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Die Entstehung visueller Nachrichten: Eine Geschichte der Fotografie in der Presse
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Die Entstehung visueller Nachrichten: Eine Geschichte der Fotografie in der Presse
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Die Entstehung visueller Nachrichten: Eine Geschichte der Fotografie in der Presse

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    Zuletzt aktualisiert am 31. Aug. 2025 18:18:22 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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    Artikelzustand
    Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
    Release Year
    2017
    Book Title
    The Making of Visual News: A History of Photography in the Press
    ISBN
    9781474295192
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Bloomsbury Academic & Professional
    ISBN-10
    1474295193
    ISBN-13
    9781474295192
    eBay Product ID (ePID)
    239589569

    Product Key Features

    Number of Pages
    248 Pages
    Language
    English
    Publication Name
    Making of Visual News : a History of Photography in the Press
    Publication Year
    2017
    Subject
    Photojournalism, Journalism, Criticism, History
    Type
    Textbook
    Subject Area
    Language Arts & Disciplines, Photography
    Author
    Thierry Gervais, Gaëlle Morel
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.6 in
    Item Weight
    19.3 Oz
    Item Length
    8.5 in
    Item Width
    6.7 in

    Additional Product Features

    Intended Audience
    College Audience
    Dewey Edition
    23
    TitleLeading
    The
    Reviews
    Richly illustrated and clearly written, this book firmly and definitively anchors such well-known mid-century photo weekly magazines as LIFE in a much longer history. Photojournalism is meticulously and meaningfully given its vital role in shaping information and communication since the nineteenth century in this excellent survey
    Illustrated
    Yes
    Dewey Decimal
    070.49
    Table Of Content
    Introduction The invention of the magazine (1843-1918) From a photograph The halftone age Press photographers The role of the art director Reflections of the war General news magazines: European know-how (1919-1936) Berliner Illustrirte Zeitung before the war The postwar German press: a competitive market Propagandist visual strategies A style for news magazines An aesthetics of transparency VU: a photographic workshop Narrating the news The Life model and the standardization of news magazines (1936-1976) From idea to actuality: the beginnings of Life Dramatizing the news From the photographic essay to the pictorial essay Challenges to authority Towards diversification Conclusion
    Synopsis
    The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaelle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life , Picture Post , the Berliner Illustrirte Zeitung and VU . It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture, The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Ga lle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life , Picture Post , the Berliner Illustrirte Zeitung and VU . It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture
    LC Classification Number
    TR820

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