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Gothic in der Kinderliteratu r: Die Grenzen heimsuchen, Taschenbuch von Jackson,...
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eBay-Artikelnr.:386219413406
Artikelmerkmale
- Artikelzustand
- Book Title
- Gothic in Children's Literature : Haunting the Borders
- ISBN
- 9780415875745
- Subject Area
- Literary Criticism, Juvenile Fiction
- Publication Name
- Gothic in Children's Literature : Haunting the Borders
- Publisher
- Routledge
- Item Length
- 6 in
- Subject
- Horror & Supernatural, Children's & Young Adult Literature, Gothic & Romance, General, Short Stories, European / English, Irish, Scottish, Welsh
- Publication Year
- 2009
- Series
- Children's Literature and Culture Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.7 in
- Item Weight
- 17 Oz
- Item Width
- 9 in
- Number of Pages
- 256 Pages
Über dieses Produkt
Product Identifiers
Publisher
Routledge
ISBN-10
0415875749
ISBN-13
9780415875745
eBay Product ID (ePID)
79770278
Product Key Features
Number of Pages
256 Pages
Publication Name
Gothic in Children's Literature : Haunting the Borders
Language
English
Publication Year
2009
Subject
Horror & Supernatural, Children's & Young Adult Literature, Gothic & Romance, General, Short Stories, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism, Juvenile Fiction
Series
Children's Literature and Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
17 Oz
Item Length
6 in
Item Width
9 in
Additional Product Features
Intended Audience
College Audience
LCCN
2006-101148
Dewey Edition
22
Reviews
The prevalence of Gothic themes in literature for young readers is the impetus for this collection, which fills a void in children's literature criticism. This timely collection presents a variety of perspectives and discusses a variety of texts, and so is a valuable addition to the literature. Recommended. -- P. J. Kurtz, Minot State University, Choice, The prevalence of Gothic themes in literature for young readers is the impetus for this collection, which fills a void in children's literature criticism. This timely collection presents a variety of perspectives and discusses a variety of texts, and so is a valuable addition to the literature. Recommended. -- P. J. Kurtz, Minot State University, Choice
TitleLeading
The
Illustrated
Yes
Dewey Decimal
823/.08729099282
Table Of Content
Introduction 1. The Haunted Nursery: 1764-1830 2. Cyberspace and the Gothic Novel 3. Frightening and Funny: Humor in Children's Gothic Fiction 4. Between Horror, Humor, and Hope: Neil Gaiman and the Psychic Work of the Gothic 5. On the Gothic Beach: A New Zealand Reading of House and Landscape in Margaret Mahy's 'The Tricksters' 6. High Winds and Broken Bridges: The Gothic and the West Indies in Twentieth Century British Fiction for Children 7. The Scary Tale Looks for a Family: Gary Crew's 'Gothic Hospital' and Sonya Hartnett's 'The Devil Latch' 8. Haunting the Borders of Sword and Sorcery: Garth Nix's 'The Seventh Tower' 9. Uncanny Ghosts, Canny Children 10. Hermione in the Bathroom: Menarche, the Grotesque, and Female Development in 'Harry Potter and the Philosopher's Stone' 11. Fantastic Books: The Gothic Architecture of Children's Books 12. The Night Side of Nature: Gothic Spaces, Fearful Times
Synopsis
From creepy picture books to Harry Potter, Lemony Snicket , the Spiderwick Chronicles , and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children's literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children's literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children's literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children's literature. This collection examines the early intersection of the Gothic and children's literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children's literature for as long as children have been reading., From creepy picture books to Harry Potter, Lemony Snicket, the Spiderwick Chronicles, and countless vampire series for young adult readers, fear has become a dominant mode of entertainment for young readers. The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children's literature. The Gothic, concerned with the perverse and the forbidden, with adult sexuality and religious or metaphysical doubts and heresies, seems to represent everything that children's literature, as a genre, was designed to keep out. Indeed, this does seem to be very much the way that children's literature was marketed in the late eighteenth century, at exactly the same time that the Gothic was really taking off, written by the same women novelists who were responsible for the promotion of a safe and segregated children's literature. This collection examines the early intersection of the Gothic and children's literature and the contemporary manifestations of the gothic impulse, revealing that Gothic elements can, in fact, be traced in children's literature for as long as children have been reading., The last two decades have seen an enormous growth in the critical study of two very different genres, the Gothic and children's literature. This collection examines the early intersection of the Gothic and children's literature and the contemporary manifestations of the gothic impulse.
LC Classification Number
PR830.C513G67 2009
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