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Joan Mitchell: Ich trage meine Landschaften mit mir herum -- Großes Hardcover
US $39,00
Ca.CHF 31,04
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- Sofort-KaufenJoan Mitchell: Ich trage meine Landschaften mit mir herum -- Großes Hardcover
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Standort: Montrose, California, USA
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eBay-Artikelnr.:376501489623
Artikelmerkmale
- Artikelzustand
- ISBN
- 9781644230282
Über dieses Produkt
Product Identifiers
Publisher
Zwirner Books, David
ISBN-10
1644230283
ISBN-13
9781644230282
eBay Product ID (ePID)
26038648031
Product Key Features
Book Title
Joan Mitchell: I Carry My Landscapes Around with Me
Number of Pages
112 Pages
Language
English
Publication Year
2020
Topic
Individual Artists / Monographs
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
42.5 Oz
Item Length
14.2 in
Item Width
10.2 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
[Mitchell] brought an enormity to her painting, whether in individual gestures--juxtaposing the large and sweeping, with the small and delicate--or in the size of the canvases themselves... In the paintings we find immensity but not monumentality (a word Mitchell distrusted), something great yet still seemingly fluid, organic, akin to nature, like the trees she frequently referenced in connection to her art., What makes Mitchell great is her ability to infuse paint with an endless range of feelings. That is what gives her paintings their staying power, why they are one of the towering achievements of the postwar period.
Dewey Decimal
759.13
Synopsis
I carry my landscapes around with me focuses on American abstract artist Joan Mitchell's large-scale multipanel works from the 1960s through the 1990s. Mitchell's exploration of the possibilities afforded by combining two to five large canvases allowed her to simultaneously create continuity and rupture, while opening up a panoramic expanse referencing landscapes or the memory of landscapes. Mitchell established a singular approach to abstraction over the course of her career. Her inventive reinterpretation of the traditional figure-ground relationship and synesthetic use of color set her apart from her peers, resulting in intuitively constructed and emotionally charged compositions that alternately evoke individuals, observations, places, and points in time. Art critic John Yau lauded her paintings as "one of the towering achievements of the postwar period." Published on the occasion of the eponymous exhibition at David Zwirner New York in 2019, this book offers a unique opportunity to explore the range of scale and formal experimentation of this innovative area of Mitchell's extensive body of work. It not only features reproductions of each painting in this selection as a whole, but also numerous details that allow an intimate understanding of the surface texture and brushwork. In the complementing essays, Suzanne Hudson examines boundaries, borders, and edges in Mitchell's multipanel paintings, beginning with her first work of this kind, The Bridge (1956), considering them as both physical and conceptual objects; Robert Slifkin discusses the dynamics of repetition and energy in the artist's paintings, in relation to works by Monet and Willem de Kooning, among others.
LC Classification Number
ND237.M58A4 2019
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