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Hsiao Kinn und Punto: Kartierung der Nachkriegsavantgarde, Hardcover von Gong, Joshu...

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ISBN
9781912690831
Book Title
Hsiao Chin and Punto : Mapping Post-War Avantgarde
Publisher
Unicorn Publishing
Item Length
11.2 in
Publication Year
2020
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
0.9 in
Author
Joshua Gong
Genre
Art
Topic
Individual Artists / General, General, History / General
Item Weight
0 Oz
Item Width
9.2 in
Number of Pages
192 Pages

Über dieses Produkt

Product Identifiers

Publisher
Unicorn Publishing
ISBN-10
1912690837
ISBN-13
9781912690831
eBay Product ID (ePID)
6050416001

Product Key Features

Book Title
Hsiao Chin and Punto : Mapping Post-War Avantgarde
Number of Pages
192 Pages
Language
English
Topic
Individual Artists / General, General, History / General
Publication Year
2020
Illustrator
Yes
Genre
Art
Author
Joshua Gong
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
0 Oz
Item Length
11.2 in
Item Width
9.2 in

Additional Product Features

Intended Audience
Trade
LCCN
2021-385070
Dewey Edition
23
Dewey Decimal
759.951
Synopsis
Born in Shanghai in 1935, Hsiao Chin spent his formative years in Europe experiencing the Western modern art movement. Inspired by what he saw, he went on to make immense contributions to the development of avant-garde art, establishing himself prominently in the modern abstract movement in Asia and becoming a leading post-war Asian artist. Hsiao is the first and only post-war Chinese artist to attempt to convey Eastern philosophical ideas and concepts of mindfulness and self-contemplation in the Western pictorial language of abstraction. In 1961, he cofounded the Punto International Art Movement, which lasted until 1966. Hsiao's works are not only artistic representations of Asian philosophy but, in a broader context, are an intellectualized expression of Asian ideas in their essential forms. The understanding of the entire postwar avant-garde art scene would not be complete without mentioning Hsiao Chin and the Punto Movement, along with American abstract expressionism, French lyrical abstraction, and the Japanese Gutai group. This book records thirteen Punto exhibitions, demonstrating Hsiao's contribution to the international cultural realm throughout his artistic career. Included here are in-depth articles on Hsiao's historical significance in the twentieth century, as well as an introduction to his iconic oeuvres over the last six decades in work that reconciles Eastern and Western art prospects., Hsiao Chin spent his formative years in Europe experiencing the Western Modern Art movement. As a leading post-war Asian artist, he has contributed immensely to the development of avant-garde art and established himself prominently in the modern abstract movement in Asia. As a co-founder of Punto Movement in Milan during 1961-1966, Hsiao is the first and only post-war Chinese artist attempting to convey Eastern philosophical ideas and the concepts of mindfulness and self-contemplation in the Western pictorial language of abstraction. Hsiao's works are not only artistic representations of Asian philosophy but, in a broader context, are an intellectualised expression of Asian ideas in their essential forms. The understanding of the entire post-war avant-garde art scene would not be complete without mentioning Hsiao Chin and the Punto Movement, along with American Abstract Expressionism, French Lyrical Abstraction, and Japanese Gutai.This book records 13 Punto exhibitions, which demonstrates Hsiao's contribution to the international cultural realm throughout his artistic career. Included here are in-depth articles on Hsiao's historical significance in the twentieth century. The book also introduces his iconic oeuvres over the last six decades; work that reconciles Eastern and Western art prospects., Hsiao Chin spent his formative years in Europe experiencing the Western Modern Art movement. As a leading post-war Asian artist, he has contributed immensely to the development of avant-garde art and established himself prominently in the modern abstract movement in Asia. As a co-founder of Punto Movement in Milan during 1961-1966, Hsiao is the first and only post-war Chinese artist attempting to convey Eastern philosophical ideas and the concepts of mindfulness and self-contemplation in the Western pictorial language of abstraction. Hsiao's works are not only artistic representations of Asian philosophy but, in a broader context, are an intellectualised expression of Asian ideas in their essential forms. The understanding of the entire post-war avant-garde art scene would not be complete without mentioning Hsiao Chin and the Punto Movement, along with American Abstract Expressionism, French Lyrical Abstraction, and Japanese Gutai. This book records 13 Punto exhibitions, which demonstrates Hsiao's contribution to the international cultural realm throughout his artistic career. Included here are in-depth articles on Hsiao's historical significance in the twentieth century. The book also introduces his iconic oeuvres over the last six decades; work that reconciles Eastern and Western art prospects., Hsiao Chin spent his formative years in Europe experiencing the Western Modern Art movement. As a leading post-war Asian artist, he has contributed immensely to the development of avant-garde art and established himself prominently in the modern abstract movement in Asia. As a co-founder of Punto Movement in Milan during 1961-1966, Hsiao is the ......
LC Classification Number
ND1049

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