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Getting Past Me: A Writer's Guide to Production Company Readers by White, Mindi
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Getting Past Me: A Writer's Guide to Production Company Readers by White, Mindi
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Getting Past Me: A Writer's Guide to Production Company Readers by White, Mindi

by White, Mindi | PB | Good
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Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ... Mehr erfahrenÜber den Artikelzustand
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    Zuletzt aktualisiert am 13. Sep. 2025 18:19:57 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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    Artikelzustand
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    Hinweise des Verkäufers
    “Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
    Binding
    Paperback
    Weight
    0 lbs
    Product Group
    Book
    IsTextBook
    No
    ISBN
    9780879103910
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Leonard Corporation, Hal
    ISBN-10
    0879103914
    ISBN-13
    9780879103910
    eBay Product ID (ePID)
    109060198

    Product Key Features

    Book Title
    Getting Past Me : a Writer's Guide to Production Company Readers
    Number of Pages
    96 Pages
    Language
    English
    Topic
    Business Aspects, Film / Reference, Film / History & Criticism
    Publication Year
    2012
    Genre
    Performing Arts
    Author
    Mindi White
    Book Series
    Quick Guide Ser.
    Format
    Trade Paperback

    Dimensions

    Item Height
    1.1 in
    Item Weight
    17.8 Oz
    Item Length
    7.5 in
    Item Width
    5.2 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2011-026237
    Dewey Edition
    23
    Dewey Decimal
    808.2/3
    Synopsis
    Story analysts, also known as script analysts or readers, are the gatekeepers at production companies and agencies. Working behind the scenes, they make or break writers' entr e into the company for which they read. A typical scenario: "I'm sorry, but the reader passed on your script" - which means you have gotten a big, fat NO. You get only one shot at that particular company. What happened? Getting Past Me tells the writer exactly what happened and how to ensure it will not happen again. Most writers have no idea of what goes through story analysts' mind as they look at a screenplay, manuscript, magazine article, treatment, or any other project. The book explains how story analysts think and what you as a writer can do, letting you in on readers' trade secrets and giving you invaluable, key information that will ensure your work is reviewed favorably and fairly. Story analyst and industry insider Mindi White goes beyond such basic subjects as character development and pacing and point of view, to focus on a POV the writer cannot get anywhere else: what influences a reader's take on submitted material. Fast-paced, acerbic, and extremely informative, making the valuable lessons easy and fun to absorb, Getting Past Me offers insider tips, trade secrets, and real-life examples that are consistently illuminating and often surprising., Story analysts also known as script analysts or readers are the gatekeepers at production companies and agencies. Working behind the scenes they make or break writers' entr (c)e into the company for which they read. A typical scenario: I'm sorry but the reader passed on your script a which means you have gotten a big fat NO. You get only one shot at that particular company. What happened?THEGetting Past MeE tells the writer exactly what happened and how to ensure it will not happen again. Most writers have no idea of what goes through story analysts' mind as they look at a screenplay manuscript magazine article treatment or any other project. The book explains how story analysts think and what you as a writer can do letting you in on readers' trade secrets and giving you invaluable key information that will ensure your work is reviewed favorably and fairly.THStory analyst and industry insider Mindi White goes beyond such basic subjects as character development and pacing and point of view to focus on a POV the writer cannot get anywhere else: what influences a reader's take on submitted material. Fast-paced acerbic and extremely informative making the valuable lessons easy and fun to absorb EGetting Past MeE offers insider tips trade secrets and real-life examples that are consistently illuminating and often surprising., Story analysts, also known as script analysts or readers, are the gatekeepers at production companies and agencies. Working behind the scenes, they make or break writers' entrée into the company for which they read. A typical scenario: "I'm sorry, but the reader passed on your script" - which means you have gotten a big, fat NO. You get only one shot at that particular company. What happened? Getting Past Me tells the writer exactly what happened and how to ensure it will not happen again. Most writers have no idea of what goes through story analysts' mind as they look at a screenplay, manuscript, magazine article, treatment, or any other project. The book explains how story analysts think and what you as a writer can do, letting you in on readers' trade secrets and giving you invaluable, key information that will ensure your work is reviewed favorably and fairly. Story analyst and industry insider Mindi White goes beyond such basic subjects as character development and pacing and point of view, to focus on a POV the writer cannot get anywhere else: what influences a reader's take on submitted material. Fast-paced, acerbic, and extremely informative, making the valuable lessons easy and fun to absorb, Getting Past Me offers insider tips, trade secrets, and real-life examples that are consistently illuminating and often surprising.
    LC Classification Number
    PN1996.W37 2011

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