Neoliberale Sachbücher: Die dokumentarische Ästhetik von Joan Didion bis Jay-Z...

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Artikelzustand
Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
Release Year
2020
Book Title
Neoliberal Nonfictions: The Documentary Aesthetic from Joan Di...
ISBN
9780813944166
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
University of Virginia Press
ISBN-10
0813944163
ISBN-13
9780813944166
eBay Product ID (ePID)
15038427042

Product Key Features

Number of Pages
200 Pages
Publication Name
Neoliberal Nonfictions : the Documentary Aesthetic from Joan Didion to Jay-Z
Language
English
Subject
Popular Culture, American / General
Publication Year
2020
Type
Textbook
Subject Area
Literary Criticism, Social Science
Author
Daniel Worden
Series
Cultural Frames, Framing Culture Ser.
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
9.3 Oz
Item Length
8.9 in
Item Width
7.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2019-044485
Dewey Edition
23
Reviews
[W]e might view the documentary aesthetic as produced by a way of reading--indeed, as a model of the "way we read now." Seen as a method of reading--a method which includes framing texts through the lens of neoliberalism in retrospect--it illuminates a powerful critical mode for analyzing the present., Neoliberal Nonfictions provides a good starting point for thinking about how exactly we come to recognise and understand the present day in the media we consume, and how those representations both critique and produce the world - our world - in which the individual is sovereign., Beautifully written and exceptionally smart, Neoliberal Nonfictions is essential to understanding the origins and effects of the nonfiction form that dominates today's literature and art., Worden's Neoliberal Nonfictions shows how a variety of cultural forms work to inculcate individualism, and how this individualism threatens society at large. His work explores various forms of cultural production, from comics to autobiography. He shows that the prevalence of the representation of the individual relates to the way that neoliberal policies such as financialization destroyed the social-safety net., [W]e might view the documentary aesthetic asproduced by a way of reading--indeed, as a model of the "way we read now." Seen as amethod of reading--a method which includes framing texts through the lens ofneoliberalism in retrospect--it illuminates a powerful critical mode for analyzing thepresent.
Grade From
College Graduate Student
Illustrated
Yes
Grade To
College Graduate Student
Dewey Decimal
302.23
Synopsis
With the ascendancy of neoliberalism in American culture beginning in the 1960s, the political structures governing private lives became more opaque and obscure. Neoliberal Nonfictions argues that a new style of documentary art emerged to articulate the fissures between individual experience and reality in the era of finance capitalism. In this wide-ranging study, Daniel Worden touches on issues ranging from urban poverty and criminal justice to environmental collapse and international politics. He examines the impact of local struggles and global markets on music, from D. A. Pennebaker?s infamous Dylan documentary Dont Look Back to Kendrick Lamar?s breakthrough album Good Kid, M.A.A.D. City. He details the emergence of the hustler as an icon of neoliberal individualism in Jay-Z?s autobiography Decoded, Alex Haley?s Autobiography of Malcom X, and Hunter S. Thompson?s "gonzo" journalism. He looks at how contemporary works such as Maggie Nelson?s memoir The Red Parts and Taryn Simon?s photography series The Innocents challenge the moral simplifications of traditional true crime writing. In his conclusion, he explores the dominance of memoir as a literary mode in the neoliberal era, particularly focusing on works by Joan Didion and Dave Eggers. Documentary has become the aesthetic of our age, harnessing the irreconcilable distance between individual and society as a site for aesthetic experimentation across media, from journalism and photography to memoir, music, and film. Both a symptom of and a response to the emergence of economic neoliberalism, the documentary aesthetic is central to how we understand ourselves and our world today., With the ascendancy of neoliberalism in American culture beginning in the 1960s, the political structures governing private lives became more opaque and obscure. Neoliberal Nonfictions argues that a new style of documentary art emerged to articulate the fissures between individual experience and reality in the era of finance capitalism. In this wide-ranging study, Daniel Worden touches on issues ranging from urban poverty and criminal justice to environmental collapse and international politics. He examines the impact of local struggles and global markets on music, from D. A. Pennebaker's infamous Dylan documentary Dont Look Back to Kendrick Lamar's breakthrough album Good Kid, M.A.A.D. City. He details the emergence of the hustler as an icon of neoliberal individualism in Jay-Z's autobiography Decoded, Alex Haley's Autobiography of Malcom X, and Hunter S. Thompson's "gonzo" journalism. He looks at how contemporary works such as Maggie Nelson's memoir The Red Parts and Taryn Simon's photography series The Innocents challenge the moral simplifications of traditional true crime writing. In his conclusion, he explores the dominance of memoir as a literary mode in the neoliberal era, particularly focusing on works by Joan Didion and Dave Eggers. Documentary has become the aesthetic of our age, harnessing the irreconcilable distance between individual and society as a site for aesthetic experimentation across media, from journalism and photography to memoir, music, and film. Both a symptom of and a response to the emergence of economic neoliberalism, the documentary aesthetic is central to how we understand ourselves and our world today., With the ascendancy of neoliberalism in American culture beginning in the 1960s, the political structures governing private lives became more opaque and obscure. This book argues that a new style of documentary art emerged to articulate the fissures between individual experience and reality in the era of finance capitalism.
LC Classification Number
NX180.D63W67 2020

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