Four Major Plays Paperback John, García Lorca, Federico Edmunds
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Four Major Plays Paperback John, García Lorca, Federico Edmunds
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Artikelmerkmale
- Artikelzustand
- Sehr gut
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- Special Attributes
- EX-LIBRARY
- Publication Name
- Oxford University Press, Incorporated
- ISBN
- 9780199537518
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199537518
ISBN-13
9780199537518
eBay Product ID (ePID)
71099202
Product Key Features
Book Title
Four Major Plays
Number of Pages
288 Pages
Language
English
Publication Year
2009
Topic
European / Spanish & Portuguese, European / General
Genre
Literary Criticism, Drama
Book Series
Oxford World's Classics Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
7.2 Oz
Item Length
7.7 in
Item Width
5 in
Additional Product Features
Intended Audience
Trade
LCCN
2009-291056
Dewey Edition
21
Reviews
'His versions are accurate ... faithful ... fluent and idiomatic; they look like utterances of English ... Readers can be sure that the texts will not lead them astray, but they will also be grateful for the quite excellent introductory essay by Nick Round. This is a characteristically gritty display of erudition and common sense ... extremely well-prepared edition.'Times Literary Supplement, 'His versions are accurate ... faithful ... fluent and idiomatic; they look like utterances of English ... Readers can be sure that the texts will not lead them astray, but they will also be grateful for the quite excellent introductory essay by Nick Round. This is a characteristically grittydisplay of erudition and common sense ... extremely well-prepared edition.'Times Literary Supplement
Dewey Decimal
862/.62
Synopsis
'I have made a terrible discovery ... I have not yet been born ... I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico García Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolate Yerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more., In his four last plays ( Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster ) Federico García Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more., In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.", In his four last plays Federico García Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. Contains: Blood Wedding; Yerma; The House of Bernarda Alba; Dona Rosita the Spinster., In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico García Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s---unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
LC Classification Number
PQ6613.A763
As told to
MacLaren, Ann
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