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Moebius (Biographix) von Labarre

Rocky Mountain Textbooks
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Hinweise des Verkäufers
“Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
Narrative Type
Artists, Architects & Photographers
Type
Book
Intended Audience
N/A
ISBN
9781496854988

Über dieses Produkt

Product Identifiers

Publisher
University Press of Mississippi
ISBN-10
1496854985
ISBN-13
9781496854988
eBay Product ID (ePID)
22067061368

Product Key Features

Book Title
Moebius
Number of Pages
278 Pages
Language
English
Topic
Popular Culture, Artists, Architects, Photographers, Comics & Graphic Novels
Publication Year
2025
Illustrator
Yes
Genre
Literary Criticism, Social Science, Biography & Autobiography
Author
Nicolas Labarre
Book Series
Biographix Ser.
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
7.6 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2024-036150
Reviews
This biography is an exceptional portrait of one of the most influential cartoonists of the past half century, offering a throughline of argumentation that digs deep into the history of comics criticism, both from the fan side and from the scholarly tradition.--Bart Beaty, coeditor of Comics Studies: A Guidebook, This biography is an exceptional portrait of one of the most influential cartoonists of the past half century, offering a throughline of argumentation that digs deep into the history of comics criticism, both from the fan side and from the scholarly tradition.
Series Volume Number
7
Synopsis
Jean Giraud (1938-2012) started drawing comics in the late 1950s for a variety of French comics magazines. Under his real name, he found success in 1963 with the western series Blueberry, written by Jean-Michel Charlier and published in Pilote magazine. In the 1970s, he started producing science fiction works under the name of Moebius, which ......, Jean Giraud (1938-2012) started drawing comics in the late 1950s for a variety of French comics magazines. Under his real name, he found success in 1963 with the western series Blueberry , written by Jean-Michel Charlier and published in Pilote magazine. In the 1970s, he started producing science fiction works under the name of Moebius, which brought him international success, and which included works such as Arzach . He died in 2012, as a global celebrity in the comics world and a major influence across visual media. This first book-length, English-language study of Moebius finally brings international attention to an artist whose influence on the medium was profound and immediate, making him a role model for aspiring comics creators throughout his career. He was widely imitated while at Métal Hurlant in the 1970s, was "prominent among the spiritual fathers of the comic book rebels" in the 1990s, and again an example for the independent artists identified as the "new bande dessinée" in France in the early 2000s. Featuring close readings of key texts, including Blueberry , the Airtight Garage of Jerry Cornelius , and "The Long Tomorrow," this volume examines Moebius's style and aesthetic achievement. Notably, this volume explores the tension between Giraud and Moebius-one name for westerns, the other for science fiction; one name for the domestic market, another as a global brand; one name for the brush, another for the pen; one for the mainstream and the other for the underground. Labarre challenges those dichotomies, especially in the later phases of Moebius's career, unveiling the complex evolution of this understudied but influential artist., Jean Giraud (1938-2012) started drawing comics in the late 1950s for a variety of French comics magazines. Under his real name, he found success in 1963 with the western series Blueberry, written by Jean-Michel Charlier and published in Pilote magazine. In the 1970s, he started producing science fiction works under the name of Moebius, which brought him international success, and which included works such as Arzach. He died in 2012, as a global celebrity in the comics world and a major influence across visual media. This first book-length, English-language study of Moebius finally brings international attention to an artist whose influence on the medium was profound and immediate, making him a role model for aspiring comics creators throughout his career. He was widely imitated while at Metal Hurlant in the 1970s, was "prominent among the spiritual fathers of the comic book rebels" in the 1990s, and again an example for the independent artists identified as the "new bande dessinee" in France in the early 2000s. Featuring close readings of key texts, including Blueberry, the Airtight Garage of Jerry Cornelius, and "The Long Tomorrow," this volume examines Moebius's style and aesthetic achievement. Notably, this volume explores the tension between Giraud and Moebius-one name for westerns, the other for science fiction; one name for the domestic market, another as a global brand; one name for the brush, another for the pen; one for the mainstream and the other for the underground. Labarre challenges those dichotomies, especially in the later phases of Moebius's career, unveiling the complex evolution of this understudied but influential artist., Jean Giraud (1938-2012) started drawing comics in the late 1950s for a variety of French comics magazines. Under his real name, he found success in 1963 with the western series Blueberry written by Jean Michel Charlier and published in Pilote magazine. In the 1970s, he started producing science fiction works under the name of Moebius, which brought him international success, and which included works such as Arzach. He died in 2012 as a global celebrity in the comics world and a major influence across visual media. This first book-length, English-language study of Moebius finally brings international attention to an artist whose influence on the medium was profound and immediate, making him a role model for aspiring comics creator throughout his career. He was widely imitated while at Metal Hurlant in the 1970s, was "prominent among the spiritual fathers of the comic book rebels" in the 1990s, and again an example for the independent artists identified as the "new bande dessinée" in France in the early 2000s. Featuring close readings of key texts, including Blueberry, The Airtight Garage of Jerry Cornelius, and "The Long Tomorrow," this volume examines Moebius's style and aesthetic achievement. Notably, the volume explores the tension between Giraud and Moebius-one name for westerns, the other for science fiction; one name for the domestic market, another as a global brand; one name for the brush, another for the pen; one for the mainstream and the other for the underground. Nicolas Labarre challenges those dichotomies, especially in the later phases of Moebius's career, unveiling the complex evolution of this understudied ut influential artist.
LC Classification Number
PN6747.G5Z74 2025

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