Geigen in luso-afro-brasilianischen Kulturen: Transatlantische Ästhetik von Luiz Morett

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Zuletzt aktualisiert am 11. Okt. 2025 12:03:37 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
ISBN-13
9781032774565
Type
Does not apply
ISBN
9781032774565
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Routledge, Chapman & Hall, Incorporated
ISBN-10
1032774568
ISBN-13
9781032774565
eBay Product ID (ePID)
27070485301

Product Key Features

Book Title
Fiddles in Luso-Afro-Brazilian Cultures : Transatlantic Aesthetics
Number of Pages
288 Pages
Language
English
Topic
History & Criticism, Ethnomusicology
Publication Year
2024
Illustrator
Yes
Genre
Music
Author
Luiz Moretto
Book Series
Soas Studies in Music Ser.
Format
Hardcover

Dimensions

Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2024-027508
Reviews
"This is a solid and complex piece of multi-sited research that, in lucid prose, tackles a novel topic - bowed chordophones across the Afro-Lusophone world, encompassing Portugal, Cape Verde, Mozambique and Brazil. Challenging a range of preconceived ideas about African musical principles, Luiz Moretto shows how bowed chordophones of various types mediated encounters in different settings, each presenting very distinct and context-specific responses, from cultural dissemination, independent invention, hybridizations, resistance and revivals." Suzel Reily , Professor of Ethnomusicology at the Universiade Estadual de Campinas "This is an extremely rich account of one could call "the black fiddle", immersing readers in a meticulously researched journey through the rich tapestry of African and Afro-diasporic music cultures. Readers will find detailed analyses of how the European instrument was incorporated and re-signified in countries deeply marked by the history of the Atlantic Slave Trade, such as Brazil, Mozambique and Cape Verde. Through vivid ethnographic accounts and previously unpublished materials, this groundbreaking work sheds light on the transcultural dynamics of fiddle traditions, challenging notions of authenticity and decolonization. It not only fills a void in music literature but also captivates a broader audience with its exploration of untold narratives and rhythmic aesthetics, resonating across continents and cultures." Felipe Correa , Reader in Cultural Studies, King's College London "This compelling work challenges entrenched stereotypes and narratives rooted in colonial history, offering fresh perspectives on African traditional instruments and their rich cultural contexts. Moving beyond the confines of authenticity politics and power dynamics, it presents a nuanced and contemporary discourse. Written by a seasoned musician deeply immersed in the world of African music and its diasporic encounters, this book is a must-read." Genitho Santana , Anthropology Teacher at School of Art and Communication, Universidade Eduardo Mondlane
Dewey Edition
23/eng/20240802
Dewey Decimal
787
Synopsis
Fiddles in Luso-Afro-Brazilian Cultures presents fresh data and debates drawn from extensive research to broaden the study of African music by focusing on fiddle playing, exploring rhythm aesthetics and tonal systems within cultural contexts., Fiddles in Luso-Afro-Brazilian Cultures presents fresh data and debates drawn from extensive research to broaden the study of African music by focusing on fiddle playing, exploring rhythm aesthetics and tonal systems within cultural contexts.. Focused on Cape Verde, Mozambique, and Brazil, the research maps cultural affiliations, addressing cultural displacement and historical ties. It engages with postcolonial power dynamics, highlighting fiddle playing as a form of resistance and revival. Primarily aimed at academic researchers in ethnomusicology and related fields, the book provides detailed analytical descriptions and narratives of artists, instruments, and playing styles. It contributes to discussions on music, decolonization, and diasporic communities' demands for authenticity and recognition.. By revealing lesser-known fiddle traditions, it enriches the world music genre, attracting both academic and general readers interested in transcultural music studies.
LC Classification Number
ML756.M67 2024

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