
Ludwig van Beethoven: A Very Short Introduc... 9780190051730 by Bonds, Mark Evan
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Ludwig van Beethoven: A Very Short Introduc... 9780190051730 by Bonds, Mark Evan
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eBay-Artikelnr.:388043089959
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “Used - Like New”
- ISBN
- 9780190051730
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190051736
ISBN-13
9780190051730
eBay Product ID (ePID)
18050429599
Product Key Features
Book Title
Ludwig Van Beethoven : a Very Short Introduction
Number of Pages
152 Pages
Language
English
Topic
History & Criticism, General
Publication Year
2022
Illustrator
Yes
Genre
Music
Book Series
Very Short Introductions Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
3.5 Oz
Item Length
6.8 in
Item Width
4.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2021-046076
Reviews
By altering the complex range of Beethoven's individuality through a series of cogently crafted perspectives, Mark Evan Bonds has created a captivating new account of Western music's most widely admired composer. This book will delight music lovers at all levels, for it can be read both as a stirring introduction and as a bracing reassessment., "By altering the complex range of Beethoven's individuality through a series of cogently crafted perspectives, Mark Evan Bonds has created a captivating new account of Western music's most widely admired composer. This book will delight music lovers at all levels, for it can be read both as a stirring introduction and as a bracing reassessment." -- Scott Burnham, Distinguished Professor of Music, Graduate Center, City University of New York"In Ludwig van Beethoven: A Very Short Introduction, Mark Evan Bonds employs categories such as Love, Money, and Deafness to examine the legends and biographical distortions that have encumbered our understanding of Beethoven. In doing so, he enhances rather than diminishes our appreciation of the man and the music. Bonds wears his erudition lightly, giving us prose that is graceful, forceful, and always a pleasure." -- Garrick Ohlssohn, pianist"A genuinely new approach to Beethoven to satisfy the reader at any level of musical knowledge. The author's profound insights into the composer's art, life, and attitudes beyond 'the scowl' offer a multiplicity of surprising and rewarding perspectives on this musical superstar and his eventful era." -- Elaine Sisman, Anne Parsons Bender Professor of Music, Columbia University, "By altering the complex range of Beethoven's individuality through a series of cogently crafted perspectives, Mark Evan Bonds has created a captivating new account of Western music's most widely admired composer. This book will delight music lovers at all levels, for it can be read both as a stirring introduction and as a bracing reassessment." -- Scott Burnham, Distinguished Professor of Music, Graduate Center, City University of New York "In Ludwig van Beethoven: A Very Short Introduction, Mark Evan Bonds employs categories such as Love, Money, and Deafness to examine the legends and biographical distortions that have encumbered our understanding of Beethoven. In doing so, he enhances rather than diminishes our appreciation of the man and the music. Bonds wears his erudition lightly, giving us prose that is graceful, forceful, and always a pleasure." -- Garrick Ohlssohn, pianist "A genuinely new approach to Beethoven to satisfy the reader at any level of musical knowledge. The author's profound insights into the composer's art, life, and attitudes beyond 'the scowl' offer a multiplicity of surprising and rewarding perspectives on this musical superstar and his eventful era." -- Elaine Sisman, Anne Parsons Bender Professor of Music, Columbia University
Table Of Content
Introduction 1. The Scowl 2. The Life 3. Ideals 4. Deafness 5. Love 6. Money 7. Politics 8. Composing 9. Early-Middle-Late 10. The Music 11. "Beethoven" ReferencesFurther ReadingIndex
Synopsis
Proposes a new way of listening to Beethoven by understanding his music as an expression of his entire self, not just the iconic scowl Despite the ups and downs of his personal life and professional career - even in the face of deafness - Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Beethoven approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory. Beethoven's works, Bonds argues, are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic furrowed brow and frown, moreover, came only after his time. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self., Throughout his life, Beethoven remained remarkably consistent in his most basic convictions about his art. He approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory.Beethoven's works are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he assumed and projected through his music. Discarding tired myths about the composer, this introduction to the composer proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self., Proposes a new way of listening to Beethoven by understanding his music as an expression of his entire self, not just the iconic scowl Despite the ups and downs of his personal life and professional career - even in the face of deafness - Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Beethoven approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory . Beethoven's works, Bonds argues, are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic furrowed brow and frown, moreover, came only after his time. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.
LC Classification Number
ML410.B4B58 2022
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