Bild 1 von 15















Galerie
Bild 1 von 15















Ähnlichen Artikel verkaufen?
Self-Commentar y in Early Modern European Literature, 1400-1700 Francesco Venturi
US $116,25
Ca.CHF 92,13
oder Preisvorschlag
Bisher US $155,00 (- 25%)
Artikelzustand:
Neu
Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte Seiten. Genauere Einzelheiten entnehmen Sie bitte dem Angebot des Verkäufers.
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Versand:
US $5,22 (ca. CHF 4,14) USPS Media MailTM.
Standort: New Haven, Connecticut, USA
Lieferung:
Lieferung zwischen Sa, 25. Okt und Fr, 31. Okt nach 94104 bei heutigem Zahlungseingang
Rücknahme:
30 Tage Rückgabe. Käufer zahlt Rückversand. Wenn Sie ein eBay-Versandetikett verwenden, werden die Kosten dafür von Ihrer Rückerstattung abgezogen.
Zahlungen:
Sicher einkaufen
Der Verkäufer ist für dieses Angebot verantwortlich.
eBay-Artikelnr.:395445034969
Artikelmerkmale
- Artikelzustand
- Subject
- Literature
- ISBN
- 9789004346864
Über dieses Produkt
Product Identifiers
Publisher
Brill
ISBN-10
9004346864
ISBN-13
9789004346864
eBay Product ID (ePID)
2309779284
Product Key Features
Number of Pages
Xiv, 434 Pages
Publication Name
Self-Commentary in Early Modern European Literature, 1400-1700
Language
English
Publication Year
2019
Subject
Renaissance, Medieval, Shakespeare
Type
Textbook
Subject Area
Literary Criticism
Series
Intersections Ser.
Format
Hardcover
Dimensions
Item Weight
33.2 Oz
Item Length
9.3 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2019-011295
Reviews
"Its wide-ranging aspect is what makes this work thought provoking, demanding, and well worth the effort."Barbara A. Goodman, Clayton State University, in Seventeenth-Century News 78.1-2, pp. 59-63"[a] splendid collection of essays on authorial self-commentary [...] The fertile insights and extensive bibliographies that mark every contribution to the volume make it required reading for historians of Renaissance and Reformation literature."William J. Kennedy, Cornell University, in Renaissance and Reformation 43.1, pp. 294-296
Series Volume Number
62
Illustrated
Yes
Table Of Content
Acknowledgements List of Illustrations Notes on the Editor Notes on the Contributors Introduction Francesco Venturi 1 Alberti's Commentarium to His First Literary Work: Self-Commentary as Self-Presentation in the Philodoxeos Martin McLaughlin 2 Elucidation and Self-Explanation in Filelfo's Marginalia Jeroen De Keyser 3 Vernacular Self-Commentary during Medieval Early Modernity: Reginald Pecock and Gavin Douglas Ian Johnson 4 On the Threshold of Poems: a Paratextual Approach to the Narrative/Lyric Opposition in Italian Renaissance Poetry Federica Pich 5 Self-Commentary on Language in Sixteenth-Century Italian Prefatory Letters Brian Richardson 6 'All Outward and on Show': Montaigne's External Glosses John O'Brien 7 Companions in Folly: Genre and Poetic Practice in Five Elizabethan Anthologies Harriet Archer 8 The Journey of the Soul: The Prose Commentaries on His Own Poems by St John of the Cross Colin P. Thompson 9 Blood, Sweat, and Tears: Annotation and Self-Exegesis in La Ceppède Russell Ganim 10 Can a Poet be 'Master of [his] owne Meaning'? George Chapman and the Paradoxes of Authorship Gilles Bertheau 11 Critical Failures: Corneille Observes His Spectators Joseph Harris 12 Self-Criticism, Self-Assessment, and Self-Affirmation: The Case of the (Young) Author in Early Modern Dutch Literature Els Stronks 13 Reading the Margins: The Uses of Authorial Side Glosses in Anna Stanislawska's Transaction (1685) Magdalena Ozarska 14 Mockery and Erudition: Alessandro Tassoni's Secchia rapita and Francesco Redi's Bacco in Toscana Carlo Caruso Afterword Richard Maber Index Nominum
Synopsis
This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation.Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O'Brien, Magdalena Ozarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson., An investigation into the various ways in which Renaissance writers comment on, present, and defend their own works, and at the same time themselves in Britain, France, Italy, Spain, Poland, and the Dutch Republic., This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O'Brien, Magdalena Ozarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.
LC Classification Number
PN671.S45 2019
Artikelbeschreibung des Verkäufers
Info zu diesem Verkäufer
Bibliomaniacs Anonymous
100% positive Bewertungen•408 Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe.
Verkäuferbewertungen (116)
- s***s (696)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent packaging and quick receipt of item as described. Thank you!
- g***e (80)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThis book shipped to me rapidly and it was carefully packaged. Thanks, it arrived in excellent condition, and I am happy with the value, appearance and quality of the book. (I have to confess, though, I haven't started reading yet -- it's on the bookshelf waiting for a quiet rainy day...)
- o***o (869)- Bewertung vom Käufer.Letztes JahrBestätigter KaufAbsolutely amazing seller. Just a perfectly packed and protected book that came as described. Everything is just perfect. Many kind thanks again!Luzzato's Ethico-Psychologic Interpretation Of Judaism Noah Rosenbloom (Nr. 393970733947)
Noch mehr entdecken:
- Historische Literatur Bücher 1700er Belletristik Literatur,
- Bücher über Literatur 1700er Belletristik,
- Historische Literatur Bücher 1700er Belletristik auf Deutsch Literatur,
- Historische Literatur Belletristik im Taschenbuch 1700er Literatur Bücher,
- Historische Literatur Bücher 1700er Belletristik,
- Erotische Literatur Bücher Belletristik Literatur,
- Arabische Bücher & Literatur,
- Sachbuch Literatur Bücher,
- Romane Belletristik Literatur,
- Romantik Bücher Belletristik Literatur