Looking Into Walt Whitman American Art, 1850–1920 by Ruth L Bohan Signed

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ISBN
9780271027029
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Pennsylvania STATE University Press
ISBN-10
0271027029
ISBN-13
9780271027029
eBay Product ID (ePID)
46743134

Product Key Features

Number of Pages
280 Pages
Language
English
Publication Name
Looking Into Walt Whitman : American Art, 1850-1920
Publication Year
2006
Subject
History / Modern (Late 19th Century to 1945), United States / 19th Century, General, American / General, Poetry, History / General
Type
Textbook
Subject Area
Literary Criticism, Art, History
Author
Ruth L. Bohan
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
38.2 Oz
Item Length
10.3 in
Item Width
7.4 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2005-012194
Reviews
"Bohan demonstrates a far greater and more sustained network of associations linking Whitman with nineteenth-century visual culture than has previously been known. Along with tracing Whitman's connection to artists and art institutions, Bohan surveys all of the known paintings and sketches done of Whitman during his lifetime." --Kenneth M. Price, University of Nebraska, Lincoln, "Writing in lucid, accessible prose, Bohan provides extended analyses of the multiple connections between Whitman and the visual arts both during his life and in the three decades following his death. In addition to being meticulously researched, the book is beautiful, with glossy pages richly embellished with color and black-and-white illustrations." --Yelizaveta P. Renfro, American Literary Realism, "Ruth Bohan's Looking into Walt Whitman is a deeply researched, well-written, and beautifully illustrated book, including more than 100 color and black-and-white images, some of which have never been published before." -William Pannapacker, Walt Whitman Quarterly Review, "Bohan demonstrates a far greater and more sustained network of associations linking Whitman with nineteenth-century visual culture than has previously been known. Along with tracing Whitman's connection to artists and art institutions, Bohan surveys all of the known paintings and sketches done of Whitman during his lifetime." --Kenneth M. Price,University of Nebraska, Lincoln, &"Writing in lucid, accessible prose, Bohan provides extended analyses of the multiple connections between Whitman and the visual arts both during his life and in the three decades following his death. In addition to being meticulously researched, the book is beautiful, with glossy pages richly embellished with color and black-and-white illustrations.&" &-Yelizaveta P. Renfro, American Literary Realism, &"Bohan demonstrates a far greater and more sustained network of associations linking Whitman with nineteenth-century visual culture than has previously been known. Along with tracing Whitman&'s connection to artists and art institutions, Bohan surveys all of the known paintings and sketches done of Whitman during his lifetime.&" &-Kenneth M. Price, University of Nebraska, Lincoln, "Ruth Bohan's Looking into Walt Whitman is a deeply researched, well-written, and beautifully illustrated book, including more than 100 color and black-and-white images, some of which have never been published before." --William Pannapacker Walt Whitman Quarterly Review, "Writing in lucid, accessible prose, Bohan provides extended analyses of the multiple connections between Whitman and the visual arts both during his life and in the three decades following his death. In addition to being meticulously researched, the book is beautiful, with glossy pages richly embellished with color and black-and-white illustrations." --Yelizaveta P. Renfro American Literary Realism, "Writing in lucid, accessible prose, Bohan provides extended analyses of the multiple connections between Whitman and the visual arts both during his life and in the three decades following his death. In addition to being meticulously researched, the book is beautiful, with glossy pages richly embellished with color and black-and-white illustrations." -Yelizaveta P. Renfro, American Literary Realism, "Ruth Bohan's Looking into Walt Whitman is a deeply researched, well-written, and beautifully illustrated book, including more than 100 color and black-and-white images, some of which have never been published before." --William Pannapacker, Walt Whitman Quarterly Review, "Bohan demonstrates a far greater and more sustained network of associations linking Whitman with nineteenth-century visual culture than has previously been known. Along with tracing Whitman's connection to artists and art institutions, Bohan surveys all of the known paintings and sketches done of Whitman during his lifetime." -Kenneth M. Price, University of Nebraska, Lincoln, Bohan demonstrates a far greater and more sustained network of associations linking Whitman with nineteenth-century visual culture than has previously been known. Along with tracing Whitman's connection to artists and art institutions, Bohan surveys all of the known paintings and sketches done of Whitman during his lifetime., &"Ruth Bohan&'s Looking into Walt Whitman is a deeply researched, well-written, and beautifully illustrated book, including more than 100 color and black-and-white images, some of which have never been published before.&" &-William Pannapacker, Walt Whitman Quarterly Review
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
811/.3
Table Of Content
Contents List of Illustrations Acknowledgments Introduction Part 1 Imaging Whitman: The Nineteenth Century 1. The "Gathering of the Forces" in Brooklyn 2. Masks, Identity, and Representation 3. Visual Self-Fashioning and Artistic (Re)Assessment 4. Reception and Representation in the 1880s 5. Thomas Eakins and the "Solitary Singer" Part 2 Whitman and the Modernists: The Twentieth Century 6. Marsden Hartley's Masculine Landscapes 7. Robert Coady and The Soil 8. Joseph Stella's Brooklyn Bridge Bibliography Index
Synopsis
Why is Walt Whitman's face as familiar as his poetry? In answering this question, Ruth Bohan tells a story of self-invention and portraiture. Whitman approached successive editions of Leaves of Grass as opportunities to establish close, dynamic links between his poetry and visual representation. Bohan shows as well that Whitman, who sought out friendships with numerous artists, left a legacy absorbed after his death into the fabric of American modernism. Looking into Walt Whitman provides ample evidence that the poet's engagement with the visual arts extended beyond photography into painting, printmaking, and sculpture. Through discussion of Whitman's gradual emergence as an American, democratic, and radical figure, the book opens new ways to assess his impact upon such artists as Thomas Eakins, Joseph Stella, and Marsden Hartley. Biography, art history, and the history of literature come together in Bohan's rich, suggestive book. Based on years of research, it presents valuable information about Whitman portraiture; the publishing of his masterpiece, Leaves of Grass ; artists' responses to his transgressive persona; and Robert Coady's work on The Soil , among other pivotal topics. The many images, reproduced in color or as duotones, will be of significance both to Whitman specialists and to readers seeking an introduction to Whitman's role as a poet who vitally shaped both the visual and literary arts of America., Why is Walt Whitman's face as familiar as his poetry? In answering this question, Ruth Bohan tells a story of self-invention and portraiture. Whitman approached successive editions of
LC Classification Number
PS3242.A66B64 2006

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