Hemisphärisches Blackface: Nachahmung und nationalistische Fiktionen in Amerika von

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Zuletzt aktualisiert am 14. Okt. 2025 06:57:32 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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ISBN-13
9781478031888
Book Title
Hemispheric Blackface
ISBN
9781478031888
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Duke University Press
ISBN-10
1478031883
ISBN-13
9781478031888
eBay Product ID (ePID)
11070916769

Product Key Features

Number of Pages
256 Pages
Publication Name
Hemispheric Blackface : Impersonation and Nationalist Fictions in the Americas
Language
English
Publication Year
2025
Subject
Theater / General, Ethnic Studies / African American Studies
Type
Textbook
Subject Area
Performing Arts, Social Science
Author
Danielle Roper
Series
Dissident Acts Ser.
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
15.2 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2024-038042
Reviews
By considering the Americas as an expansive geographic unit, Danielle Roper demonstrates how a black studies methodology cuts through the foundational fictions that obscure or romanticize the structural and cultural implications of the afterlives of slavery and colonization. In so doing, she disrupts what otherwise might be considered area studies or nation-centered models by showing how multiracial societies rely on practices and tropes of anti-blackness. An outstanding and timely book., Most studies of blackface privilege the nation and its history to understand the rise, popularity, and aesthetics of blackface performance. What makes Danielle Roper's book so special is how it looks across spaces in the Americas to think about blackface comparatively in places many readers might not expect. It helps chart a new course for understanding the contemporary uses of blackface as well as the broader political currents in the Americas regarding race and multiculturalism. This major work will come to be seen as a model for hemispheric approaches to the study of cultural production in the Americas., By considering the Americas as an expansive geographic unit, Danielle Roper demonstrates how a black studies methodology cuts through the foundational fictions that obscure or romanticize the structural and cultural implications of the afterlives of slavery and colonization. In so doing, she disrupts what otherwise might be considered area studies or nation-centered models by showing how multiracial societies rely on practices and tropes of antiblackness. An outstanding and timely book.
Dewey Edition
23
Dewey Decimal
306.48480899607
Table Of Content
Acknowledgments ix Introduction. Scenes of Racial Enjoyment in the Hemispheric Fold 1 1. Blackface and Racial Scripts at the Andean Fiesta: Staging the Slave Past in the Andes 26 2. Doing Antiblackness in the Hemispheric Fold: Blackface Performance in Miami in the Age of Obama 59 3. Flipping the Racial Script: Blackface Performance as Resistance in Colombia 87 4. The Postcolonial Below: Roots Theater and Black Enjoyment in Jamaica 136 Conclusion. Hemispheric Blackface and Its Afterlives 172 Notes 181 Bibliography 213 Index 233
Synopsis
In Hemispheric Blackface , Danielle Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje , creole nationalism, and other versions of postracialism in the Americas. Challenging both the dominance of the US minstrel tradition and the focus on the nation in blackface studies, Roper maps a hemispheric network of racial impersonation in Peru, Bolivia, Colombia, Jamaica, Cuba, and Miami. She analyzes blackface performance in the aftermath of the turn to multiculturalism in Latin America, the emergence of modern blackness in Jamaica, and the rise of Barack Obama in the United States, showing how blackface remains embedded in cultural entertainment. Contending that the Americas are linked by repeating nationalist fictions of postracialism, colorblindness, and myths of racial democracy, Roper assesses how acts of impersonation mediate the ongoing power of these narratives and enable people to comprehend advancements and reversals in racial equality. Rather than simply framing blackface as liberatory or oppressive, Roper traces its emergence from a shared history of slavery and the varied politics of racial enjoyment throughout the hemisphere., Danielle Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje, creole nationalisms, and other versions of postracialism in the Americas.
LC Classification Number
PN2071.B58R67 2025

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