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Major Labels: Eine Geschichte der Popularmusik in sieben Genres
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Major Labels: Eine Geschichte der Popularmusik in sieben Genres

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    Zuletzt aktualisiert am 14. Sep. 2025 01:12:58 MESZAlle Änderungen ansehenAlle Änderungen ansehen

    Artikelmerkmale

    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    ISBN
    9780525559610
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Penguin Publishing Group
    ISBN-10
    0525559612
    ISBN-13
    9780525559610
    eBay Product ID (ePID)
    12057238570

    Product Key Features

    Book Title
    Major Labels : a History of Popular Music in Seven Genres
    Number of Pages
    496 Pages
    Language
    English
    Publication Year
    2022
    Topic
    History & Criticism, Genres & Styles / Rock, Genres & Styles / Pop Vocal
    Genre
    Music
    Author
    Kelefa Sanneh
    Format
    Trade Paperback

    Dimensions

    Item Height
    1.3 in
    Item Weight
    15.8 Oz
    Item Length
    8.4 in
    Item Width
    5.5 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2021-008355
    Dewey Edition
    23
    Dewey Decimal
    781.64
    Synopsis
    One of Oprah Daily's 20 Favorite Books of 2021 - Selected as one of Pitchfork 's Best Music Books of the Year " O ne of the best books of its kind in decades. " -- The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels , Sanneh distills a career's worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music--as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full., In Major Labels, Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of popular music and how it unites and divides us. Sanneh distills a career's worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with everything from his own punk youth to the racial dynamics of rap and country to the genius of Shania Twain. Sanneh shows how musical genres have been defined by the tension between mainstream and outsider, authenticity and phoniness, right and wrong. He upends familiar ideas of musical greatness as he relays the history of each genre and the artists and events that have shaped them. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full. Book jacket., One of Oprah Daily's 20 Favorite Books of 2021 * Selected as one of Pitchfork 's Best Music Books of the Year "One of the best books of its kind in decades." -- The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels , Sanneh distills a career's worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music--as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.
    LC Classification Number
    ML3470.S25 2021

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