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Erfindung der Klassiker: Moderne, nationale Identität und japanische Literatur von
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eBay-Artikelnr.:395388840419
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780804739900
- Book Title
- Inventing the Classics
- ISBN
- 9780804739900
- Subject Area
- Literary Criticism, Philosophy
- Publication Name
- Inventing the Classics : Modernity, National Identity, and Japanese Literature
- Publisher
- Stanford University Press
- Item Length
- 9 in
- Subject
- Asian / General, Asian / Japanese, General
- Publication Year
- 2002
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 23.5 Oz
- Item Width
- 6 in
- Number of Pages
- 352 Pages
Über dieses Produkt
Product Identifiers
Publisher
Stanford University Press
ISBN-10
0804739900
ISBN-13
9780804739900
eBay Product ID (ePID)
1837408
Product Key Features
Number of Pages
352 Pages
Language
English
Publication Name
Inventing the Classics : Modernity, National Identity, and Japanese Literature
Publication Year
2002
Subject
Asian / General, Asian / Japanese, General
Type
Textbook
Subject Area
Literary Criticism, Philosophy
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
00-058337
Dewey Edition
21
Reviews
"Inventing the Classicsfills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a richly detailed historical approach to the study of canon formation with a nuanced theoretical discussion of the relevance of canon formation to the formation of a Japanese cultural and national identity. It also sheds important light on the changing socio-political function of specific works and genres."-Janet Walker, Rutgers University, "The collection presents a truly significant contribution to the study of Japanese literature. . . . All the essays are solidly researched and lucidly written, and the volume is certain to be widely used and cited."- Journal of Asian Studies, "The collection presents a truly significant contribution to the study of Japanese literature. . . . All the essays are solidly researched and lucidly written, and the volume is certain to be widely used and cited."— Journal of Asian Studies, "Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a richly detailed historical approach to the study of canon formation with a nuanced theoretical discussion of the relevance of canon formation to the formation of a Japanese cultural and national identity. It also sheds important light on the changing socio-political function of specific works and genres."-Janet Walker, Rutgers University, The collection presents a truly significant contribution to the study of Japanese literature. . . . All the essays are solidly researched and lucidly written, and the volume is certain to be widely used and cited."— Journal of Asian Studies, Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of ‘Japanese literature' as it is known today. The volume combines a richly detailed historical approach to the study of canon formation with a nuanced theoretical discussion of the relevance of canon formation to the formation of a Japanese cultural and national identity. It also sheds important light on the changing socio-political function of specific works and genres."—Janet Walker, Rutgers University, " Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a richly detailed historical approach to the study of canon formation with a nuanced theoretical discussion of the relevance of canon formation to the formation of a Japanese cultural and national identity. It also sheds important light on the changing socio-political function of specific works and genres."-Janet Walker, Rutgers University, "The collection presents a truly significant contribution to the study of Japanese literature. . . . All the essays are solidly researched and lucidly written, and the volume is certain to be widely used and cited."-Journal of Asian Studies, "The collection presents a truly significant contribution to the study of Japanese literature. . . . All the essays are solidly researched and lucidly written, and the volume is certain to be widely used and cited."-- Journal of Asian Studies, " Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a richly detailed historical approach to the study of canon formation with a nuanced theoretical discussion of the relevance of canon formation to the formation of a Japanese cultural and national identity. It also sheds important light on the changing socio-political function of specific works and genres."—Janet Walker, Rutgers University, " Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a richly detailed historical approach to the study of canon formation with a nuanced theoretical discussion of the relevance of canon formation to the formation of a Japanese cultural and national identity. It also sheds important light on the changing socio-political function of specific works and genres."--Janet Walker, Rutgers University
Dewey Decimal
895.6/09
Synopsis
Shirane and Suzuki examine how the Japanese canon of "classics" ( The Tale of Genji , The Tale of the Heike , Noh drama, Saikaku, Chikamatsu, and Basho) was constructed as part of the creation of Japan as a modern nation-state and as a result of Western influence., Today the term "Japanese literary classics" implies such texts as the Man'yoshu , Kojiki , Tale of Genji , Tale of the Heike , Noh drama, and the works of Saikaku, Chikamatsu, and Basho, which are considered the wellspring and embodiment of Japanese tradition and culture. Most of these texts, however, did not become "classics" until the end of the nineteenth century, in a process closely related to the emergence of Japan as a modern nation-state and to the radical reconfiguration of notions of literature and learning under Western influence. As in Europe and elsewhere, the construction of a national literature and language with a putative ancient lineage was critical to the creation of a distinct nation-state. This book addresses the issue of national identity and the ways in which modern European disciplinary notions of "literature" and genres played a major role in the modern canonization process. These "classics" did not have inherent, unchanging value; instead, their value was produced and reproduced by various institutions and individuals in relation to socio-economic power. How then were these texts elevated and used? What kinds of values were given to them? How was this process related to larger social, political, and religious configurations? This book, which looks in depth at each of the major "classics," explores these questions in a broad historical context, from the medieval period, when multiple canons competed with each other, through the early modern and modern periods. Throughout, the essays focus on the roles of schools, commentators, and socio-religious institutions, and on issues of gender. The result is a new view of the transformation of the Japanese canon and its intimate connection with the issue of national and cultural identity., Shirane and Suzuki examine how the Japanese canon of "classics" (The Tale of Genji ,The Tale of the Heike , Noh drama, Saikaku, Chikamatsu, and Basho) was constructed as part of the creation of Japan as a modern nation-state and as a result of Western influence.
LC Classification Number
PL714
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