Frühes puertoricanisches Kino und Nation Building: National Sentiments, Transnat...

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Book Title
Early Puerto Rican Cinema and Nation Building : National Sentimen
ISBN
9781684481170
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Bucknell University Press
ISBN-10
1684481171
ISBN-13
9781684481170
eBay Product ID (ePID)
23038457387

Product Key Features

Number of Pages
250 Pages
Language
English
Publication Name
Early Puerto Rican Cinema and Nation Building : National Sentiments, Transnational Realities, 1897-1940
Subject
Film / General, United States / 20th Century, Industries / Entertainment, Caribbean & West Indies / General, Film / History & Criticism
Publication Year
2019
Type
Textbook
Subject Area
Performing Arts, Business & Economics, History
Author
Naida García-Crespo
Series
Bucknell Studies in Latin American Literature and Theory Ser.
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
12.2 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
2019-012861
Reviews
The book makes a substantial contribution to the study of early Puerto Rican cinema and culture. Serving as a counterweight to traditional national histories of early cinema, it would make a great addition to syllabi in global film courses as well., This book brings into conversation a wide array of disciplines, methodologies, and fields of study, a quality that makes Early Puerto Rican Cinema an excellent choice for both undergraduate and graduate courses. García-Crespo offers a significant contribution not only to the field of Puerto Rican studies but also to media, culture, and Caribbean studies. The monograph is an excellent companion to previous works., García-Crespo's professional, methodical approach is particularly to be emphasized....[A]n in-depth history of the film's beginnings in Puerto Rico., Well-written and vigorously researched, this book will be of much value to scholars of the history of cinema, Puerto Rican history, sociology, and political science. It sheds new light on important aspects of Puerto Rico's early transition from a Spanish to a U.S. colony.
Dewey Edition
23
Grade From
College Freshman
Illustrated
Yes
Dewey Decimal
791.43097295
Table Of Content
INTRODUCTION Established Frames and Images of Puerto Rican Cinema Conceptions of the Puerto Rican Nation... An Alternative Approach to the Study of Puerto Rican National Cinema This Study's Framework CHAPTER ONE- Contexts for a National Cinema: Cultural, Political, and Economic Movements in Puerto Rico 1860-1952 Late Spanish Colonialism through 1898 Circumstances and Consequences of the U.S. Invasion Initial U.S. Congressional Rule and the Formation of Puerto Rican Identity Puerto Rican Conceptions of the Nation from 1930 Onward CHAPTER TWO- Cinema Comes to Puerto Rico: Historical Uncertainties and Ambiguous Identities (1897-1909) Film Exhibition in Turn-of-the-Century Puerto Rico Rumors of War Footage Representing U.S. Colonial Puerto Rico CHAPTER THREE- Stateless Nationhood, Transnationalism and the Difficulties of Assigning Nationality: Rafael Colorado in Puerto Rican Historiography (1912-1916) Rafael Colorado, Film Exhibition, and the Transnational Circulation of Cultural Subjects Rafael Colorado as Cinematic Producer: Negotiating the Local and the Global Citizenship in a Stateless Nation: Constructing the Puerto Rican Subject CHAPTER FOUR- In the Company of the Elites: The Discourses and Practices of the Tropical Film Company (1916-1917) Inconsistencies in the Received Histories of the Tropical Film Company The Educational/Cultural Project of the Tropical Film Company The Tropical Film Company's Commercial Aims The End of the Beginning: The Tropical Film Company's Demise and Legacy CHAPTER FIVE- Perilous Paradise: American Assignment and Appropriation of "Puerto Ricanness" (1917-1925) From Big Stick to Good Neighbor: Puerto Rico as Test Site for American Foreign Policy Fictional Puerto Rico and Colonial Angst Puerto Rico's Commercial Production Model U.S. Cinema Falls in Love with the Tropics The MacManus/Pathé Productions Famous Player-Lasky/Paramount Comes to the Island Beyond Fiction: Other Aspects of the Puerto Rican Film Industry in the 1920s CHAPTER SIX- Making the Nation Profitable: Industry-Centered Transnational Approaches to Filmmaking (1923-1940) The Film Enthusiast: The Career of Juan E. Viguié Cajas Romance tropical: Re-making the Dream The Film Impresario: The Career of Rafael Ramos Cobián Mis dos amores: The Union of Hollywood and Latin America Los hijos mandan: The Separation of Hollywood and Latin America The End of an Era: The Local Government as Producer CONCLUSION- Early Puerto Rican Cinema and Stateless Nation Building Finding the National in the Transnational ACKNOWLEDGEMENTS BIBLIOGRAPHY INDEX
Synopsis
Early Puerto Rican Cinema and Nation Building focuses on the processes of Puerto Rican national identity formation as seen through the historical development of cinema on the island between 1897 and 1940. Anchoring her work in archival sources in film technology, economy, and education, Naida García-Crespo argues that Puerto Rico's position as a stateless nation allows for a fresh understanding of national cinema based on perceptions of productive cultural contributions rather than on citizenship or state structures. This book aims to contribute to recently expanding discussions of cultural networks by analyzing how Puerto Rican cinema navigates the problems arising from the connection and/or disjunction between nation and state. The author argues that Puerto Rico's position as a stateless nation puts pressure on traditional conceptions of national cinema, which tend to rely on assumptions of state support or a bounded nation-state. She also contends that the cultural and business practices associated with early cinema reveal that transnationalism is an integral part of national identities and their development. García-Crespo shows throughout this book that the development and circulation of cinema in Puerto Rico illustrate how the "national" is built from transnational connections. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press., Early Puerto Rican Cinema and Nation Building focuses on the processes of Puerto Rican national identity formation as seen through the historical development of cinema on the island between 1897 and 1940. Anchoring her work in archival sources in film technology, economy, and education, Naida Garc a-Crespo argues that Puerto Rico's position as a stateless nation allows for a fresh understanding of national cinema based on perceptions of productive cultural contributions rather than on citizenship or state structures. This book aims to contribute to recently expanding discussions of cultural networks by analyzing how Puerto Rican cinema navigates the problems arising from the connection and/or disjunction between nation and state. The author argues that Puerto Rico's position as a stateless nation puts pressure on traditional conceptions of national cinema, which tend to rely on assumptions of state support or a bounded nation-state. She also contends that the cultural and business practices associated with early cinema reveal that transnationalism is an integral part of national identities and their development. Garc a-Crespo shows throughout this book that the development and circulation of cinema in Puerto Rico illustrate how the "national" is built from transnational connections. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press., Early Puerto Rican Cinema and Nation Building focuses on the processes of Puerto Rican national identity formation as seen through the historical development of cinema on the island between 1897 and 1940. Anchoring her work in archival sources in film technology, economy, and education, Garcia-Crespo argues that Puerto Rico's position as a stateless nation allows for a fresh understanding of national cinema based on perceptions of productive cultural contributions rather than on citizenship or state structures., Early Puerto Rican Cinema and Nation Building focuses on the processes of Puerto Rican national identity formation as seen through the historical development of cinema on the island between 1897 and 1940. Anchoring her work in archival sources in film technology, economy, and education, Naida García-Crespo argues that Puerto Rico?s position as a stateless nation allows for a fresh understanding of national cinema based on perceptions of productive cultural contributions rather than on citizenship or state structures. This book aims to contribute to recently expanding discussions of cultural networks by analyzing how Puerto Rican cinema navigates the problems arising from the connection and/or disjunction between nation and state. The author argues that Puerto Rico?s position as a stateless nation puts pressure on traditional conceptions of national cinema, which tend to rely on assumptions of state support or a bounded nation-state. She also contends that the cultural and business practices associated with early cinema reveal that transnationalism is an integral part of national identities and their development. García-Crespo shows throughout this book that the development and circulation of cinema in Puerto Rico illustrate how the ?national? is built from transnational connections. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
LC Classification Number
PN1993

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