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Irrititja Kuwarri Tjungu (Past and Present Together): Fifty Years of Papunya Tul
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eBay-Artikelnr.:384945016269
Artikelmerkmale
- Artikelzustand
- Book Title
- Irrititja Kuwarri Tjungu (Past and Present Together): Fifty Years
- ISBN
- 9781735326924
Über dieses Produkt
Product Identifiers
Publisher
Kluge-Ruhe Aboriginal Art Collection, University of Virginia
ISBN-10
1735326925
ISBN-13
9781735326924
eBay Product ID (ePID)
2321147185
Product Key Features
Number of Pages
278 Pages
Language
English
Publication Name
Irrititja Kuwarri Tjungu (Past and Present Together) : Fifty Years of Papunya Tula Artists
Publication Year
2022
Subject
Australian & Oceanian, General, History / General
Type
Textbook
Subject Area
Art
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
52.3 Oz
Item Length
11.7 in
Item Width
9.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2021-913876
Dewey Edition
23
Reviews
Irrititja Kuwarri Tjungu (Past Present Together): Fifty Years of Papunya Tula Artists is indeed more than a beautiful catalogue - although the high production values make it a pleasure to page through. The book, which ties in loosely with two exhibitions at the Kluge-Ruhe [Aboriginal Art Collection of the University of Virginia], also contains scholarly insights gleaned during two years of research in Central Australia and from a deep dive into the archives of co-editor Fred Myers, who has been documenting Papunya Tula since its inception. Paintings by well-known names such as Clifford Possum Tjapaltjarri and Ronnie Tjampitjinpa share space with obscure treasures that have never before been reproduced, while essays by esteemed curator Hetti Perkins and US actor Steve Martin (a noted collector of Australian Indigenous art), among others, provide diverse perspectives., Irrititja Kuwarri Tjungu (Past & Present Together): Fifty Years of Papunya Tula Artists is indeed more than a beautiful catalogue - although the high production values make it a pleasure to page through. The book, which ties in loosely with two exhibitions at the Kluge-Ruhe [Aboriginal Art Collection of the University of Virginia], also contains scholarly insights gleaned during two years of research in Central Australia and from a deep dive into the archives of co-editor Fred Myers, who has been documenting Papunya Tula since its inception. Paintings by well-known names such as Clifford Possum Tjapaltjarri and Ronnie Tjampitjinpa share space with obscure treasures that have never before been reproduced, while essays by esteemed curator Hetti Perkins and US actor Steve Martin (a noted collector of Australian Indigenous art), among others, provide diverse perspectives.
Illustrated
Yes
Dewey Decimal
704.039915
Synopsis
In 1971 a small group of Aboriginal artists from Australia's remote Central and Western Deserts changed the face of global art history. The township of Papunya was founded in 1959 as a settlement for Aboriginal people who were relocated from their homelands. Living in cramped conditions, the community brought together people of diverse backgrounds and languages. Painting offered a way of asserting authority: of explaining who the townspeople were and where they came from amid this chaotic mélange of strangers. Using ancient iconographies rarely seen by outsiders, an artistic renaissance sprang forth as artists defiantly asserted themselves against the uncertainty of colonial displacement. Irrititja Kuwarri Tjungu (Past and Present Together) celebrates the fiftieth anniversary of Papunya Tula Artists, from the very first experiments on scraps of cardboard, linoleum, and Masonite through to the epic abstract paintings that are showcased internationally today. Motivated by the artists' desire to preserve and transmit their cultural knowledge, the movement quickly grew into a powerful medium for economic and social justice. From humble beginnings, a multimillion-dollar industry would emerge, changing the face of contemporary art and creating a powerful voice for Indigenous artists. Contributors: John Kean, Steve Martin, Fred Myers, Elizabeth Marks Nakamarra, Narlie Nelson Nakamarra, Eileen Napaltjarri, Charlotte Phillipus Napurrula, Jodie Napurrula, Punata Stockman Nungurrayi, Rachel Paltridge, Hetti Perkins, Cara Pinchbeck, Henry Skerritt, Margo Smith, Marina Strocchi, Paul Sweeney, Morris Jackson Tjampitjinpa, Joseph Jurra Tjapaltjarri, Bobby West Tjupurrula Distributed for the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, In 1971 a small group of Aboriginal artists from Australia's remote Central and Western Deserts changed the face of global art history. The township of Papunya was founded in 1959 as a settlement for Aboriginal people who were relocated from their homelands. Living in cramped conditions, the community brought together people of diverse backgrounds and languages. Painting offered a way of asserting authority: of explaining who the townspeople were and where they came from amid this chaotic melange of strangers. Using ancient iconographies rarely seen by outsiders, an artistic renaissance sprang forth as artists defiantly asserted themselves against the uncertainty of colonial displacement. Irrititja Kuwarri Tjungu (Past and Present Together) celebrates the fiftieth anniversary of Papunya Tula Artists, from the very first experiments on scraps of cardboard, linoleum, and Masonite through to the epic abstract paintings that are showcased internationally today. Motivated by the artists' desire to preserve and transmit their cultural knowledge, the movement quickly grew into a powerful medium for economic and social justice. From humble beginnings, a multimillion-dollar industry would emerge, changing the face of contemporary art and creating a powerful voice for Indigenous artists., In 1971 a small group of Aboriginal artists from Australia?s remote Central and Western Deserts changed the face of global art history. The township of Papunya was founded in 1959 as a settlement for Aboriginal people who were relocated from their homelands. Living in cramped conditions, the community brought together people of diverse backgrounds and languages. Painting offered a way of asserting authority: of explaining who the townspeople were and where they came from amid this chaotic mélange of strangers. Using ancient iconographies rarely seen by outsiders, an artistic renaissance sprang forth as artists defiantly asserted themselves against the uncertainty of colonial displacement. Irrititja Kuwarri Tjungu (Past and Present Together) celebrates the fiftieth anniversary of Papunya Tula Artists, from the very first experiments on scraps of cardboard, linoleum, and Masonite through to the epic abstract paintings that are showcased internationally today. Motivated by the artists? desire to preserve and transmit their cultural knowledge, the movement quickly grew into a powerful medium for economic and social justice. From humble beginnings, a multimillion-dollar industry would emerge, changing the face of contemporary art and creating a powerful voice for Indigenous artists. Contributors:John Kean, Steve Martin, Fred Myers, Elizabeth Marks Nakamarra, Narlie Nelson Nakamarra, Eileen Napaltjarri, Charlotte Phillipus Napurrula, Jodie Napurrula, Punata Stockman Nungurrayi, Rachel Paltridge, Hetti Perkins, Cara Pinchbeck, Henry Skerritt, Margo Smith, Marina Strocchi, Paul Sweeney, Morris Jackson Tjampitjinpa, Joseph Jurra Tjapaltjarri, Bobby West Tjupurrula Distributed for the Kluge-Ruhe Aboriginal Art Collection of the University of Virginia, In 1971 a small group of Aboriginal artists from Australia's remote Central and Western Deserts changed the face of global art history. The township of Papunya was founded in 1959 as a settlement for Aboriginal people who were relocated from their homelands. Living in cramped conditions, the community brought together people of diverse backgrounds ......
LC Classification Number
N7401
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