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The Oxford Handbook of Hip Hop Dance Studies by Mary Fogarty (Englisch) Hardcover

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ISBN-13
9780190247867
Book Title
The Oxford Handbook of Hip Hop Dance Studies
ISBN
9780190247867

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
019024786X
ISBN-13
9780190247867
eBay Product ID (ePID)
3050434189

Product Key Features

Number of Pages
600 Pages
Publication Name
Oxford Handbook of Hip Hop Dance Studies
Language
English
Publication Year
2022
Subject
General
Type
Textbook
Subject Area
Music, Sports & Recreation
Author
Imani Kai Johnson
Series
Oxford Handbooks Ser.
Format
Hardcover

Dimensions

Item Height
1.4 in
Item Weight
31.7 Oz
Item Length
9.8 in
Item Width
7.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2021-054127
Reviews
"Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture." -- E. Milenkiewicz, Choice"Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture." -- Choice, "Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture." -- E. Milenkiewicz, Choice"Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture." -- Choice"The Oxford Handbook of Hip Hop Dance Studies is an important contribution to hip-hop research, and in the coming years it will likely function as a central reference work in the production of knowledge concerning hip-hop in general and hip-hop dance specifically. Not least, I reckon that it should be relevant as an encyclopedia and reference work for those interested in breaking when it appears in the Paris Olympics this summer." -- Jacob Kimvall,idrottsforum.org, "Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture." -- E. Milenkiewicz, Choice "Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture." -- Choice, "Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture." -- E. Milenkiewicz, Choice"Serving as an introduction to hip-hop dance studies, this handbook provides fresh voices and perspectives on dance and its role in hip-hop culture." -- Choice"The Oxford Handbook of Hip Hop Dance Studies is an important contribution to hip-hop research, and in the coming years it will likely function as a central reference work in the production of knowledge concerning hip-hop in general and hip-hop dance specifically. Not least, I reckon that it should be relevant as an encyclopedia and reference work for those interested in breaking when it appears in the Paris Olympics this summer." -- Jacob Kimvall, idrottsforum.org
TitleLeading
The
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
793.3
Table Of Content
About the Contributors Introduction Mary Fogarty and Imani Kai Johnson Part I. Hip Hop Dance Legacies and Traditions 1. Foundation: Context and Components of Breaking Fundamentals Kenneth "Ken Swift" Gabbert and Yarrow "Osofly" Lutz 2. The Camera in the Cypher: High Times and Hypervisibility in Early Hip Hop Dance Vanessa Lakewood 3. The Technical Developments in Breaking from Conditioning to Mindset Niels "Storm" Robitzky 4. Connecting Hip Hop History and Heritage E. Moncell Durden 5. Kung Fu Fandom: NYC B-Boys and the Grindhouse Distribution of Kung Fu Films Eric Pellerin 6. What Makes a Man Break? Mary Fogarty Part II. Hip Hop Dance Methodologies 7. Learn Your History: Using Academic Oral Histories of NYC B-Girls in the 1990s to Broaden Hip Hop Scholarship MiRi Park 8. Hard Love Part. 1: Corporealities of Women Ethnographers of Hip Hop Dances Imani Kai Johnson 9. Framing Hip Hop Dance as an Object of Sociological and Cultural Research Andy Bennett 10. Through Sound and Space: Notes on Education from the Edge of the Cypher Emery Petchauer 11. The Vault: Collecting and Archiving Street Dance Footage Marc "Scramblelock" Sakalauskas 12. Hard Love Part 2: Critical Hiphopography in Streetdance Communities Imani Kai Johnson Part III. Overstanding Identities in Hip Hop Streetdance Practices 13. Breaking in My House: Popular Dance, Identity Politics, and Postracial Empathies Thomas F. DeFrantz 14. Globalization and the Hip Hop Dance Cipher Halifu Osumare and Terry Bright Kweku Ofosu 15. Asian American Liminality: Racial Triangulation in Hip Hop Dance grace shinhae jun 16. Breakin' Down the Bloc: Hip Hop Dance in Armenia Serouj "Midus" Aprahamian 17. Twerking and P-Popping in the Context of New Orleans' Local Hip-Hop Scene Matt Miller 18. Is She B-boying or B-girling? Understanding how B-girls Negotiate Gender and Belonging Helen Simard Part IV. Breaking with Convention 19. Streetdance and Black Aesthetics Naomi Bragin 20. Living in the Tension: The Aesthetics and Logics of Popping Rosemarie A. Roberts 21. Staging Hip Hop Dance: Fly Girls in the House Leah "McFly" McKesey, Diana "Fly Lady Di" Reyes and Mary "MJ" Fogarty 22. Battles and Ballets: Hip Hop Dance in France Roberta Shapiro (Translation by David Lavin, Roberta Shapiro and Imani Kai Johnson) 23. Negotiating the Metaspace: Hip Hop Dance Artists in the Space of UK Dance/Theatre Paul Sadot 24. Make the Letters Dance: A Hip Hop Approach to Creative Practice Anthony "YNOT" DeNaro and Mary Fogarty Part V. Hip Hop Health: Injury, Healing and Rehabilitation 25. Hip Hop Dance and Injury Prevention Tony Ingram 26. They Come for the Hip Hop, But Stay for the Healing Stephen "Buddha" Leafloor 27. Can Expert Dancers Be A Springboard Model to Examine Neurorehabilitation Via Dance? Rebecca Barnstaple, Débora B. Rabinovich, and Joseph FX DeSouza Afterword: Dance, Hip Hop Studies and the Academy Joseph Schloss Acknowledgments Index
Synopsis
Engaging with a broad range of research and performance genres, The Oxford Handbook of Hip Hop Dance Studies offers the most comprehensive research on Hip Hop dance to date. Filling a lacuna in both Hip Hop and dance studies, the Handbook places practitioners' voices at the forefront and in dialogue with theoretical insights, rooted in critical race theory, anticolonialism, intersectional feminism, and more. Volume editors Mary Fogarty and ImaniKai Johnson have included influential dancers and scholars from around the world: from B-Boys Ken Swift, YNOT, and Storm, to practitioners of locking, waacking and House dance styles such as E. Moncell Durden, TerryBright Kweku Ofosu, Fly Lady Di, and Leah McFly, and innovative academic work on Hip Hop dance by the most prominent researchers in the field. Throughout the Handbook contributors address individual and social histories of dance, Afrodiasporic and global lineages, the contribution of B-Girls from Honey Rockwell to Rokafella, the "studio-fication" of Hip Hop styles, and moves into theatre, TV, and the digital/social media space., The Oxford Handbook of Hip Hop Dance Studies offers insights on individual and social histories of dance, Afrodiasporic and global lineages of the genre, the contribution of B-Girls from Honey Rockwell to Rokafella, the "studio-fication" of hip hop, and the cultural shift into theatre, TV, and the digital social media space., Engaging with a broad range of research and performance genres, The Oxford Handbook of Hip Hop Dance Studies offers the most comprehensive research on Hip Hop dance to date. Filling a lacuna in both Hip Hop and dance studies, the Handbook places practitioners' voices at the forefront and in dialogue with theoretical insights, rooted in critical race theory, anticolonialism, intersectional feminism, and more. Volume editors Mary Fogarty and Imani Kai Johnson have included influential dancers and scholars from around the world: from B-Boys Ken Swift, YNOT, and Storm, to practitioners of locking, waacking and House dance styles such as E. Moncell Durden, Terry Bright Kweku Ofosu, Fly Lady Di, and Leah McFly, and innovative academic work on Hip Hop dance by the most prominent researchers in the field. Throughout the Handbook contributors address individual and social histories of dance, Afrodiasporic and global lineages, the contribution of B-Girls from Honey Rockwell to Rokafella, the "studio-fication" of Hip Hop styles, and moves into theatre, TV, and the digital/social media space.
LC Classification Number
GV1796.H57O84 2022

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