecture, co-existed with equal importance to the culture fromthe times of the Colonies. In so doing, she breaks down the barrier betweenfolk and formal art, and articulates an interrelationship of both concepts toAfrican-American people and their culture. Her book expands the framework forthe visual arts in the United States in the last two centuries.'Professor Keith Morrison, Dean, College of Creative Arts, San Francisco StateUniversity
Dewey Edition
21
Dewey Decimal
704.03/96/073
Table Of Content
IntroductionChapter 1: Colonial America and the Young Republic 1700-1820:Introduction: The fight for independence 1775-83; Africa, North America, and African American CulturePlantations: Architecture and the plantation layout; Slave housesThe revival of African culture on the plantations: Life on the plantations; New European-American influencesA Planter's house in Louisiana - Plantation slave artists and craftsmen: Textiles and patchwork quilts; Folk art; PotteryUrban Slave Artists and Craftsmen: Furniture; Silversmiths; Fine artistsChapter 2: Nineteenth-Century America, The Civil War and Reconstruction:Introduction: The anti-slavery movement; Free black and slave artisans; Fine artistsArchitecture, the decorative arts, and folk art: Urban and rural Architecture; Furniture; Metalwork and woodcarving; Pottery; QuiltsFine arts: Painting, sculpture, and graphic arts: Exhibitions and the viewing public; Abolitionist patronage; Graphic arts; Landscape painting; Neoclassical sculpture; Genre and biblical paintingChapter 3: Twentieth-Century America and Modern Art 1900-60:Introduction: Civil rights and double-consciousness; The development of a modern American artAfrican-American culture, the New Negro and art in the 1920s: The Great Migration; The Jazz Age; Expatriates and Paris, the Negro colony; The New Negro movement; Photography; The New Negro artist; Graphic art; PaintingThe patronage of the New Negro ArtistState Funding and the Rise of African-American Art: The Federal Arts Project; The legacy of the New Negro movement: Negritude and figurative sculpture; Folk art; American Scene painting; African-American murals; WPA Workshops and community art centres; Social realism; Abstract art and modernism in New York; Abstract figurative painting; Patronage and critical debateAmerican culture post World War II: Folk art; Painting: Expressionism and SurrealismAbstract Expressionism and African-American Art: Primitivism; Early Abstract Expressionism: Bearden, Woodruff, and Alston; Abstract Expressionism; Second generation of Abstract Expressionists 1955-61Chapter 4: Twentieth-Century America: The Evolution of a Black Aesthetic:Introduction: Civil rights and black nationalismCultural crisis: Black artist or American artist: Spiral artist's group 1964-66; PaintingThe evolution of a modern black aesthetic: Defining black art; Painting; SculptureArt institutions and the artists' groups: Mainstream art institutions; Black art aesthetics; Black art and black power; Black artists' groupsTowards a New Abstraction: Are you black enough?; Painting; SculptureThe Postmodern condition 1980-93: Painting; Video art; Sculpture; PhotographyConclusion, Notes, List of Illustrations, Bibliographic Essay, Timeline, Index
Synopsis
African-American art has made an increasingly vital contribution to the art of the United States from the time of its origins in early-eighteenth-century slave communities. This major reassessment of the subject discusses folk and decorative arts such as ceramics, furniture, and quilts alongside fine art -- sculptures, paintings, and photography -- produced by African Americans, both enslaved and free, throughout the nineteenth century. It explores art and politics, the influence of galleries and museums, and examines the New Negro Movement of the 1920s, the Era of Civil Rights and Black Nationalism through the 1960s and 1970s, and the emergence of new black artists and theorists in the 1980s and 1990s. African-American Art shows that in its cultural diversity and synthesis of cultures it mirrors those in American society as a whole. 'a much needed text. . . breaks down the barrier between folk and formal art, and articulates an interrelationship of both concepts to African-American people and their culture'Keith Morrison, Artist and Dean of the College of Arts, San Francisco State University. 'a fine survey of contemporary African-American art and ideas... a volume, which, like no other, can be used both as an unusual reference book and a good read'Emma Amos, Artist and Professor of Art at Rutgers University, From its origins in early eighteenth century slave communities to the end of the twentieth century, African-American art has made a vital contribution to the art of the United States. African-American Art provides a major reassessment of the subject, setting the art in the context of the African-American experience. Here, Patton discusses folk and decorative arts such as ceramics, furniture, and quilts alongside fine art, sculptures, paintings, and photography during the 1800s. She also examines the New Negro Movement of the 1920s, the era of Civil Rights and Black Nationalism during the 1960s and 70s, and the emergence of new black artists and theorists in the 1980s and 90s. New evidence suggests different ways of looking at African-American art, confirming that it represents the culture and society from which it emerges. Here, Patton explores significant issues such as the relationship of art and politics, the influence of galleries and museums, the growth of black universities, critical theory, the impact of artists collectives, and the assortment of art practices since the 1960s. African-American Art shows that in its cultural diversity and synthesis of cultures it mirrors those in American society as a whole.
LC Classification Number
N6538.N5P38 1998
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