
Max Reinhardt (Regisseure in Perspective)
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Max Reinhardt (Regisseure in Perspective)
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eBay-Artikelnr.:387898137216
Artikelmerkmale
- Artikelzustand
- Artist
- Styan, John L.
- Book Title
- Max Reinhardt (Directors in Perspective)
- ISBN
- 9780521224444
Über dieses Produkt
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521224446
ISBN-13
9780521224444
eBay Product ID (ePID)
2084301
Product Key Features
Number of Pages
187 Pages
Publication Name
Max Reinhardt
Language
English
Publication Year
1982
Subject
European / General
Type
Textbook
Subject Area
Drama
Series
Directors in Perspective Ser.
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
16.7 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
81-018172
Dewey Edition
19
Illustrated
Yes
Dewey Decimal
792/.0233/0924
Table Of Content
1. An explosion of ideas in the theatre; 2. Beginnings in impressionistic realism Ghosts (1906); 3. Into symbolist drama Sumurun (1910), Venetian Night (1912); 4. Expressionist experiment The Ghost Sonata (1916), The Beggar (1917), Danton's Death (1916); 5. Reinhardt's Shakespeare A Midsummer Night's Dream (1905), The Merchant of Venice (1905), Macbeth (1916); 6. A style for every play Faust (1909), The Miser (1917), Oedipus Rex (1910); 7. The baroque spectacles Everyman (1911), The Miracle (1911), The Salzburg Great Theatre of the World (1922); 8. Reinhardt, man of the theatre Playhouses, technical advances, repertory, rehearsal.
Synopsis
Max Reinhardt (1873 -1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions., Max Reinhardt (1873 1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.", Max Reinhardt (1873-1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major productions: his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.
LC Classification Number
PN2658.R4 S8 1982
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