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Geigen in luso-afro-bras ilianischen Kulturen: Transatlantisc he Ästhetik von Luiz Morett
US $279,36
Ca.CHF 222,15
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Standort: Fairfield, Ohio, USA
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eBay-Artikelnr.:389037663866
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781032774565
- Type
- Does not apply
- ISBN
- 9781032774565
Über dieses Produkt
Product Identifiers
Publisher
Routledge, Chapman & Hall, Incorporated
ISBN-10
1032774568
ISBN-13
9781032774565
eBay Product ID (ePID)
27070485301
Product Key Features
Book Title
Fiddles in Luso-Afro-Brazilian Cultures : Transatlantic Aesthetics
Number of Pages
288 Pages
Language
English
Topic
History & Criticism, Ethnomusicology
Publication Year
2024
Illustrator
Yes
Genre
Music
Book Series
Soas Studies in Music Ser.
Format
Hardcover
Dimensions
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2024-027508
Reviews
"This is a solid and complex piece of multi-sited research that, in lucid prose, tackles a novel topic - bowed chordophones across the Afro-Lusophone world, encompassing Portugal, Cape Verde, Mozambique and Brazil. Challenging a range of preconceived ideas about African musical principles, Luiz Moretto shows how bowed chordophones of various types mediated encounters in different settings, each presenting very distinct and context-specific responses, from cultural dissemination, independent invention, hybridizations, resistance and revivals." Suzel Reily , Professor of Ethnomusicology at the Universiade Estadual de Campinas "This is an extremely rich account of one could call "the black fiddle", immersing readers in a meticulously researched journey through the rich tapestry of African and Afro-diasporic music cultures. Readers will find detailed analyses of how the European instrument was incorporated and re-signified in countries deeply marked by the history of the Atlantic Slave Trade, such as Brazil, Mozambique and Cape Verde. Through vivid ethnographic accounts and previously unpublished materials, this groundbreaking work sheds light on the transcultural dynamics of fiddle traditions, challenging notions of authenticity and decolonization. It not only fills a void in music literature but also captivates a broader audience with its exploration of untold narratives and rhythmic aesthetics, resonating across continents and cultures." Felipe Correa , Reader in Cultural Studies, King's College London "This compelling work challenges entrenched stereotypes and narratives rooted in colonial history, offering fresh perspectives on African traditional instruments and their rich cultural contexts. Moving beyond the confines of authenticity politics and power dynamics, it presents a nuanced and contemporary discourse. Written by a seasoned musician deeply immersed in the world of African music and its diasporic encounters, this book is a must-read." Genitho Santana , Anthropology Teacher at School of Art and Communication, Universidade Eduardo Mondlane
Dewey Edition
23/eng/20240802
Dewey Decimal
787
Synopsis
Fiddles in Luso-Afro-Brazilian Cultures presents fresh data and debates drawn from extensive research to broaden the study of African music by focusing on fiddle playing, exploring rhythm aesthetics and tonal systems within cultural contexts., Fiddles in Luso-Afro-Brazilian Cultures presents fresh data and debates drawn from extensive research to broaden the study of African music by focusing on fiddle playing, exploring rhythm aesthetics and tonal systems within cultural contexts.. Focused on Cape Verde, Mozambique, and Brazil, the research maps cultural affiliations, addressing cultural displacement and historical ties. It engages with postcolonial power dynamics, highlighting fiddle playing as a form of resistance and revival. Primarily aimed at academic researchers in ethnomusicology and related fields, the book provides detailed analytical descriptions and narratives of artists, instruments, and playing styles. It contributes to discussions on music, decolonization, and diasporic communities' demands for authenticity and recognition.. By revealing lesser-known fiddle traditions, it enriches the world music genre, attracting both academic and general readers interested in transcultural music studies.
LC Classification Number
ML756.M67 2024
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- c***a (121)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufThe seller was very responsive and answered me on a timely matter. The product itself came in its packaging and was new, not used at all. The packaging was not beat up or anything, safely delivered to my mailbox. No mix ups and zero stress with delivery. The price for the product is completely understandable for the product. I really appreciate the seller and I am very happy to have purchased through this seller. Completely trustable!
- m***4 (1616)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufLeaving positive feedback because 1) item was packed well & arrived as described 2) seller did give partial refund when subsequent price dropped below org purchase price. 3) communication was quick However, there was a downside to this transaction -item listed as in-stock but ended up waiting nearly a month for them to get it from their distributer then ship it to me (bought June 29th, arrived around July 21). Auction said 12-15 days. Better clarity would have prevented lot of frustrationStreet Fighter II - Guile (Player 2) Figure - 6 Inch (Nr. 365698737394)
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