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Geschmack der Nation: Der New Deal Suche nach Amerikas Essen (Studien zur Sensorik
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Product Identifiers
Publisher
University of Illinois Press
ISBN-10
0252081706
ISBN-13
9780252081705
eBay Product ID (ePID)
219257119
Product Key Features
Number of Pages
240 Pages
Language
English
Publication Name
Taste of the Nation : the New Deal Search for America's Food
Subject
Social History, General, Agriculture & Food (See Also Political Science / Public Policy / Agriculture & Food Policy), History, Customs & Traditions, Diet & Nutrition / General
Publication Year
2016
Type
Textbook
Subject Area
Cooking, Health & Fitness, Social Science, History
Series
Studies in Sensory History Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
13.5 Oz
Item Length
9 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-041915
Dewey Edition
23
Reviews
A fascinating archive on how American eating shifted during the years of the Depression. It provides a kind of hidden history of early-twentieth-century eating, documenting the role of different non-white middle class groups in shaping the American palate in ways that continue to resonate.--David E. Sutton, author of The Restaurants Book: Ethnographies of Where We Eat "Recommended."-- Choice , ""A fascinating archive on how American eating shifted during the years of the Depression. It provides a kind of hidden history of early-twentieth-century eating, documenting the role of different non-white middle class groups in shaping the American palate in ways that continue to resonate.""--David E. Sutton, author of The Restaurants Book: Ethnographies of Where We Eat ""Who knew that modern food writing originated in the New Deal's Federal Writers' Project? Camille Begin convincingly shows how the FWP's sensory concerns linked food to race and place. Her lively account recognizes the importance of food writing in drawing the boundaries that transform modern culinary nationalism, ethnicity and regionalism into 'sensory economies.'""--Donna Gabaccia, author of We Are What We Eat: Ethnic Food and the Making of Americans ""Gives us the best of both worlds: sharp, scholarly, critique, essential to solid research and good teaching; and rich, sensory, description, conveyed with exquisite writing, where you can smell the acrid smoke from the wood stove, hear the clatter of the cutlery and the screeching of the dining room chairs. It is a text I relished and learned much from, about American gustatory nationalism, and its relationship to race and gender in New Deal food writing.""--Krishnendu Ray, author of The Ethnic Restaurateur, "Gives us the best of both worlds: sharp, scholarly, critique, essential to solid research and good teaching; and rich, sensory, description, conveyed with exquisite writing, where you can smell the acrid smoke from the wood stove, hear the clatter of the cutlery and the screeching of the dining room chairs. It is a text I relished and learned much from, about American gustatory nationalism, and its relationship to race and gender in New Deal food writing."--Krishnendu Ray, author of The Ethnic Restaurateur, " Taste of the Nation is most useful--and it is very useful--as a model for ways to apply sensory history in the realm of food studies. It offers theoretical ways of bridging ideas and flavors, the work that seems often unfinished in food studies."-- H-Net "Gives us the best of both worlds: sharp, scholarly, critique, essential to solid research and good teaching; and rich, sensory, description, conveyed with exquisite writing, where you can smell the acrid smoke from the wood stove, hear the clatter of the cutlery and the screeching of the dining room chairs. It is a text I relished and learned much from, about American gustatory nationalism, and its relationship to race and gender in New Deal food writing."--Krishnendu Ray, author of The Ethnic Restaurateur, A fascinating archive on how American eating shifted during the years of the Depression. It provides a kind of hidden history of early-twentieth-century eating, documenting the role of different non-white middle class groups in shaping the American palate in ways that continue to resonate.--David E. Sutton, author of The Restaurants Book: Ethnographies of Where We Eat, "Taste of the Nation is a valuable addition to the literature: a sophisticated reading of the sources that shows the importance of race, gender, and ethnicity in shaping our attitudes toward food."--Journal of American History, " Taste of the Nation offers fascinating insights into how regional culinary traditions were incorporated into the New Deal's nation-building project."-- Journal of Southern History, "Who knew that modern food writing originated in the New Deal's Federal Writers' Project? Camille Begin convincingly shows how the FWP â„¢s sensory concerns linked food to race and place. Her lively account recognizes the importance of food writing in drawing the boundaries that transform modern culinary nationalism, ethnicity and regionalism into 'sensory economies.'"--Donna Gabaccia, author of We Are What We Eat: Ethnic Food and the Making of Americans, ASFS Book Award, Association for the Study of Food and Society, 2017 "A fascinating archive on how American eating shifted during the years of the Depression. It provides a kind of hidden history of early-twentieth-century eating, documenting the role of different non-white middle class groups in shaping the American palate in ways that continue to resonate." --David E. Sutton, author of The Restaurants Book: Ethnographies of Where We Eat, "Gives us the best of both worlds: sharp, scholarly, critique, essential to solid research and good teaching; and rich, sensory, description, conveyed with exquisite writing, where you can smell the acrid smoke from the wood stove, hear the clatter of the cutlery and the screeching of the dining room chairs. It is a text I relished and learned much from, about American gustatory nationalism, and its relationship to race and gender in New Deal food writing."--Krishnendu Ray, author of The Ethnic Restaurateur " Taste of the Nation is a valuable addition to the literature: a sophisticated reading of the sources that shows the importance of race, gender, and ethnicity in shaping our attitudes toward food."-- Journal of American History, " Taste of the Nation offers fascinating insights into how regional culinary traditions were incorporated into the New Deal's nation-building project."-- Journal of Southern History " Taste of the Nation is a valuable addition to the literature: a sophisticated reading of the sources that shows the importance of race, gender, and ethnicity in shaping our attitudes toward food."-- Journal of American History, "Who knew that modern food writing originated in the New Deal's Federal Writers' Project? Camille Begin convincingly shows how the FWP (tm)s sensory concerns linked food to race and place. Her lively account recognizes the importance of food writing in drawing the boundaries that transform modern culinary nationalism, ethnicity and regionalism into 'sensory economies.'"--Donna Gabaccia, author of We Are What We Eat: Ethnic Food and the Making of Americans "Her five chapters do read like a gourmet five course meal within a sensory archive with no detail too small, beginning with her wonderful introductory courses of 'Romance of the Homemade' and 'Tasting Place, Sensing Race' and concluding with a thoughtful and well-placed chapter titled 'A Well-Filled Melting Pot'. Bon Appetit! "-- Journal of Contemporary History, "An astute sensory history rooted in a firm theoretical base. . . . Bégin's lively account, complemented with striking photographs, captures a moment when the nation pioneered a new understanding of its culinary heritage. Bégin offers scholars and general readers much to savor."-- Agricultural History, "Her five chapters do read like a gourmet five course meal within a sensory archive with no detail too small, beginning with her wonderful introductory courses of 'Romance of the Homemade' and 'Tasting Place, Sensing Race' and concluding with a thoughtful and well-placed chapter titled 'A Well-Filled Melting Pot'. Bon Appetit!"--Journal of Contemporary History
Dewey Decimal
641.30097309/04
Table Of Content
Cover Title Contents Acknowledgments Introduction: Sensing Food in the New Deal Era 1. America Eats: The Making of a Sensory Archive 2.Romance of the Homemade 3. Tasting Place, Sensing Race 4. An American Culinary Heritage? Mexican Food in the Southwest 5. A "Well-Filled Melting Pot" Conclusion: How Taste Is Made Notes Bibliography Index
Synopsis
During the Depression, the Federal Writers' Project (FWP) dispatched scribes to sample the fare at group eating events like church dinners, political barbecues, and clambakes. Its America Eats project sought nothing less than to sample, and report upon, the tremendous range of foods eaten across the United States. ......, During the Depression, the Federal Writers' Project (FWP) dispatched scribes to sample the fare at group eating events like church dinners, political barbecues, and clambakes. Its America Eats project sought nothing less than to sample, and report upon, the tremendous range of foods eaten across the United States. Camille Bégin shapes a cultural and sensory history of New Deal-era eating from the FWP archives, describing in mouth-watering detail how Americans tasted their food. Bégin explores how likes and dislikes, cravings and disgust operated within local sensory economies that she culls from the FWP's vivid descriptions, visual cues, culinary expectations, recipes and accounts of restaurant meals. She also illustrates how nostalgia, prescriptive gender ideals, and racial stereotypes shaped how the FWP was able to frame regional food cultures as "American.", During the Depression, the Federal Writers' Project (FWP) dispatched scribes to sample the fare at group eating events like church dinners, political barbecues, and clambakes. Its America Eats project sought nothing less than to sample, and report upon, the tremendous range of foods eaten across the United States. Camille Begin shapes a cultural and sensory history of New Deal-era eating from the FWP archives. From "ravioli, the diminutive derbies of pastries, the crowns stuffed with a well-seasoned paste" to barbeque seasoning that integrated "salt, black pepper, dried red chili powder, garlic, oregano, cumin seed, and cayenne pepper" while "tomatoes, green chili peppers, onions, and olive oil made up the sauce," Begin describes in mouth-watering detail how Americans tasted their food. They did so in ways that varied, and varied widely, depending on race, ethnicity, class, and region. Begin explores how likes and dislikes, cravings and disgust operated within local sensory economies that she culls from the FWP's vivid descriptions, visual cues, culinary expectations, recipes and accounts of restaurant meals. She illustrates how nostalgia, prescriptive gender ideals, and racial stereotypes shaped how the FWP was able to frame regional food cultures as "American.", During the Depression, the Federal Writers' Project (FWP) dispatched scribes to sample the fare at group eating events like church dinners, political barbecues, and clambakes. Its America Eats project sought nothing less than to sample, and report upon, the tremendous range of foods eaten across the United States. Camille Begin shapes a cultural and sensory history of New Deal-era eating from the FWP archives. From "ravioli, the diminutive derbies of pastries, the crowns stuffed with a well-seasoned paste" to barbeque seasoning that integrated "salt, black pepper, dried red chili powder, garlic, oregano, cumin seed, and cayenne pepper" while "tomatoes, green chili peppers, onions, and olive oil made up the sauce", Begin describes in mouth-watering detail how Americans tasted their food. They did so in ways that varied, and varied widely, depending on race, ethnicity, class, and region. Begin explores how likes and dislikes, cravings and disgust operated within local sensory economies that she culls from the FWP's vivid descriptions, visual cues, culinary expectations, recipes and accounts of restaurant meals. She illustrates how nostalgia, prescriptive gender ideals, and racial stereotypes shaped how the FWP was able to frame regional food cultures as "American."
LC Classification Number
TX360
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