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Max Reinhardt (Regisseure in Perspective)
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Max Reinhardt (Regisseure in Perspective)
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Max Reinhardt (Regisseure in Perspective)

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    Standort: Grand Rapids, MI, USA
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    Zuletzt aktualisiert am 31. Jul. 2025 21:17:34 MESZAlle Änderungen ansehenAlle Änderungen ansehen

    Artikelmerkmale

    Artikelzustand
    Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
    Artist
    Styan, John L.
    Book Title
    Max Reinhardt (Directors in Perspective)
    ISBN
    9780521224444
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Cambridge University Press
    ISBN-10
    0521224446
    ISBN-13
    9780521224444
    eBay Product ID (ePID)
    2084301

    Product Key Features

    Number of Pages
    187 Pages
    Publication Name
    Max Reinhardt
    Language
    English
    Publication Year
    1982
    Subject
    European / General
    Type
    Textbook
    Subject Area
    Drama
    Author
    J. L. Styan
    Series
    Directors in Perspective Ser.
    Format
    Hardcover

    Dimensions

    Item Height
    0.8 in
    Item Weight
    16.7 Oz
    Item Length
    9 in
    Item Width
    6 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    81-018172
    Dewey Edition
    19
    Illustrated
    Yes
    Dewey Decimal
    792/.0233/0924
    Table Of Content
    1. An explosion of ideas in the theatre; 2. Beginnings in impressionistic realism Ghosts (1906); 3. Into symbolist drama Sumurun (1910), Venetian Night (1912); 4. Expressionist experiment The Ghost Sonata (1916), The Beggar (1917), Danton's Death (1916); 5. Reinhardt's Shakespeare A Midsummer Night's Dream (1905), The Merchant of Venice (1905), Macbeth (1916); 6. A style for every play Faust (1909), The Miser (1917), Oedipus Rex (1910); 7. The baroque spectacles Everyman (1911), The Miracle (1911), The Salzburg Great Theatre of the World (1922); 8. Reinhardt, man of the theatre Playhouses, technical advances, repertory, rehearsal.
    Synopsis
    Max Reinhardt (1873 -1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions., Max Reinhardt (1873 1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.", Max Reinhardt (1873-1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.
    LC Classification Number
    PN2658.R4 S8 1982

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