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Filmmusik: Eine sehr kurze Einführung von Kathryn Kalinak
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eBay-Artikelnr.:395645848221
Artikelmerkmale
- Artikelzustand
- Title
- Film Music: A Very Short Introduction
- ISBN
- 9780195370874
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195370872
ISBN-13
9780195370874
eBay Product ID (ePID)
78825621
Product Key Features
Book Title
Film Music: a Very Short Introduction
Number of Pages
160 Pages
Language
English
Topic
Film / General, History & Criticism, General, Film / History & Criticism
Publication Year
2010
Illustrator
Yes
Genre
Music, Performing Arts
Book Series
Very Short Int Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
4.8 Oz
Item Length
4.3 in
Item Width
6.8 in
Additional Product Features
Intended Audience
Trade
LCCN
2009-022731
Reviews
"Film Music is hands down the most useful introduction to film music available. Students and general readers alike will appreciate this clear, comprehensive, short book, one of the first to approach music and cinema beyond the frame of western Europe and the U.S. Kalinak's scholarship is dazzling, her prose compelling. Highly recommended for anyone interested in the function, history, theory and practice of music in the movies."--Caryl Flinn, author of Brass Diva and Strains of Utopia "Kathryn Kalinak's Film Music is an outstanding achievement. It is extremely concise and systematic yet still manages to engage principal issues with a wide range of useful examples, and explain detailed history with worldwide coverage. This is more than a basic primer, however, it is an excellent overview of the field of film music, while being clearly-written and accessible to both students and enthusiasts alike."--Dr. K. J. Donnelly, author of British Film Music and Film Musicals and The Spectre of Sound: Film and Television Music "The appropriately titled Film Music: A Very Short Introduction is to be recommended as a very first introduction to the topic...[The author's] concise depiction, which does not limit itself to the Anglo-American realm, proves to be a successful initiation to the most essential topics of this subject area." - Song and Popular Culture, "Film Music is hands down the most useful introduction to film music available. Students and general readers alike will appreciate this clear, comprehensive, short book, one of the first to approach music and cinema beyond the frame of western Europe and the U.S. Kalinak's scholarship is dazzling, her prose compelling. Highly recommended for anyone interested in the function, history, theory and practice of music in the movies."--Caryl Flinn, author of Brass Diva and Strains of Utopia"Kathryn Kalinak's Film Music is an outstanding achievement. It is extremely concise and systematic yet still manages to engage principal issues with a wide range of useful examples, and explain detailed history with worldwide coverage. This is more than a basic primer, however, it is an excellent overview of the field of film music, while being clearly-written and accessible to both students and enthusiasts alike."--Dr. K. J. Donnelly, author of British Film Music and Film Musicals and The Spectre of Sound: Film and Television Music"The appropriately titled Film Music: A Very Short Introduction is to be recommended as a very first introduction to the topic...[The author's] concise depiction, which does not limit itself to the Anglo-American realm, proves to be a successful initiation to the most essential topics of this subject area." - Song and Popular Culture, Both an admirable thumbnail portrait of the history of film music and an impressive precis of key issues, "Film Music is hands down the most useful introduction to film music available. Students and general readers alike will appreciate this clear, comprehensive, short book, one of the first to approach music and cinema beyond the frame of western Europe and the U.S. Kalinak's scholarship is dazzling, her prose compelling. Highly recommended for anyone interested in the function, history, theory and practice of music in the movies."--Caryl Flinn, author of Brass Diva and Strains of Utopia "Kathryn Kalinak's Film Music is an outstanding achievement. It is extremely concise and systematic yet still manages to engage principal issues with a wide range of useful examples, and explain detailed history with worldwide coverage. This is more than a basic primer, however, it is an excellent overview of the field of film music, while being clearly-written and accessible to both students and enthusiasts alike."--Dr. K. J. Donnelly, author of British Film Music and Film Musicals and The Spectre of Sound: Film and Television Music, "Film Music is hands down the most useful introduction to film music available. Students and general readers alike will appreciate this clear, comprehensive, short book, one of the first to approach music and cinema beyond the frame of western Europe and the U.S. Kalinak's scholarship is dazzling, her prose compelling. Highly recommended for anyone interested in the function, history, theory and practice of music in the movies."--Caryl Flinn, authorof Brass Diva and Strains of Utopia"Kathryn Kalinak's Film Music is an outstanding achievement. It is extremely concise and systematic yet still manages to engage principal issues with a wide range of useful examples, and explain detailed history with worldwide coverage. This is more than a basic primer, however, it is an excellent overview of the field of film music, while being clearly-written and accessible to both students and enthusiasts alike."--Dr. K. J. Donnelly, author ofBritish Film Music and Film Musicals and The Spectre of Sound: Film and Television Music"The appropriately titled Film Music: A Very Short Introduction is to be recommended as a very first introduction to the topic...[The author's] concise depiction, which does not limit itself to the Anglo-American realm, proves to be a successful initiation to the most essential topics of this subject area." - Song and Popular Culture, Kathryn Kalinak has emerged as one of the freshest and most authoritative commentatory on film music of her generation.
Dewey Edition
22
Dewey Decimal
781.5/42
Table Of Content
1. What does film music do? 2. How does film music work? 3. Why does film music work? 4. A History of early film music: from the beginnings to the synchronized score 5. A History of Film Music in the Sound Era: The Twentieth Century 6. Composers and their Craft 7. Popular Music and Film 8. Closing Credits
Synopsis
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam., Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs , Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam., The rich and deeply moving sounds of film music are as old as cinema itself. Even the very first projected moving images were accompanied by music in many places as a variety of performers - from single piano players to small orchestras - brought images to life through musical accompaniment. Film music has since become its own industry, an aesthetic platform for expressing creative visions and a commercial vehicle for growing musical stars of all varieties. This Very Short Introduction provides a lucid, accessible, and engaging overview of the subject of film music. Beginning with an analysis of the music from a well-known sequence in the film Reservoir Dogs, the book focuses on the most central issues in the practice of film music. Expert author Kay Kalinak takes readers behind the scenes to understand both the practical aspects of film music - what it is and how it is composed - and also the theories that have been developed to explain why film music works. This compact book not entertains with the fascinating stories of the composers and performers who have shaped film music across the globe but also gives readers a broad sense for the key questions in film music studies today. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable., This Very Short Introduction provides a lucid, accessible, and engaging overview of the subject of film music, from the pragmatic to the theoretical and from the historical to the personal. It is informed throughout by a global perspective which understands film music as an international phenomenon.
LC Classification Number
ML2075.K33 2010
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USt-IdNr.: GB 724498118
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