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Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “Used - Very Good”
- ISBN
- 9780253222732
- Book Title
- Piano Master Classes of Franz Liszt, 1884-1886 : Diary Notes of August Göllerich
- Item Length
- 9.2in
- Publisher
- Indiana University Press
- Publication Year
- 2010
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Genre
- Music
- Topic
- Genres & Styles / Classical, Instruction & Study / General, Printed Music / Piano & Keyboard Repertoire, Musical Instruments / Piano & Keyboard
- Item Width
- 6.1in
- Item Weight
- 16 Oz
- Number of Pages
- 224 Pages
Über dieses Produkt
Product Information
The diaries of August G llerich, secretary and student of Franz Liszt, provide a first-hand account of the Master's approach to piano teaching, his preferences and prejudices both musical and social, and his way of encouraging and befriending his students. They contain the mature Liszt's suggestions for interpreting his own works and those of his friend Chopin and of many other composers, offering invaluable advice from the most spectacular pianist of the 19th century. Pianists interested in the history of performance practice and the Romantic era will learn from and take delight in this volume.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253222737
ISBN-13
9780253222732
eBay Product ID (ePID)
109168400
Product Key Features
Book Title
Piano Master Classes of Franz Liszt, 1884-1886 : Diary Notes of August Göllerich
Format
Trade Paperback
Language
English
Topic
Genres & Styles / Classical, Instruction & Study / General, Printed Music / Piano & Keyboard Repertoire, Musical Instruments / Piano & Keyboard
Publication Year
2010
Genre
Music
Number of Pages
224 Pages
Dimensions
Item Length
9.2in
Item Height
0.6in
Item Width
6.1in
Item Weight
16 Oz
Additional Product Features
Lc Classification Number
Ml410.L7g6613 2010
Grade from
College Graduate Student
Reviews
"[Liszt] gives practical tips, drawn from a well of experience sans pareil... demonstrates how to project second-rate music (a Rubinstein concerto)... [and] suggests ways of coping with the truly profound (in response to a student's performance of Beethoven's Diabelli Variations)." -Times Literary Supplement, "These journals... are indispensable, clarifying both the presence and (matched by elegant typography) is supplemented with copious music examples, meticulous reference and biographical notes." -- International Piano Quarterly, "[Liszt] gives practical tips, drawn from a well of experience sans pareil . . . demonstrates how to project second-rate music (a Rubinstein concerto) . . . [and] suggests ways of coping with the truly profound (in response to a student's performance of Beethoven's Diabelli Variations)."Times Literary Supplement"If one could go back in time and space, I feel sure most pianists . . . would desire to go back to [Lizst's] time to study with this great personality-but we cannot. However, in this book you have it all."Keyboard Teacher"An unbelievable source of knowledge and thus indispensable . . . Belongs with the most important [diaries] in the Liszt literature."Lizst Saeculum, These journals... are indispensable, clarifying both the presence and (matched by elegant typography) is supplemented with copious music examples, meticulous reference and biographical notes., "This book places us at the center of the celebrated master classes of Liszt. To read what Liszt said to his students and to observe the manner in which he conducted his master classes is in itself a great lesson for all pianists and teachers." -- Fernando Laires, President Emeritus, American Liszt Society, The book makes interesting reading and furnishes valuable knowledge of the piano literature taught and performed at the time... Recommended for upper-division undergraduate and graduate collections., "A useful contribution to documentary evidence of study with master pedagogues." -- Piano and Keyboard, If one could go back in time and space, I feel sure most pianists, musicians and lovers of music would desire to go back to [Liszt's] time and study with this great personality-but we cannot. However in this book you have it all., The book makes interesting reading and furnishes valuable knowledge of the piano literature taught and performed at the time . . . Recommended for upper-division undergraduate and graduate collections., "[Liszt] gives practical tips, drawn from a well of experience sans pareil... demonstrates how to project second-rate music (a Rubinstein concerto)... [and] suggests ways of coping with the truly profound (in response to a student's performance of Beethoven's Diabelli Variations)." -- Times Literary Supplement, "... should prove of interest to pianists seeking insights into the standard repertory, to researchers needing primary source material... and to those interested in the performing traditions from the great age of Romantic pianism." -Notes, "An unbelievable source of knowledge and thus indispensable... Belongs with the most important [diaries] in the Liszt literature." -Lizst Saeculum, "An unbelievable source of knowledge and thus indispensable... Belongs with the most important [diaries] in the Liszt literature." -- Lizst Saeculum, . . . should prove of interest to pianists seeking insights into the standard repertory, to researchers needing primary source material . . . and to those interested in the performing traditions from the great age of Romantic pianism., "This book places us at the center of the celebrated master classes of Liszt. To read what Liszt said to his students and to observe the manner in which he conducted his master classes is in itself a great lesson for all pianists and teachers." -Fernando Laires, President Emeritus, American Liszt Society, "The book makes interesting reading and furnishes valuable knowledge of the piano literature taught and performed at the time... Recommended for upper-division undergraduate and graduate collections." -- Choice, "The book makes interesting reading and furnishes valuable knowledge of the piano literature taught and performed at the time... Recommended for upper-division undergraduate and graduate collections." -Choice, [Liszt] gives practical tips, drawn from a well of experience sans pareil . . . demonstrates how to project second-rate music (a Rubinstein concerto) . . . [and] suggests ways of coping with the truly profound (in response to a student's performance of Beethoven's Diabelli Variations)., "Notes were taken during more than 100 classes and include Liszt's ideas, sayings, teaching methods, and interpretive suggestions. The notes are impressive because of the breath of works studied and the intensity Liszt displayed while teaching." -- The American Liszt Society, Inc., Newsletter, "If one could go back in time and space, I feel sure most pianists... would desire to go back to [Lizst's] time to study with this great personality -- but we cannot. However, in this book you have it all." -- Keyboard Teacher, An unbelievable source of knowledge and thus indispensable . . . Belongs with the most important [diaries] in the Liszt literature., "Notes were taken during more than 100 classes and include Liszt's ideas, sayings, teaching methods, and interpretive suggestions. The notes are impressive because of the breath of works studied and the intensity Liszt displayed while teaching." -The American Liszt Society, Inc., Newsletter, These journals . . . are indispensable, clarifying both the presence and (matched by elegant typography) is supplemented with copious music examples, meticulous reference and biographical notes., This book places us at the center of the celebrated master classes of Liszt. To read what Liszt said to his students and to observe the manner in which he conducted his master classes is in itself a great lesson for all pianists and teachers. --Fernando Laires, President Emeritus, American Liszt Society, [Liszt] gives practical tips, drawn from a well of experience sans pareil... demonstrates how to project second-rate music (a Rubinstein concerto)... [and] suggests ways of coping with the truly profound (in response to a student's performance of Beethoven's Diabelli Variations)., These journals... are indispensable, clarifying both the presence and (matched by elegant typography) is supplemented with copious music examples, meticulous reference and biographical notes.International Piano Quarterly, Notes were taken during more than 100 classes and include Liszt's ideas, sayings, teaching methods, and interpretive suggestions. The notes are impressive because of the breath of works studied and the intensity Liszt displayed while teaching., "... should prove of interest to pianists seeking insights into the standard repertory, to researchers needing primary source material... and to those interested in the performing traditions from the great age of Romantic pianism." -- Notes, ... should prove of interest to pianists seeking insights into the standard repertory, to researchers needing primary source material... and to those interested in the performing traditions from the great age of Romantic pianism., "If one could go back in time and space, I feel sure most pianists, musicians and lovers of music would desire to go back to [Liszt's] time and study with this great personality-but we cannot. However in this book you have it all." -Keyboard Teacher, "The book makes interesting reading and furnishes valuable knowledge of the piano literature taught and performed at the time . . . Recommended for upper-division undergraduate and graduate collections."-- Choice "A useful contribution to documentary evidence of study with master pedagogues."-- Piano and Keyboard "If one could go back in time and space, I feel sure most pianists, musicians and lovers of music would desire to go back to [Liszt's] time and study with this great personality--but we cannot. However in this book you have it all."-- Keyboard Teacher "Notes were taken during more than 100 classes and include Liszt's ideas, sayings, teaching methods, and interpretive suggestions. The notes are impressive because of the breath of works studied and the intensity Liszt displayed while teaching."-- The American Liszt Society, Inc. ". . . should prove of interest to pianists seeking insights into the standard repertory, to researchers needing primary source material . . . and to those interested in the performing traditions from the great age of Romantic pianism."-- Notes "An unbelievable source of knowledge and thus indispensable . . . Belongs with the most important [diaries] in the Liszt literature."-- Lizst Saeculum "These journals . . . are indispensable, clarifying both the presence and (matched by elegant typography) is supplemented with copious music examples, meticulous reference and biographical notes."-- International Piano Quarterly "[Liszt] gives practical tips, drawn from a well of experience sans pareil . . . demonstrates how to project second-rate music (a Rubinstein concerto) . . . [and] suggests ways of coping with the truly profound (in response to a student's performance of Beethoven's Diabelli Variations)."-- Times Literary Supplement "This book places us at the center of the celebrated master classes of Liszt. To read what Liszt said to his students and to observe the manner in which he conducted his master classes is in itself a great lesson for all pianists and teachers."--Fernando Laires, President Emeritus, American Liszt Society, An unbelievable source of knowledge and thus indispensable... Belongs with the most important [diaries] in the Liszt literature., "A Useful Contribution to Documentary Evidence of Study with Master Pedagogues." -Piano and Keyboard, This book places us at the center of the celebrated master classes of Liszt. To read what Liszt said to his students and to observe the manner in which he conducted his master classes is in itself a great lesson for all pianists and teachers., "If one could go back in time and space, I feel sure most pianists, musicians and lovers of music would desire to go back to [Liszt's] time and study with this great personality -- but we cannot. However in this book you have it all." -- Keyboard Teacher, "These journals... are indispensable, clarifying both the presence and (matched by elegant typography) is supplemented with copious music examples, meticulous reference and biographical notes." -International Piano Quarterly
Table of Content
Acknowledgments Translator's Introduction The Piano Master Classes of Franz Liszt, 1884-1886 Foreword Literature Abbreviations Chronology of August Gollerich's Life Introduction to the Diaries The Diaries of August Gollerich 1. Weimar: May 31, 1884-July 6, 1884 2. Weimar: June 16, 1885-June 27, 1885 3. Weimar: June 28, 1885-September 29, 1885 4. Rome: November 11, 1885-January 12, 1886 5. Pest: February 18, 1886-February 25, 1886 6. Pest: Before March 2, 1886-March 6, 1886 7. Weimar: May 17, 1886-May 31, 1886 8. Weimar: June 15, 1886-June 26, 1886 Appendix A: "Liszt," from The Memoirs of Frederic Lamond Appendix B: "Liszt as Teacher," by Jose Vianna da Motta Glossary Bibliography Notes Index
Copyright Date
2010
Dewey Decimal
786.2/092
Intended Audience
Trade
Dewey Edition
20
Illustrated
Yes
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