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Haydns Sonnenaufgang, Beethovens Schatten: Audiovisuelle Kultur und die Entstehung o...
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eBay-Artikelnr.:386851397810
Artikelmerkmale
- Artikelzustand
- Book Title
- Haydn's Sunrise, Beethoven's Shadow : Audiovisual Culture and the
- ISBN
- 9780226337098
- Subject Area
- Music, Technology & Engineering
- Publication Name
- Haydn's Sunrise, Beethoven's Shadow : Audiovisual Culture and the Emergence of Musical Romanticism
- Publisher
- University of Chicago Press
- Item Length
- 0.9 in
- Subject
- History & Criticism, Genres & Styles / Classical, History
- Publication Year
- 2016
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.1 in
- Item Weight
- 20.3 Oz
- Item Width
- 0.6 in
- Number of Pages
- 328 Pages
Über dieses Produkt
Product Identifiers
Publisher
University of Chicago Press
ISBN-10
022633709X
ISBN-13
9780226337098
eBay Product ID (ePID)
8038287962
Product Key Features
Number of Pages
328 Pages
Publication Name
Haydn's Sunrise, Beethoven's Shadow : Audiovisual Culture and the Emergence of Musical Romanticism
Language
English
Subject
History & Criticism, Genres & Styles / Classical, History
Publication Year
2016
Type
Textbook
Subject Area
Music, Technology & Engineering
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
20.3 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2015-046824
Reviews
This is an important, ambitious, and timely study. It uncovers fascinating source material and weaves together original ideas about practice that challenge our understanding of musical romanticism--and some of its core repertory--and encourage us to think about nineteenth-century culture in fresh ways. Haydn's Sunrise, Beethoven's Shadow will have strong appeal to specialists across fields, as well as to the broader public., With a captivating sense of intellectual adventure, this book presents a history of modern audiovisual culture that is both longer and more complex than most scholars have recognized, all the while radically reshaping our view of some of the most canonical moments in Western music. Haydn's Sunrise, Beethoven's Shadow shows, with great elegance and erudition, that romantic musical metaphysics became thinkable only via the mediation of new visual technologies and the multisensory experiences that they promoted., This work compellingly argues that the marriage between visual and audio cultures is not a late twentieth-century phenomenon, but has roots in the late eighteenth and early nineteenth centuries. By drawing upon a plethora of technical devices deployed in operas and popular performances, Loughridge demonstrates how listeners' practices and thought were shaped by numerous mechanical contraptions and scientific instruments. This book represents a significant contribution to both musicology and the history of science., With a captivating sense of intellectual adventure, this book presents a history of modern audiovisual culture that is both longer and more complex than most scholars have recognized, all the while radically reshaping our view of some of the most canonical moments in Western music. Haydn's Sunrise, Beethoven's Shadow shows, with great elegance and erudition, that romantic musical metaphysics became thinkable only via the mediation of new visual technologies and the multisensory experiences that they promoted., Haydn's Sunrise, Beethoven's Shadow is a rich account of the history of early romantic listening. Imaginative and learned, this book reveals that behind the music's power to transport lurked audiovisual technologies--telescopes, peep boxes, and magic lanterns--that informed listeners' musical experiences. Loughridge shows us how to hear canonical works in new ways and casts light on a wealth of understudied repertoire.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
780.9/033
Table Of Content
Introduction: Audiovisual Histories One From Mimesis to Prosthesis Two Opera as Peepshow Three Shadow Media Four Haydn's Creation as Moving Image Five Beethoven's Phantasmagoria Conclusion: Audiovisual Returns Acknowledgments Notes Select Bibliography Index
Synopsis
The years between roughly 1760 and 1810, a period stretching from the rise of Joseph Haydn's career to the height of Ludwig van Beethoven's, are often viewed as a golden age for musical culture, when audiences started to revel in the sounds of the concert hall. But the latter half of the eighteenth century also saw proliferating optical technologies--including magnifying instruments, magic lanterns, peepshows, and shadow-plays--that offered new performance tools, fostered musical innovation, and shaped the very idea of "pure" music. Haydn's Sunrise, Beethoven's Shadow is a fascinating exploration of the early romantic blending of sight and sound as encountered in popular science, street entertainments, opera, and music criticism. Deirdre Loughridge reveals that allusions in musical writings to optical technologies reflect their spread from fairgrounds and laboratories into public consciousness and a range of discourses, including that of music. She demonstrates how concrete points of intersection--composers' treatments of telescopes and peepshows in opera, for instance, or a shadow-play performance of a ballad--could then fuel new modes of listening that aimed to extend the senses. An illuminating look at romantic musical practices and aesthetics, this book yields surprising relations between the past and present and offers insight into our own contemporary audiovisual culture., Interest in music's materiality has brought attention to visual dimensions of musical performance and meaning. Deirdre Loughridge argues that listening to music was never confined to hearing, and that the marriage of visual and audio cultures has roots in the late-eighteenth and early-nineteenth centuries. Drawing on technologies like magnifying instruments, magic lanterns, peepshows, and shadow-plays deployed in operas and popular performances during 1770-1810, Loughridge demonstrates how listeners' practices and thoughts were shaped by these contraptions and instruments, and how this applied to the composition and reception of instrumental and orchestral music as well. The current proliferation of audiovisual aesthetics and formats, including in the realm of "classical music," can thus be seen be a return of early-Romantic audiovisual culture.
LC Classification Number
ML195.L68 2016
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