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Beginnt immer mit einer Begegnung: Wols -- Eileen Quinlan von Helena Papadopoulos (DE
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Standort: Fairfield, Ohio, USA
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eBay-Artikelnr.:396372835518
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9781733628136
- Type
- Does not apply
- ISBN
- 9781733628136
Über dieses Produkt
Product Identifiers
Publisher
Sequence Press
ISBN-10
1733628134
ISBN-13
9781733628136
eBay Product ID (ePID)
20038578393
Product Key Features
Book Title
Always Starts with an Encounter : Wols-Eileen Quinlan
Number of Pages
220 Pages
Language
English
Topic
Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General, General
Publication Year
2019
Illustrator
Yes
Genre
Art, Photography
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
17.8 Oz
Item Length
9 in
Item Width
7.3 in
Additional Product Features
Intended Audience
Trade
LCCN
2019-937285
Dewey Edition
23
Dewey Decimal
779.0922
Synopsis
An encounter across time and space between Wols, a pioneering artist of the early twentieth century, and Eileen Quinlan, a contempory American artist. Wols (1913-1951) was celebrated posthumously as one of the pioneering artists of the Art Informel movement. His distinctive early photographic work of the 1930s is, however, very little known. In an unusual connection across time and space his work is discussed in relation to that of contemporary American artist Eileen Quinlan (b. 1972). This book, a companion to the exhibition Always Starts with an Encounter- Wols-Eileen Quinlan , curated by Helena Papadopoulos and organized by Radio Ath nes at the Museum of Cycladic Art, Athens, in 2016, further explores the relationship between the work of the two artists. Spectral and suggestive, but also precise and factual, through an indexical structure, a variety of textual forms and inflections, different registers of images and textures, this richly illustrated book reflects on a circular idea of time as it wanders in the abstruse physicality of the photographic. It includes texts by Olivier Berggruen, Quinn Latimer, Helena Papadopoulos, and Laura Preston, as well as two interviews with Eileen Quinlan. Copublished with Radio Ath nes, An encounter across time and space between Wols, a pioneering artist of the early twentieth century, and Eileen Quinlan, a contempory American artist. Wols (1913-1951) was celebrated posthumously as one of the pioneering artists of the Art Informel movement. His distinctive early photographic work of the 1930s is, however, very little known. In an unusual connection across time and space his work is discussed in relation to that of contemporary American artist Eileen Quinlan (b. 1972). This book, a companion to the exhibition Always Starts with an Encounter: Wols-Eileen Quinlan , curated by Helena Papadopoulos and organized by Radio Ath nes at the Museum of Cycladic Art, Athens, in 2016, further explores the relationship between the work of the two artists. Spectral and suggestive, but also precise and factual, through an indexical structure, a variety of textual forms and inflections, different registers of images and textures, this richly illustrated book reflects on a circular idea of time as it wanders in the abstruse physicality of the photographic. It includes texts by Olivier Berggruen, Quinn Latimer, Helena Papadopoulos, and Laura Preston, as well as two interviews with Eileen Quinlan. Copublished with Radio Ath nes
LC Classification Number
TR646.G82A847 2019
Artikelbeschreibung des Verkäufers
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- -***e (3)- Bewertung vom Käufer.Letzter MonatBestätigter KaufBook was not what I expected. They were kind and gracious and sent me a refund immediately which made me very happy I would buy from this seller again
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- r***n (379)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThis is an important book that everyone should read. The heart and soul of humanity is being lost by those who commit violence against others. Although they gain power and prestige by destroying other's lives, their own future will blow away in the dust. Like hungry beasts they devour and lay waste not only to each other, but to the land they will no longer want when they are done. It will be destroyed so it is not fit for anything but to witness and tell the story forever. Honest reading.