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    Hinweise des Verkäufers
    “Corners are bent. Stains on outside cover/inside the book. There are tears on paperback. Spine is ...
    Release Year
    2016
    ISBN
    9780062267535
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    HarperCollins
    ISBN-10
    0062267531
    ISBN-13
    9780062267535
    eBay Product ID (ePID)
    204126001

    Product Key Features

    Book Title
    Kind Worth Killing : a Novel
    Number of Pages
    320 Pages
    Language
    English
    Publication Year
    2016
    Topic
    Crime, Thrillers / Suspense, Literary, Mystery & Detective / Private Investigators
    Genre
    Fiction
    Author
    Peter Swanson
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.7 in
    Item Weight
    8.2 Oz
    Item Length
    8 in
    Item Width
    5.3 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2014-019249
    Reviews
    The Year's Best Fiction: Publishers now love to dub any sociopathic take on a broken marriage 'the next Gone Girl.' Swanson's vicious little novel actually earns that comparison, but it has just as much in common with Patricia Highsmith [and] Raymond Chandler… So ruthlessly clever it's criminal., Revenge has rarely been served colder than in Swanson's exceptional thriller....With scalpel-sharp prose, Swanson probes the nature of coldblooded evil. Few will be prepared for the crushing climax., Revenge has rarely been served colder than in Swanson's exceptional thriller, his second standalone after 2013's The Girl with a Clock for a Heart . . . . With scalpel-sharp prose, Swanson probes the nature of coldblooded evil. Few will be prepared for the crushing climax., An extraordinarily well-written tale of deceit and revenge told by a very gifted writer. . . . The characters [] seem normal on the outside, but are deliciously abnormal on the inside. The twists are not just in the plot; they are also in the heads of the plotters., The Kind Worth Killing has made me fall in love with plot twists again. . . . A brilliantly written thriller with a heart of darkness, executed with great skill and style. Seriously impressive writing., An intricate tale of murder planned and plans gone hopelessly awry. . . . There are Hitchockian overtones, as well as the sort of last-page narrative tweak that would undoubtedly bring a Mona Lisa smile to Sir Alfred's usually taciturn countenance., Grabbed me right from the beginning, and kept me hooked until the end. . . . The author did a great job pulling off a difficult challenge and writing style. The uniqueness of this, and the skill with which it was executed, made for a really great book., [Lily] becomes my favourite sociopath-and believe me, there are plenty of them in this very convincing, tightly-plotted novel of revenge and betrayal. . . . Very entertaining., The next Gone Girl? . . . There aren't just two unreliable narrators, there are four. There isn't just one enormous, game-changing twist. Try three. . . . You'll also lose count of all the sociopaths . . . they're each deranged but oh-so-compelling., A fun read, full of switchbacks and double crosses… With classic misdirection, Swanson distracts us from the details - changing up murderers and victims fast enough to keep us reading. And, implausibly, rooting for the cold-blooded killer at this thriller's core., A dark tale of an affair that ends in murder, with a number of Gone Girl-esque twists along the way., [Lily] becomes my favourite sociopath—and believe me, there are plenty of them in this very convincing, tightly-plotted novel of revenge and betrayal. . . . Very entertaining., A wicked tale full of wicked characters... Sublime writing and more than a few sit-up-straight surprises., A fun read, full of switchbacks and double crosses... With classic misdirection, Swanson distracts us from the details - changing up murderers and victims fast enough to keep us reading. And, implausibly, rooting for the cold-blooded killer at this thriller's core., Nothing and no one are as they first appear in this deliciously twisted and devious thriller... A classy, slick and stiletto-sharp thriller that builds to a nerve-shredding climax., [Lily] becomes my favourite sociopath--and believe me, there are plenty of them in this very convincing, tightly-plotted novel of revenge and betrayal. . . . Very entertaining., A work of lovely violence and graceful malevolence, The Kind Worth Killing slips into your life like a stiletto in the ribs. This is a book that launches Peter Swanson straight into the ranks of the killer elite, alongside Tana French and Gillian Flynn. He's the real deal., Peter Swanson has updated Patricia Highsmith's Strangers on a Train for the new millennium...This is a well written and highly accomplished thriller… You cannot fail to be captivated by this book., His central premise may be borrowed from Strangers on a Train, but Swanson takes the notion in some truly startling directions, excelling in the vividly etched characterisation of his protagonists. . . . But what makes The Kind Worth Killing so enjoyable is the beautifully constructed plotting., Suspenseful twists and turns, expert pacing and a breathless race to a surprise ending. . . . [A] captivating, powerful thriller about sex, deception, secrets, revenge, the strange things we get ourselves wrapped up in, and the magnetic pull of the past., This devilishly clever noir thriller [has] head-spinning surprises that make it an intoxicating read. . . . The book will inevitably earn comparisons to Gone Girl . . . . This one makes good on the promise, right down to the chilling final paragraph., THE KIND WORTH KILLING . . . meets and exceeds the high-water mark that its predecessor established. . . . The floor underneath the novel doesn't just shift, it turns upside down. . . . This top-notch thriller has enough twists and surprises for three books., From its initial nod to Strangers on a Train onwards, this is a homage to Patricia Highsmith, but in some ways it outdoes the queen of queasy in sheer nastiness. . . . [Swanson] continually juggles narrators and pulls off surprises., Peter Swanson has updated Patricia Highsmith's Strangers on a Train for the new millennium...This is a well written and highly accomplished thriller... You cannot fail to be captivated by this book., Filled with double-timers and double-crossers, cold-eyed stalkers and cold-blooded murderers, The Kind Worth Killing paints a riveting, disturbing picture of marriage gone horribly awry, with no shortage of startling surprises. If you're engaged to get married, by all means read something else., A twisty tale of warring sociopaths [and] a good companion to similar stories by Laura Lippman and Gillian Flynn., Nothing and no one are as they first appear in this deliciously twisted and devious thriller… A classy, slick and stiletto-sharp thriller that builds to a nerve-shredding climax., Might be first truly unputdownable book of 2015. . . . A whole plethora of gasping surprises and gutting reveals that'll will keep you on the edge of the seat all to the end. . . . An addictive and seductive read. . . .Simply brilliant stuff.
    Dewey Edition
    23
    TitleLeading
    The
    Dewey Decimal
    813/.6
    Synopsis
    A devious tale of psychological suspense so irresistible that it prompts Entertainment Weekly to ask, "Is The Kind Worth Killing the next Gone Girl?" From one of the hottest new thriller writers, Peter Swanson, a name you may not know yet (but soon will), this is his breakout novel in the bestselling tradition of Paula Hawkins' The Girl on the Train--and is soon to be a major movie directed by Agnieszka Holland. In a tantalizing set-up reminiscent of Patricia Highsmith's classic Strangers on a Train... On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that's going stale and his wife Miranda, who he's sure is cheating on him. Ted and his wife were a mismatch from the start--he the rich businessman, she the artistic free spirit--a contrast that once inflamed their passion, but has now become a cliché. But their game turns a little darker when Ted jokes that he could kill Miranda for what she's done. Lily, without missing a beat, says calmly, "I'd like to help." After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . . Back in Boston, Ted and Lily's twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily's past that she hasn't shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth. Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail., A devious tale of psychological suspense so irresistible that it prompts Entertainment Weekly to ask, "Is The Kind Worth Killing the next Gone Girl ?" From one of the hottest new thriller writers, Peter Swanson, a name you may not know yet (but soon will), this is his breakout novel in the bestselling tradition of Paula Hawkins' The Girl on the Train --and is soon to be a major movie directed by Agnieszka Holland. In a tantalizing set-up reminiscent of Patricia Highsmith's classic Strangers on a Train ... On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that's going stale and his wife Miranda, who he's sure is cheating on him. Ted and his wife were a mismatch from the start--he the rich businessman, she the artistic free spirit--a contrast that once inflamed their passion, but has now become a clich . But their game turns a little darker when Ted jokes that he could kill Miranda for what she's done. Lily, without missing a beat, says calmly, "I'd like to help." After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . . Back in Boston, Ted and Lily's twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily's past that she hasn't shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth. Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail., A devious tale of psychological suspense involving sex, deception, and an accidental encounter that leads to murder. Fans of Paula Hawkins' The Girl on the Train will love this modern reimagining of Patricia Highsmith's classic Strangers on a Train from the author of the acclaimed The Girl with a Clock for a Heart-which the Washington Post said "should be a contender for crime fiction's best first novel of 2014." On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that's going stale and his wife Miranda, who he's sure is cheating on him. Ted and his wife were a mismatch from the start-he the rich businessman, she the artistic free spirit-a contrast that once inflamed their passion, but has now become a cliché. But their game turns a little darker when Ted jokes that he could kill Miranda for what she's done. Lily, without missing a beat, says calmly, "I'd like to help." After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . . Back in Boston, Ted and Lily's twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily's past that she hasn't shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth. Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.
    LC Classification Number
    PS3619.W3635K56 2015

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