Drei Dublin-Stücke: Der Schatten eines Schützen, Juno und der Zahlhahn & Der Plou...

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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
Release Year
2000
ISBN
9780571195527
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Farrar, Straus & Giroux
ISBN-10
0571195520
ISBN-13
9780571195527
eBay Product ID (ePID)
1736849

Product Key Features

Book Title
Three Dublin Plays : the Shadow of a Gunman, Juno and the Paycock, and the Plough and the Stars
Number of Pages
272 Pages
Language
English
Publication Year
2000
Topic
European / English, Irish, Scottish, Welsh
Genre
Drama
Author
Sean O'casey
Format
Uk-B Format Paperback

Dimensions

Item Height
0.6 in
Item Weight
9.3 Oz
Item Length
8 in
Item Width
5 in

Additional Product Features

Intended Audience
Trade
Reviews
From the perspective of the 1990s O'Casey stands out as Ireland's greatest playwright of the century. He it was who most passionately, most powerfully and most memorably dramatized the traumatic birth of the nation. He it was who gave to the twentieth-century theatre a greater range of vivid and original characters, male and female, than any other Irish playwright., "From the perspective of the 1990s O'Casey stands out as Ireland's greatest playwright of the century. He it was who most passionately, most powerfully and most memorably dramatized the traumatic birth of the nation. He it was who gave to the twentieth-century theatre a greater range of vivid and original characters, male and female, than any other Irish playwright." --Christopher Murray, from Twentieth-Century Irish Drama "What's astonishing about these dramas, apart from the sheer richness and generosity of their humanity, is their ability, in Shakespeare's great phrase, 'to move wild laughter in the throat of death'." -- Daily Telegraph, London, "From the perspective of the 1990s O'Casey stands out as Ireland's greatest playwright of the century. He it was who most passionately, most powerfully and most memorably dramatized the traumatic birth of the nation. He it was who gave to the twentieth-century theatre a greater range of vivid and original characters, male and female, than any other Irish playwright." --Christopher Murray, from Twentieth-Century Irish Drama "What's astonishing about these dramas, apart from the sheer richness and generosity of their humanity, is their ability, in Shakespeare's great phrase, 'to move wild laughter in the throat of death'." -- Daily Telegraph , London, "From the perspective of the 1990s O'Casey stands out as Ireland's greatest playwright of the century. He it was who most passionately, most powerfully and most memorably dramatized the traumatic birth of the nation. He it was who gave to the twentieth-century theatre a greater range of vivid and original characters, male and female, than any other Irish playwright." --Christopher Murray, from Twentieth-Century Irish Drama "What's astonishing about these dramas, apart from the sheer richness and generosity of their humanity, is their ability, in Shakespeare's great phrase, 'to move wild laughter in the throat of death'." --Daily Telegraph, London, "From the perspective of the 1990s O'Casey stands out as Ireland's greatest playwright of the century. He it was who most passionately, most powerfully and most memorably dramatized the traumatic birth of the nation. He it was who gave to the twentieth-century theatre a greater range of vivid and original characters, male and female, than any other Irish playwright." --Christopher Murray, fromTwentieth-Century Irish Drama "What's astonishing about these dramas, apart from the sheer richness and generosity of their humanity, is their ability, in Shakespeare's great phrase, 'to move wild laughter in the throat of death'." --Daily Telegraph, London, What's astonishing about these dramas, apart from the sheer richness and generosity of their humanity, is their ability, in Shakespeare's great phrase, 'to move wild laughter in the throat of death'.
Dewey Edition
21
Dewey Decimal
822.9/12
Synopsis
The classic plays of the quintessential Dublin playwright Three early plays by Sean O'Casey--arguably his three greatest--demonstrate vividly O'Casey's ability to convey the reality of life and the depth of human emotion, specifically in Dublin before and during the Irish civil war of 1922-23, but, truly, throughout the known universe. In mirroring the lives of the Dublin poor, from the tenement dwellers in The Shadow of a Gunman and Juno and the Paycock to the bricklayer, street vendor, and charwoman in The Plough and the Stars , Sean O'Casey conveys with urgency and eloquence the tiny details that create a total character as well as the terrors, large and small, that the constant threat of political violence inevitably brings. As Seamus Heaney has written, "O'Casey's characters are both down to earth and larger than life . . . His democratic genius was at one with his tragic understanding, and his recoil from tyranny and his compassion for the oppressed were an essential--as opposed to a moral and thematic--part of his art." A new production of Juno and the Paycock will transfer from the Donmar Theatre in London to New York in September 2000., The classic plays of the quintessential Dublin playwright Three early plays by Sean O'Casey--arguably his three greatest--demonstrate vividly O'Casey's ability to convey the reality of life and the depth of human emotion, specifically in Dublin before and during the Irish civil war of 1922-23, but, truly, throughout the known universe. In mirroring the lives of the Dublin poor, from the tenement dwellers in The Shadow of a Gunman and Juno and the Paycock to the bricklayer, street vendor, and charwoman in The Plough and the Stars, Sean O'Casey conveys with urgency and eloquence the tiny details that create a total character as well as the terrors, large and small, that the constant threat of political violence inevitably brings. As Seamus Heaney has written, "O'Casey's characters are both down to earth and larger than life . . . His democratic genius was at one with his tragic understanding, and his recoil from tyranny and his compassion for the oppressed were an essential--as opposed to a moral and thematic--part of his art." A new production of Juno and the Paycock will transfer from the Donmar Theatre in London to New York in September 2000.
LC Classification Number
PR5366

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