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The Deadline: Essays by Lepore, Jill

by Lepore, Jill | HC | VeryGood
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Hinweise des Verkäufers
“Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ...
Binding
Hardcover
Weight
2 lbs
Product Group
Book
IsTextBook
No
ISBN
9781631496127
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Liveright Publishing Corporation
ISBN-10
1631496123
ISBN-13
9781631496127
eBay Product ID (ePID)
27058624427

Product Key Features

Book Title
Deadline : Essays
Number of Pages
624 Pages
Language
English
Topic
Essays, United States / General
Publication Year
2023
Illustrator
Yes
Genre
Education, Literary Collections, History
Author
Jill Lepore
Format
Hardcover

Dimensions

Item Height
1.5 in
Item Weight
37.7 Oz
Item Length
9.5 in
Item Width
6.4 in

Additional Product Features

Intended Audience
Trade
TitleLeading
The
Reviews
Reading Lepore on the Second and 14th Amendments (any amendment, really) is elucidating. But it's her inclinations toward misfits and old narratives we have taken for granted that make The Deadline glow . . . the book emerges as a riveting survey of America, a vital reminder that 'history isn't a pledge, it's an argument.', Lepore focuses her cogent insight on the most pressing issues of the past decade in American society, seamlessly moving between the intensely personal (a friend's cancer diagnosis) to the fiercely political (the urgent gun-violence crisis and ongoing debate over gun control) with authority and acumen . . . [The Deadline] brings wit, clarity, and necessary perspective to the biggest issues of today., Jill Lepore is unquestionably one of America's best historians; it's fair to say she's one of its best writers too . . . Taken in sequentially, Lepore's essays constitute a dizzying, entertaining and urgent survey course on contemporary American life. Although Lepore dives deep into the waters of bygone eras, she always writes from the present -- the palpable surface of history's ever-rising tide., Lepore brings her vibrant curiosity and wide-ranging erudition to a host of topics . . . 'All historians are coroners,' she remarks, explaining her deft dissection of past lives, but not all bring to their writing Lepore's grace, precision, and deep humanity. A noteworthy collection from an indispensable writer and thinker., Dazzling . . . Lepore pursues both history and writing with great intelligence, boundless curiosity, a relentless pursuit of facts and concern about very important subjects. . . . Whether the subject is technology, law, culture, bicycling or children, her insights hold our attention... An outstanding collection, sure to be enjoyed by a wide range of readers., Those for whom history is an incomprehensible nightmare may find relief reading the works of Jill Lepore... [she] writes with a distinct perspective and sophistication, with wisdom... Lepore's 46 essays include thoughts on her relationships with her father and mother, the latter's life told in parallel with an account of Jane Franklin, Ben Franklin's sister; literature (Frankenstein as a slave narrative, and the life of Herman Melville); America's history and its present (the life of Eugene Debs, the history of the U.S. Supreme Court, and an account of the torture regime of the Bush administration); and her love of biking. Her curiosity's intensity is matched only by its scope; the sheer variety of topics will surprise and delight readers who revel in the perhaps dying art of a great generalist. The Deadline superbly chronicles the many crises and joys of our times--and their origins in times long past., Lepore is a sophisticated and original thinker and an ensnaring, witty, and provocative storyteller . . . Lepore's galvanized readers will acquire new perspectives and new knowledge as she addresses complex matters with vigor, wit, and clarity., Jill Lepore is America's greatest living essayist. No one else can sway so gracefully between the personal and the political, the micro and the macro, while remaining so firmly grounded in common human experience. She is a historian who can evoke the mystery of time, a memorist who uses recollection to open passages into the nation's psyche, a brilliant writer whose luminous prose can evoke at once the body and the body politic. These wonderful essays form a stunning mosaic of contemporary America and an alternative annal of our times., Dazzling . . . Whether the subject is technology, law, culture, bicycling or children, her insights hold our attention., [A] bracing and deeply considered guide to the ground-shifting cultural and political events of the past 10 years.
Synopsis
"Jill Lepore is unquestionably one of America's best historians; it's fair to say she's one of its best writers too." --Jonathan Russell Clark, Los Angeles Times Best Books of 2023: New Yorker, TIME A book to be read and kept for posterity, The Deadline is the art of the essay at its best., "Jill Lepore is unquestionably one of America's best historians; it's fair to say she's one of its best writers too." --Jonathan Russell Clark, Los Angeles Times Best Books of 2023: New Yorker, TIME A book to be read and kept for posterity, The Deadline is the art of the essay at its best. Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans' techno-utopianism, frantic fractiousness, and unprecedented--but armed--aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore's life, these essays again and again cross what she calls the deadline , the "river of time that divides the quick from the dead." Echoing Gore Vidal's United States in its massive intellectual erudition, The Deadline , with its remarkable juxtaposition of the political and the personal, challenges the very nature of the essay--and of history--itself., Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline offer a prismatic portrait of Americans' techno-utopianism, frantic fractiousness, and unprecedented--but armed--aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore's life, these essays again and again cross what she calls the deadline , the "river of time that divides the quick from the dead." Echoing Gore Vidal's United States in its massive intellectual erudition, The Deadline , with its remarkable juxtaposition of the political and the personal, challenges the very nature of the essay--and of history--itself.

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