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Vor der Kamera gefangen: Film im Gerichtssaal von 0812245563, Delage, Hardcover, neu
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Artikelmerkmale
- Artikelzustand
- Book Title
- Caught on Camera: Film in the Courtroom from the Nuremberg Trials
- ISBN
- 9780812245561
- Publication Name
- Caught on Camera : Film in the Courtroom from the Nuremberg Trials to the Trials of the Khmer Rouge
- Item Length
- 9in
- Publisher
- University of Pennsylvania Press
- Publication Year
- 2013
- Series
- Critical Authors and Issues Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6in
- Item Width
- 6in
- Item Weight
- 23.5 Oz
- Number of Pages
- 352 Pages
Über dieses Produkt
Product Information
Combining the practical knowledge of a renowned director with the perspective of a historian and media specialist, Christian Delage explores the conditions and consequences of using film for the purposes of justice and memory by examining archival footage from war crime trials from Nuremberg to the present.
Product Identifiers
Publisher
University of Pennsylvania Press
ISBN-10
0812245563
ISBN-13
9780812245561
eBay Product ID (ePID)
167490548
Product Key Features
Publication Name
Caught on Camera : Film in the Courtroom from the Nuremberg Trials to the Trials of the Khmer Rouge
Format
Hardcover
Language
English
Publication Year
2013
Series
Critical Authors and Issues Ser.
Type
Textbook
Number of Pages
352 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
23.5 Oz
Additional Product Features
Lc Classification Number
P96.C74d4613 2013
Reviews
Meticulously researched and highly topical, Caught on Camera is the first scholarly work to tell the story of the impact of film on advocacy, trials, and legal judgment. Historian, filmmaker, critic and adjunct professor of law, Delage is ideally qualified to uncover the extraordinary narrative of the introduction of film into legal evidence in the Nuremberg trials and its subsequent and expanding role in tribunals and international criminal proceedings to the present day. In a meticulously researched and fluently argued analysis, this book not only exposes the link between visual evidence and war crimes trials but also, and even more surprisingly, shows how film has subtly and persistently impacted the staging, process, performance, and even architecture of law., "Meticulously researched and highly topical, Caught on Camera is the first scholarly work to tell the story of the impact of film on advocacy, trials, and legal judgment. Historian, filmmaker, critic and adjunct professor of law, Delage is ideally qualified to uncover the extraordinary narrative of the introduction of film into legal evidence in the Nuremberg trials and its subsequent and expanding role in tribunals and international criminal proceedings to the present day. In a meticulously researched and fluently argued analysis, this book not only exposes the link between visual evidence and war crimes trials but also, and even more surprisingly, shows how film has subtly and persistently impacted the staging, process, performance, and even architecture of law."--Peter Goodrich, Cardozo School of Law, " Caught on Camera provides an invaluable overview of the role films played in the historic international criminal trials that so indelibly marked the second half of the twentieth century. Ranging in scope and rich in reference, this admirable book shows how prosecutors used films as evidence in court and how court sessions were themselves filmed and widely diffused for public audiences. As the international community continues to struggle with the legacies of Cambodia, Bosnia, Rwanda, and Darfur, the original perspectives Christian Delage offers will helpfully inform the ongoing quest for justice."--Stuart Liebman, Professor Emeritus, CUNY Graduate Center, While other scholars have focused on film-as-evidence or trial-as-film, Christian Delage, a historian and documentary filmmaker, addresses both in this meticulously researched book. Tracing the double history of the use of film in legal cases and the filming of court proceedings, Delage reveals how what we see on film in and of human rights trials is a modern construction rooted in the Holocaust and its aftermath. . . . Caught on Camera will be of interest to anyone wanting a historical lens through which to analyze our culture's current obsession with cell phone-generated footage and its potential to transform adjudication for human rights abuse., Caught on Camera provides an invaluable overview of the role films played in the historic international criminal trials that so indelibly marked the second half of the twentieth century. Ranging in scope and rich in reference, this admirable book shows how prosecutors used films as evidence in court and how court sessions were themselves filmed and widely diffused for public audiences. As the international community continues to struggle with the legacies of Cambodia, Bosnia, Rwanda, and Darfur, the original perspectives Christian Delage offers will helpfully inform the ongoing quest for justice., "While other scholars have focused on film-as-evidence or trial-as-film, Christian Delage, a historian and documentary filmmaker, addresses both in this meticulously researched book. Tracing the double history of the use of film in legal cases and the filming of court proceedings, Delage reveals how what we see on film in and of human rights trials is a modern construction rooted in the Holocaust and its aftermath. . . . Caught on Camera will be of interest to anyone wanting a historical lens through which to analyze our culture's current obsession with cell phone-generated footage and its potential to transform adjudication for human rights abuse."-- American Historical Review
Table of Content
Editor's Note Introduction PART I. FILM AS EVIDENCE: AN AMERICAN JURISPRUDENCE (1920-1945) Chapter 1. The Filmmaker, the Judge, and the Evidence Chapter 2. The Camera: An Impartial Witness of Social Relations? Chapter 3. Learning to Read Enemy Films Chapter 4. Face to Face with Nazi Atrocities PART II. THE STAKES OF THE INTERNATIONAL MILITARY TRIBUNAL (NUREMBERG, 1945-1946) Chapter 5. "Establishing Incredible Events by Means of Credible Evidence" Chapter 6. Getting Film into the Courtroom Chapter 7. Catching the Enemy with Its Own Pictures PART III. NUREMBERG HISTORY ON FILM Chapter 8. The Un-United Nations and the Ideal of a Universal Justice Chapter 9. Documentary Archives and Fictional Film Narratives PART IV. THE ERA OF JUSTICE ON FILM (1945 TO THE PRESENT) Chapter 10. Trials of the Present or the Past? Chapter 11. Hearings on Film, Film in Hearings Chapter 12. The Face of History Chapter 13. The Spectator's Place Chapter 14. Court Settings and Movie Stagings: From Nuremberg to the Khmer Rouge Trial Conclusion Notes Bibliography Index Acknowledgments
Copyright Date
2014
Target Audience
College Audience
Topic
Media Studies, Evidence, General, Military
Lccn
2013-022776
Dewey Decimal
341.6/90268
Dewey Edition
23
Illustrated
Yes
Genre
Law, Social Science
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eBay-Artikelnr.:385435673628
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