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Jonathans Liebe, Davids Klagen
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eBay-Artikelnr.:395144946008
Artikelmerkmale
- Artikelzustand
- PublishedOn
- 2017-03-24
- Title
- Jonathan's Loves, David's Laments
- Artist
- Not Specified
- Type
- Not Specified
- Publication Name
- Not Specified
- ISBN
- 9781620327029
Über dieses Produkt
Product Identifiers
Publisher
Wipf & Stock Publishers
ISBN-10
1620327023
ISBN-13
9781620327029
eBay Product ID (ePID)
236712237
Product Key Features
Book Title
Jonathan's Loves, David's Laments : Gay Theology, Musical Desires, and Historical Difference
Number of Pages
200 Pages
Language
English
Publication Year
2017
Topic
Lgbt Studies / General, Christian Theology / General, Christianity / Denominations, Christian Church / General, Biblical Biography / Old Testament, Sexuality & Gender Studies, Biblical Criticism & Interpretation / Old Testament
Genre
Religion, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
10.4 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
Preface by
Ruether, Rosemary Radford
LCCN
2016-439854
Reviews
"Providing a veritable feast for discerning readers, Dirk von der Horst deftly and masterfully weaves theological insights and musicological analysis, biblical exegesis and cultural critique, historicizing perspective and liberative summons in his tantalizing and immensely satisfying first book. Jonathan's Loves, David's Laments draws from each of these approaches but transcends them all, beckoning readers to pursue promising and audacious new directions for relational, queer theology." --Brent A. R. Hege, Butler University, Indianapolis, Indiana "This book is an interdisciplinary tour de force. Van der Horst mines theology, musicology, historicist vs. essentialist debates over biblical meaning and sexual identity, and the dialogical dynamics of musical experience to elucidate how musical afterlives of the David-Jonathan story inhabit 'irrefutable' spaces for homoerotic desire and queer identification within the biblical text. These musico-aesthetic riches redefine biblical authority and will allow theologians and activists to deploy 'Jonathan loved David' with even more intellectual integrity." --Heidi Epstein, Associate Professor, Department of Religion and Culture, St. Thomas More College, University of Saskatchewan
Synopsis
Jonathan's Loves, David's Laments uses early modern musical interpretations of David's Lament over Saul and Jonathan to deepen the historicist foundations of contemporary feminist and gay relational theologies. After laying out how gay theologian Gary David Comstock connects the story of David and Jonathan to the theology of lesbian theologian Carter Heyward, the argument interrogates both theological and exegetical problems in making those connections, which include contradictory theological stances with regard to modernity and history as well as the indeterminacy of the biblical text. Early modern musical interpretations of the text allow for a double move of engaging the texts through a sensual medium, thus reinforcing queer possibilities for meaning-making from the biblical text, and staying attuned to the fact that the history of interpretation reinforces the indeterminacy of the text, thus keeping queer interpretations aware of the relativizing function of historical difference. ""Providing a veritable feast for discerning readers, Dirk von der Horst deftly and masterfully weaves theological insights and musicological analysis, biblical exegesis and cultural critique, historicizing perspective and liberative summons in his tantalizing and immensely satisfying first book. Jonathan's Loves, David's Laments draws from each of these approaches but transcends them all, beckoning readers to pursue promising and audacious new directions for relational, queer theology."" --Brent A. R. Hege, Butler University, Indianapolis, Indiana ""This book is an interdisciplinary tour de force. Van der Horst mines theology, musicology, historicist vs. essentialist debates over biblical meaning and sexual identity, and the dialogical dynamics of musical experience to elucidate how musical afterlives of the David-Jonathan story inhabit 'irrefutable' spaces for homoerotic desire and queer identification within the biblical text. These musico-aesthetic riches redefine biblical authority and will allow theologians and activists to deploy 'Jonathan loved David' with even more intellectual integrity."" --Heidi Epstein, Associate Professor, Department of Religion and Culture, St. Thomas More College, University of Saskatchewan Dirk von der Horst is Instructor of Religious Studies at Mount St. Mary's University, Los Angeles. He is a coeditor of Voices of Feminist Liberation: Writings in Celebration of Rosemary Radford Ruether (2012)., Jonathan's Loves, David's Laments uses early modern musical interpretations of David's Lament over Saul and Jonathan to deepen the historicist foundations of contemporary feminist and gay relational theologies. After laying out how gay theologian Gary David Comstock connects the story of David and Jonathan to the theology of lesbian theologian Carter Heyward, the argument interrogates both theological and exegetical problems in making those connections, which include contradictory theological stances with regard to modernity and history as well as the indeterminacy of the biblical text. Early modern musical interpretations of the text allow for a double move of engaging the texts through a sensual medium, thus reinforcing queer possibilities for meaning-making from the biblical text, and staying attuned to the fact that the history of interpretation reinforces the indeterminacy of the text, thus keeping queer interpretations aware of the relativizing function of historical difference.
LC Classification Number
BR115.H6V65 2017
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