
Ikonen der Trauer: Val Lewtons Heimatfront Bilder perfekt Alexand
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Ikonen der Trauer: Val Lewtons Heimatfront Bilder perfekt Alexand
Free US Delivery | ISBN:0520241002
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eBay-Artikelnr.:376362317486
Artikelmerkmale
- Artikelzustand
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- Hinweise des Verkäufers
- Features
- EX-LIBRARY
- Book Title
- Icons of Grief : Val Lewton's Home Front Pictures Perfect Alexand
- ISBN
- 9780520241008
Über dieses Produkt
Product Identifiers
Publisher
University of California Press
ISBN-10
0520241002
ISBN-13
9780520241008
eBay Product ID (ePID)
43878875
Product Key Features
Number of Pages
226 Pages
Publication Name
Icons of Grief : Val Lewton's Home Front Pictures
Language
English
Subject
Film / General, Film / History & Criticism
Publication Year
2005
Type
Textbook
Subject Area
Performing Arts
Format
Perfect
Dimensions
Item Height
0.6 in
Item Weight
11.2 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2004-022512
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
791.4302/33
Table Of Content
Acknowledgments Introduction: Fragments of the Home Front 1. The Madonna of the Backyard: Simone Simon and Ann Carter in The Curse of the Cat People 2. The Power of the Minor Actor: Skelton Knaggs in The Ghost Ship 3. Stillness and Recollection: Darby Jones in I Walked with a Zombie 4. This Pretty World: Glenn Vernon in Bedlam Notes Selected Bibliography Index
Synopsis
An essay on the horror films of Val Lewton as vital cultural documents of the American 'home front' during World War II., This beautifully written study looks at the haunting, melancholy horror films Val Lewton made between 1942 and 1946 and finds them to be powerful commentaries on the American home front during World War II. Alexander Nemerov focuses on the iconic, isolated figures who appear in four of Lewton's small-budget classics- The Curse of the Cat People, The Ghost Ship, I Walked with a Zombie, and Bedlam. These ghosts, outcasts, and other apparitions of sorrow crystallize the anxiety and grief experienced by Americans during the war, emotions decidedly at odds with the official insistence on courage, patriotism, and optimism. In an evocative meditation on Lewton's use of these "icons of grief," Nemerov demonstrates the film-maker's interest in those who found themselves alienated by wartime society and illuminates the dark side of the American psyche in the 1940s. Nemerov's rich study draws from Lewton's letters, novels, and scripts and from a wealth of historical material to shed light on both the visual and literary aspects of the filmmaker's work. Lavishly illustrated with more than fifty photographs, including many rare film stills, Icons of Grief recasts Lewton's horror films as suggestive commentaries on a troubled and hidden side of America during World War II., This beautifully written study looks at the haunting, melancholy horror films Val Lewton made between 1942 and 1946 and finds them to be powerful commentaries on the American home front during World War II. Alexander Nemerov focuses on the iconic, isolated figures who appear in four of Lewton's small-budget classics-- The Curse of the Cat People, The Ghost Ship, I Walked with a Zombie, and Bedlam. These ghosts, outcasts, and other apparitions of sorrow crystallize the anxiety and grief experienced by Americans during the war, emotions decidedly at odds with the official insistence on courage, patriotism, and optimism. In an evocative meditation on Lewton's use of these "icons of grief," Nemerov demonstrates the film-maker's interest in those who found themselves alienated by wartime society and illuminates the dark side of the American psyche in the 1940s. Nemerov's rich study draws from Lewton's letters, novels, and scripts and from a wealth of historical material to shed light on both the visual and literary aspects of the filmmaker's work. Lavishly illustrated with more than fifty photographs, including many rare film stills, Icons of Grief recasts Lewton's horror films as suggestive commentaries on a troubled and hidden side of America during World War II., This beautifully written study looks at the haunting, melancholy horror films Val Lewton made between 1942 and 1946 and finds them to be powerful commentaries on the American home front during World War II. Alexander Nemerov focuses on the iconic, isolated figures who appear in four of Lewton's small-budget classics--"The Curse of the Cat People, The Ghost Ship, I Walked with a Zombie, and "Bedlam. These ghosts, outcasts, and other apparitions of sorrow crystallize the anxiety and grief experienced by Americans during the war, emotions decidedly at odds with the official insistence on courage, patriotism, and optimism. In an evocative meditation on Lewton's use of these "icons of grief," Nemerov demonstrates the film-maker's interest in those who found themselves alienated by wartime society and illuminates the dark side of the American psyche in the 1940s. Nemerov's rich study draws from Lewton's letters, novels, and scripts and from a wealth of historical material to shed light on both the visual and literary aspects of the filmmaker's work. Lavishly illustrated with more than fifty photographs, including many rare film stills, "Icons of Grief recasts Lewton's horror films as suggestive commentaries on a troubled and hidden side of America during World War II.
LC Classification Number
2004022512
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