Lee Lozano: Dropout Piece by Sarah Lehrer-Graiwer, Very Rare OOP book

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Book Title
Lee Lozano: Dropout Piece
Book Series
One Work
Narrative Type
Nonfiction
Features
Ex-Library
Original Language
English
Genre
Art & Culture
Intended Audience
Adults
Topic
Artists, Books
Country/Region of Manufacture
United States
ISBN
9781846381324
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
MIT Press
ISBN-10
1846381320
ISBN-13
9781846381324
eBay Product ID (ePID)
174864816

Product Key Features

Number of Pages
120 Pages
Publication Name
Lee Lozano : Dropout Piece
Language
English
Subject
Individual Artists / Essays, History / Contemporary (1945-), American / General
Publication Year
2014
Type
Textbook
Author
Sarah Lehrer-Graiwer
Subject Area
Art
Series
Afterall Ser.
Format
Hardcover

Dimensions

Item Height
0.5 in
Item Weight
9.7 Oz
Item Length
8.2 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
Dewey Edition
23
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
759.13
Synopsis
The artist Lee Lozano (1930--1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece) , begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece , which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece , the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas., The artist Lee Lozano (1930--1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic "Wave" paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: "Untitled (General Strike Piece)," begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called "Boycott Piece," which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's "Dropout Piece," the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although "Dropout Piece "is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views "Dropout Piece "as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of " Dropout Piece" in the context of the artist's practice in New York and her subsequent life in Dallas.
LC Classification Number
ND237

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