Making Dystopia: The Strange Rise and Su... 9780198820864 von Curl, James Stevens
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Making Dystopia: The Strange Rise and Su... 9780198820864 von Curl, James Stevens
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Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “Used - Like New”
- ISBN
- 9780198820864
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0198820860
ISBN-13
9780198820864
eBay Product ID (ePID)
27038252693
Product Key Features
Book Title
Making Dystopia : the Strange Rise and Survival of Architectural Barbarism
Number of Pages
592 Pages
Language
English
Topic
History / Contemporary (1945-), General
Publication Year
2019
Illustrator
Yes
Genre
Architecture
Format
Trade Paperback
Dimensions
Item Height
1.1 in
Item Weight
42.3 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
"in this remarkable work [Curl] sets the historical record straight by demythologizing architectural Modernism, its progenitors and heroes...This is a book that needed to be written...superb writing and meticulous research." -- James C. McCrery, II, Humanum"Curl's Making Dystopia is a wake-up call to architects and urbanists to reexamine what we hold true in light of the dystopias we claim as our heritage in the making. Every committed architect and urbanist interested in the roots of their profession needs to read Curl's book now." -- Nir Buras, Making Dystopia, the most gripping and complete account of how architecture and urban planning were corrupted in the 20th and 21st century leading to a catastrophic deterioration of the built environment, is a brilliant, thoroughly researched, and completely novel book... This book, surely the greatest of the many written by Professor Stevens Curl, should be read by staff and students in all schools of architecture who are still pursuing destructive,irrelevant, outdated paths, as well as by everyone concerned about the erosion of civilisation itself., "in this remarkable work [Curl] sets the historical record straight by demythologizing architectural Modernism, its progenitors and heroes...This is a book that needed to be written...superb writing and meticulous research." -- James C. McCrery, II, Humanum "Curl's Making Dystopia is a wake-up call to architects and urbanists to reexamine what we hold true in light of the dystopias we claim as our heritage in the making. Every committed architect and urbanist interested in the roots of their profession needs to read Curl's book now." -- Nir Buras, "Curl's Making Dystopia is a wake-up call to architects and urbanists to reexamine what we hold true in light of the dystopias we claim as our heritage in the making. Every committed architect and urbanist interested in the roots of their profession needs to read Curl's book now." -- Nir Buras
Dewey Decimal
724.6
Table Of Content
ProlegomenonPreface and Acknowledgements1. Origins of a Catastrophe2. Makers of Mythologies and False Analogies3. Modernism in Germany in the Aftermath of the 1914-18 War4. The International Style 1920s and 1930s5. The International Style Truly International6. Universal Acceptance of the International Style: A Surprising Aftermath of 19457. Descent to Deformity8. Dangerous Signals9. Some Further Reflections10. EpilogueSelect GlossaryBibliographyIndex
Synopsis
In Making Dystopia, distinguished architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice. Tracing the effects of the Modernist revolution in architecture to the present, Stevens Curl argues that, with each passing year, so-called "iconic" architecture by supposed "star" architects has become more and more bizarre, unsettling, and expensive, ignoring established contexts and proving to be stratospherically remote from the aspirations and needs of humanity. In the elite world of contemporary architecture, form increasingly follows finance, and in a society in which the "haves" have more and more, and the "have-nots" are ever more marginalized, he warns that contemporary architecture continues to stack up huge potential problems for the future, as housing costs spiral out of control, resources are squandered on architectural bling, and society fractures. This courageous, passionate, deeply researched, and profoundly argued book should be read by everyone concerned with what is around us. Its combative critique of the entire Modernist architectural project and its apologists will be highly controversial to many. But it contains salutary warnings that we ignore at our peril. And it asks awkward questions to which answers are long overdue., In Making Dystopia, distinguished architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice. Tracing the effects of the Modernist revolution in architecture to the present, Stevens Curl argues that, with each passing year, so-called 'iconic' architecture by supposed 'star' architects has become more and more bizarre, unsettling, and expensive, ignoring established contexts and proving to be stratospherically remote from the aspirations and needs of humanity. In the elite world of contemporary architecture, form increasingly follows finance, and in a society in which the 'haves' have more and more, and the 'have-nots' are ever more marginalized, he warns that contemporary architecture continues to stack up huge potential problems for the future, as housing costs spiral out of control, resources are squandered on architectural bling, and society fractures. This courageous, passionate, deeply researched, and profoundly argued book should be read by everyone concerned with what is around us. Its combative critique of the entire Modernist architectural project and its apologists will be highly controversial to many. But it contains salutary warnings that we ignore at our peril. And it asks awkward questions to which answers are long overdue., A devastating critique of the Modernist Movement: from the Bauhaus and Le Corbusier, through destructive Modernism-inspired urban planning of the post-war years, it questions how increasingly unequal and dysfunctional societies have been affected by self-serving, self-appointed elites hell-bent on creating an alienating, empathy-less Dystopia., In Making Dystopia , distinguished architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice. Tracing the effects of the Modernist revolution in architecture to the present, Stevens Curl argues that, with each passing year, so-called 'iconic' architecture by supposed 'star' architects has become more and more bizarre, unsettling, and expensive, ignoring established contexts and proving to be stratospherically remote from the aspirations and needs of humanity. In the elite world of contemporary architecture, form increasingly follows finance, and in a society in which the 'haves' have more and more, and the 'have-nots' are ever more marginalized, he warns that contemporary architecture continues to stack up huge potential problems for the future, as housing costs spiral out of control, resources are squandered on architectural bling, and society fractures. This courageous, passionate, deeply researched, and profoundly argued book should be read by everyone concerned with what is around us. Its combative critique of the entire Modernist architectural project and its apologists will be highly controversial to many. But it contains salutary warnings that we ignore at our peril. And it asks awkward questions to which answers are long overdue.
LC Classification Number
NA682.M63
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- e***d (27)- Bewertung vom Käufer.Letzter MonatBestätigter KaufOn time, as listed, A+
- s***i (1204)- Bewertung vom Käufer.Letzter MonatBestätigter KaufGreat quality, great condition, great value & appearance! Top seller, thanks!
- n***g (648)- Bewertung vom Käufer.Letzter MonatBestätigter Kaufgood packaging and fast delivery. Would highly recommend
- 4***s (22)- Bewertung vom Käufer.Letzter MonatBestätigter KaufArrived quickly, packaged nicely and book is in good condition. I did expect the cover to be exactly as pictured and not the movie cover version. Not really a deal breaker though. Still a good book.