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Das Band an Olympias Hals von Michel Leiris (englisch) Hardcover-Buch
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eBay-Artikelnr.:395260656216
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781635900842
- Type
- Does not apply
- ISBN
- 9781635900842
- Book Title
- Ribbon at Olympia's Throat
- Book Series
- Semiotext (E) / Native Agents Ser.
- Publisher
- Semiotexte The Limited
- Item Length
- 9.3 in
- Publication Year
- 2019
- Format
- Hardcover
- Language
- English
- Item Height
- 1.1 in
- Genre
- Literary Criticism, Biography & Autobiography
- Topic
- European / French, Literary
- Item Weight
- 21 Oz
- Item Width
- 6.4 in
- Number of Pages
- 288 Pages
Über dieses Produkt
Product Identifiers
Publisher
Semiotexte The Limited
ISBN-10
1635900840
ISBN-13
9781635900842
eBay Product ID (ePID)
9038395011
Product Key Features
Book Title
Ribbon at Olympia's Throat
Number of Pages
288 Pages
Language
English
Publication Year
2019
Topic
European / French, Literary
Genre
Literary Criticism, Biography & Autobiography
Book Series
Semiotext (E) / Native Agents Ser.
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
21 Oz
Item Length
9.3 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2019-286221
Reviews
"Less a coda to his masterwork than its continuation, The Ribbon at Olympia's Throat is perhaps the best introduction to Leiris, his interests, and the curve of his rhythms." --Sasha Frere-Jacobs, The New Yorker
Dewey Edition
23
TitleLeading
The
Dewey Decimal
848.91209
Synopsis
Short fragments and essays that explore how a seemingly irrelevant aesthetic detail may cause the eruption of sublimity within the mundane. That the nude painted by Manet (in a painting so conceptually new that it created a scandal in its day) achieves so much truth through such a minor detail, that ribbon that modernizes Olympia and, even more than a beauty mark or a patch of freckles would, renders her more precise and more immediately visible, making her a woman with ties to a particular milieu and era- that is what lends itself to reflection, if not divagation! -from The Ribbon at Olympia's Throat In The Ribbon at Olympia's Throat , Michel Leiris investigates what Lydia Davis has called the "expressive power of fetishism"- how a seemingly irrelevant aesthetic detail may cause the eruption of sublimity within the mundane. Written in 1981, toward the end of Leiris's life, The Ribbon at Olympia's Throat serves as a coda to his autobiographical masterwork, The Rules of the Game , taking the form of both shorter fragments (poems, memory scraps, notes) that are as formally disarming as the fetishistic experiences they describe, and longer essays, more exhaustive critical meditations on writing, apprehension, and the nature of the modern. Rooted in remembrance, devoted to the kaleidoscopic intricacies of wordplay, Leiris draws from his own aesthetic experiences as writer and spectator to explore the fetish that "exposes and disarms the sinister passage of time," conferring "an undeniable realness upon the whole by essentially causing it to crystallize in a reality it would never have possessed if that sturdy fragment hadn't acted as bait.", Short fragments and essays that explore how a seemingly irrelevant aesthetic detail may cause the eruption of sublimity within the mundane. That the nude painted by Manet (in a painting so conceptually new that it created a scandal in its day) achieves so much truth through such a minor detail, that ribbon that modernizes Olympia and, even more than a beauty mark or a patch of freckles would, renders her more precise and more immediately visible, making her a woman with ties to a particular milieu and era: that is what lends itself to reflection, if not divagation --from The Ribbon at Olympia's Throat In The Ribbon at Olympia's Throat , Michel Leiris investigates what Lydia Davis has called the "expressive power of fetishism" how a seemingly irrelevant aesthetic detail may cause the eruption of sublimity within the mundane. Written in 1981, toward the end of Leiris's life, The Ribbon at Olympia's Throat serves as a coda to his autobiographical masterwork, The Rules of the Game , taking the form of both shorter fragments (poems, memory scraps, notes) that are as formally disarming as the fetishistic experiences they describe, and longer essays, more exhaustive critical meditations on writing, apprehension, and the nature of the modern. Rooted in remembrance, devoted to the kaleidoscopic intricacies of wordplay, Leiris draws from his own aesthetic experiences as writer and spectator to explore the fetish that "exposes and disarms the sinister passage of time," conferring "an undeniable realness upon the whole by essentially causing it to crystallize in a reality it would never have possessed if that sturdy fragment hadn't acted as bait."
LC Classification Number
PQ2623.E424R813 2019
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