ERIC CLAPTON DEREK & DOMINO'S LAYLA MFSL Vinyl LP NUMBERED AUDIOPHILE RTI MOFI

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Zuletzt aktualisiert am 26. Okt. 2025 03:31:06 MEZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neu: Neuer, unbenutzter und unbeschädigter Artikel in der ungeöffneten Verpackung (soweit eine ...
Country of Origin
United States
Speed
33 RPM
Case Type
Cardboard Sleeve
Color
Black
Material
Vinyl
Inlay Condition
Mint (M)
Edition
Limited Edition, Numbered Edition
Modified Item
No
Type
Double LP
Record Grading
Mint (M)
Language
English
Sleeve Grading
Mint (M)
Era
1970s
Record Size
12"
Style
1970s
Features
MFSL, 180-220 gram, Numbered, Sealed
UPC
0821797247016
Kategorie

Über dieses Produkt

Product Identifiers

Record Label
Mofy, Mobile Fidelity
UPC
0821797247016
eBay Product ID (ePID)
20046050328

Product Key Features

Release Year
2017
Format
Record
Genre
Rock
Artist
Derek & the Dominos
Release Title
Layla & Other Assorted Love Songs

Dimensions

Item Height
0.37 in
Item Weight
1.85 lb
Item Length
12.58 in
Item Width
12.41 in

Additional Product Features

Number of Tracks
14
Country/Region of Manufacture
United States
Tracks
1.1 I Looked Away 1.2 Bell Bottom Blues 1.3 Keep on Growing 1.4 Nobody Knows You When You're Down and Out 1.5 I Am Yours 1.6 Anyday 1.7 Key to the Highway 1.8 Tell the Truth 1.9 Why Does Love Got to Be So Bad? 1.10 Have You Ever Loved a Woman? 1.11 Little Wing 1.12 It's Too Late 1.13 Layla 1.14 Thorn Tree in the Garden
Number of Discs
2
Notes
Double 180gm vinyl LP pressing mastered from the original master tapes and pressed at RTI. Mobile Fidelity's pressing of Layla is the definitive-sounding analog edition and presents music with immersive detail and realism. The reputation of Derek and the Dominos' Layla and Other Assorted Love Songs, their lone record, precedes it. Eric Clapton performing in the studio with Duane Allman, Bobby Whitlock, Carl Radle, and more for the only time. A batch of fire-pot blues, poignant gospel, and searing rock - all birthed from the leader's insatiable lust for his friend George Harrison's wife. Now, experience it all, and one of the most famous guitar solos and codas in history, in unsurpassed sound courtesy of this quintessential Mobile Fidelity reissue. Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's set exposes the brilliance of Tom Dowd's original production and the scope of the virtuoso musicians' playing. You've never been closer to the aching vocals, stinging leads, tormented emotions, or wowing intensity that grace every track. Clapton's tones emerge with unprecedented soulfulness. Afforded it's own space in the mix, Allman's slide guitar passages crackle with urgency. All-important sonic components such as sound staging, imaging, and dynamics transport you to the actual event. Mobile Fidelity's analog version testifies on behalf of why fans deemed Clapton god. Then, of course, there's the title track - crowned the 27th greatest song of all time by Rolling Stone. What to say about the outro - arguably the most famous, passionately penetrating, visceral, double-edged guitar solo in history. Clapton's strings weeping with longing, hope, regret, unrequited love. It deserves the best-possible sonic platform, and receives it here, on a pressing that brings Slowhand's every finger moment into great relief. Get inside Clapton's head, burrow into the conflicted emotions fluttering in his heart as he pines for another man's wife, and in the process, produces an album that forever lives in the souls of anyone who's ever loved and lost. He leaves teardrops on the microphone stand and blood on the floor, singing and playing as if his life depends on it and if, by some miracle, the music will serve as both a confessional and apology to Harrison. It's all magnified by Clapton achieving a spiritual and sonic oneness with his band, which matches his high-stakes precision with a rolling, tumbling looseness. Allman adds firepower and achieves a still-unrivaled simpatico bond with Clapton, but each participant soars. Consider: The call-and-response, Sam and Dave-derived vocal exchanges between Whitlock and Clapton. Rich, creamy, Southern-stoked blends of R&B, blues, and soul. Vibrant tapestries in which the pianos, bass, guitars, and voices explode with ravishing fervor, naturalism, and desperation. Indeed, maybe a combo this great was only intended one shot in the studio. Perhaps the paralyzing degree of potency on display here, and the musicianship that remains the standard by which any blues-rock is judged, is meant to be preserved as one standalone record. Whatever the case, this is the analog version to own.

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