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The Irascibles: Painters Against the Museum (New York, 1950), gutes Buch

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eBay-Artikelnr.:376357598138
Zuletzt aktualisiert am 26. Jul. 2025 20:13:42 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
ISBN
9788470756658

Über dieses Produkt

Product Identifiers

Publisher
Fundacion Juan March
ISBN-10
8470756656
ISBN-13
9788470756658
eBay Product ID (ePID)
27050404337

Product Key Features

Book Title
Irascibles: Painters Against the Museum (New York, 1950)
Number of Pages
304 Pages
Language
English
Publication Year
2020
Topic
Collections, Catalogs, Exhibitions / Group Shows, History / Contemporary (1945-)
Illustrator
Yes
Genre
Art
Author
Bradford R. Collins
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
59.3 Oz
Item Length
11.5 in
Item Width
9 in

Additional Product Features

Intended Audience
Trade
TitleLeading
The
Reviews
An elegant coffee-table style volume, "The Irascibles: Painters Against the Museum" is an impressively informative, exceptionally well organized, and inherently fascinating work of meticulous and collaborative scholarship..., A substantial work that places itself directly in dialogue with foundational texts about this period [...]With more than 230 illustrations, a detailed timeline of events, maps charting the locations of artist meeting spaces, galleries, and museums in Manhattan, and an extensive bibliography, the coffee table-style catalog would be a strong addition to college, university, and art and design school libraries that support the study of modern art history., Along with contemporary press accounts, correspondence, exhibition ephemera, and a series of essays covering a number of perspectives on the event and its context, the catalogue s team of writers offers a look behind the curtain of the New York School s founding myth....The catalogue unveils a plethora of visual source material and peels back layers of personal interactions between artists, dealers, collectors, museum trustees, and critics during the events of the early Fifties., Along with contemporary press accounts, correspondence, exhibition ephemera, and a series of essays covering a number of perspectives on the event and its context, the catalogue's team of writers offers a look behind the curtain of the New York School's founding myth....The catalogue unveils a plethora of visual source material and peels back layers of personal interactions between artists, dealers, collectors, museum trustees, and critics during the events of the early Fifties., Featuring more than 230 illustrations alongside original essays by several art historians and curators that examine the complex history of the New York School, this volume serves as a time capsule of the exciting period of early abstract expressionism in the United States.
Synopsis
The first documentation of the legendary 1950 showdown between 18 leading abstract expressionists and the Metropolitan Museum of Art In 1950, 18 American abstract painters signed an open letter addressed to the president of the Metropolitan Museum of Art to express their intense disapproval of the museum's contemporaneous exhibit American Painting Today: 1950 . The artists were William Baziotes, James Brooks, Fritz Bultman, Jimmy Ernst, Adolph Gottlieb, Hans Hofmann, Weldon Kees, Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Ad Reinhardt, Mark Rothko, Theodoros Stamos, Hedda Sterne, Clyfford Still and Bradley Walker Tomlin. This artistic coalition, which included many members of the New York School and is now considered a watershed movement in mid-20th-century American art history, challenged the museum's policies for their narrow understanding of what made certain art worth exhibiting. Though they resisted being labeled as a collective, media coverage of the museum boycott, which included a now-famous group portrait in Life magazine taken by photographer Nina Leen, ultimately contributed to the success of the 18 "irascibles" in what became known as the abstract expressionist movement. This publication collects paintings by the artists, images from Leen's photoshoot and extensive documentation of the letter-writing process with relevant catalogs and magazines. Featuring more than 230 illustrations alongside original essays by several art historians and curators that examine the complex history of the New York School, this volume serves as a time capsule of the exciting period of early abstract expressionism in the United States.
Text by
Duncan, Charles H., Cordero, Beatriz, Collins, Bradford R., Belasco, Daniel, del Junco, Manuel Fontán

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