Alien Encounters : Popular Culture in Asian America Perfect
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Alien Encounters : Popular Culture in Asian America Perfect
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- Book Title
- Alien Encounters : Popular Culture in Asian America Perfect
- ISBN
- 9780822339229
Über dieses Produkt
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822339226
ISBN-13
9780822339229
eBay Product ID (ePID)
57256091
Product Key Features
Number of Pages
376 Pages
Publication Name
Alien Encounters : Popular Culture in Asian America
Language
English
Publication Year
2007
Subject
Ethnic Studies / Asian American Studies, Popular Culture, Anthropology / Cultural & Social, Customs & Traditions, United States / General
Type
Textbook
Subject Area
Social Science, History
Format
Perfect
Dimensions
Item Height
0.6 in
Item Weight
18.3 Oz
Item Length
8.7 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-034549
Dewey Edition
22
Reviews
"Learned, savvy, and on the pulse, this volume does more than fill a huge gap in popular culture studies. Like the strongest of new entries, it might end up rearranging the entire field."-Andrew Ross, author of Fast Boat to China: Lessons from Shanghai, "This wonderfully rich collection of essays shows the particular import of the realm of popular culture and its study. Such a critical assessment of the practices, production, consumption, and variegated sites of Asian American popular culture and politics demonstrates the broad horizons which can and should ground Asian American criticism."-Kandice Chuh, author of Imagine Otherwise: On Asian Americanist Critique, "Learned, savvy, and on the pulse, this volume does more than fill a huge gap in popular culture studies. Like the strongest of new entries, it might end up rearranging the entire field."--Andrew Ross, author of Fast Boat to China: Lessons from Shanghai, "Learned, savvy, and on the pulse, this volume does more than fill a huge gap in popular culture studies. Like the strongest of new entries, it might end up rearranging the entire field."--Andrew Ross, author of Fast Boat to China: Lessons from Shanghai "This wonderfully rich collection of essays shows the particular import of the realm of popular culture and its study. Such a critical assessment of the practices, production, consumption, and variegated sites of Asian American popular culture and politics demonstrates the broad horizons which can and should ground Asian American criticism."--Kandice Chuh, author of Imagine Otherwise: On Asian Americanist Critique " Alien Encounters . . . offers the best introduction to Asian American popular cultural studies to date. The contributors illuminate an impressive range of unstudied or understudied youth cultures, musics, art, media, performance, and everyday practices and discourses." -- Glen Mimura Journal of Asian American Studies " Alien Encounters , though mostly academic, contains a wide spectrum of writing. . . . This book's version of the Vietnamese-American experience is essentially positive because it concentrates, not on a sense of displacement and loss, but on adaptation to a new environment." -- Bradley Winterton Taipei Times "This volume of essays on Asian Americans and popular culture is a welcome addition to interdisciplinary and cultural studies, as well as scholarship on ethnic studies. The collection brings together a variety of subjects and viewpoints, highlighting elements attendant upon popular culture such as race, nation, and gender." -- Crystal S. Anderson MELUS, "This wonderfully rich collection of essays shows the particular import of the realm of popular culture and its study. Such a critical assessment of the practices, production, consumption, and variegated sites of Asian American popular culture and politics demonstrates the broad horizons which can and should ground Asian American criticism."--Kandice Chuh, author of Imagine Otherwise: On Asian Americanist Critique, "This wonderfully rich collection of essays shows the particular import of the realm of popular culture and its study. Such a critical assessment of the practices, production, consumption, and variegated sites of Asian American popular culture and politics demonstrates the broad horizons which can and should ground Asian American criticism."-Kandice Chuh, author of Imagine Otherwise: On Asian Americanist Critique"Learned, savvy, and on the pulse, this volume does more than fill a huge gap in popular culture studies. Like the strongest of new entries, it might end up rearranging the entire field."-Andrew Ross, author of Fast Boat to China: Lessons from Shanghai, "This wonderfully rich collection of essays shows the particular import of the realm of popular culture and its study. Such a critical assessment of the practices, production, consumption, and variegated sites of Asian American popular culture and politics demonstrates the broad horizons which can and should ground Asian American criticism."--Kandice Chuh, author of Imagine Otherwise: On Asian Americanist Critique"Learned, savvy, and on the pulse, this volume does more than fill a huge gap in popular culture studies. Like the strongest of new entries, it might end up rearranging the entire field."--Andrew Ross, author of Fast Boat to China: Lessons from Shanghai, “This wonderfully rich collection of essays shows the particular import of the realm of popular culture and its study. Such a critical assessment of the practices, production, consumption, and variegated sites of Asian American popular culture and politics demonstrates the broad horizons which can and should ground Asian American criticism.�-Kandice Chuh, author of Imagine Otherwise: On Asian Americanist Critique, “Learned, savvy, and on the pulse, this volume does more than fill a huge gap in popular culture studies. Like the strongest of new entries, it might end up rearranging the entire field.�-Andrew Ross, author of Fast Boat to China: Lessons from Shanghai, "If at the end of the collection readers goes away engaging with the diverse world of Asian America beyond skin/screen deep, and are better able to cut through and contextualize the accumulated stereotypes and racial expectations, then the large amount of serious scholarship devoted to popular culture in "Alien Encounters" will have been worth every word." --Sanaphay Rattanavong, "Asian American Press"
Illustrated
Yes
Dewey Decimal
305.895/073
Table Of Content
Acknowledgments vii Introduction / Mimi Thi Nguyen and Thuy Linh Nguyen Tu 1 I. Sounds Authentic? 1. Rapping and Repping Asian: Race, Authenticity, and the Asian American MC / Oliver Wang 35 2. Silenced but Not Silent: Asian Americans and Jazz / Kevin Fellezs 69 II. Popular Places 3. Homicidal Tendencies: Violence and the Global Economy in Asian American Pulp Fiction / Christopher A. Shinn 111 4. Visual Reconnaissance / Joan Kee 130 5. Chinese Restaurant Drive-Thru / Indigo Som 150 6. The Guru and the Cultural Politics of Placelessness / Sukhdev Sandhu 161 III. Consuming Cultures 7. Cooking up the Senses: A Critical Embodied Approach to the Study of Food and Asian American Television Audiences / Martin F. Manalansan IV 179 8. Performing Culture in Diaspora: Assimilation and Hybridity in Paris by Night Videos and Vietnamese American Niche Media / Nhi T. Lieu 194 9. Indo-Chic: Late Capitalist Orientalism and Imperial Culture / Sunaina Maira 221 IV. Troubled Technologies 10. Asian American Auto / Biographies: The Gendered Limits of Consumer Citizenship in Import Subcultures / Robyn Magalit Rodriguez and Vernadette Vicuña Gonzalez 247 11. Bruce Lee I Love You: Discourses of Race and Masculinity in the Queer Superstardom of JJ Chinois / Mimi Thi Nguyen 271 12. Race and Software / Wendy Hui Kyong Chun 305 Bibliography 335 Contributors 355 Index 359
Synopsis
"Alien Encounters "showcases innovative directions in Asian American cultural studies. In essays exploring topics ranging from pulp fiction to multimedia art to import-car subcultures, contributors analyze Asian Americans' interactions with popular culture as both creators and consumers. Written by a new generation of cultural critics, these essays reflect post-1965 Asian America; the contributors pay nuanced attention to issues of gender, sexuality, transnationality, and citizenship, and they unabashedly take pleasure in pop culture. This interdisciplinary collection brings together contributors working in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip hop and jazz, the emergence of an orientalist "Indo-chic" in U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee-channeling drag king, and immigrant television viewers' dismayed reactions to a Chinese American chef who is "not Chinese enough." The essays in "Alien Encounters" demonstrate the importance of scholarly engagement with popular culture. Taking popular culture seriously reveals how people imagine and express their affective relationships to history, identity, and belonging. "Contributors," Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicuna Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, ThuyLinh Nguyen Tu, Oliver Wang, Alien Encounters showcases innovative directions in Asian American cultural studies. In thirteen essays exploring topics ranging from pulp fiction to video art to import-car subcultures, contributors analyze Asian Americans interactions with popular culture as both creators and consumers. By a new generation of cultural critics, these essays reflect post-1965 Asian America; nuanced attention to issues of gender, sexuality, transnationality, and citizenship; and an unabashed appreciation for the pleasures of pop culture. This interdisciplinary collection brings together contributors based in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip-hop and jazz, the emergence of an orientalist Indo-chic among U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee-channeling drag queen, and immigrant television viewers dismayed reactions to a not Chinese enough Chinese American chef. Taken together, the essays in Alien Encounters link scholarly engagement with popular culture to progressive political projects: any conception of a more democratic future must grapple with how people participate in political and cultural life, with how they imagine and express their affective relationships to such abstract notions as history, identity, and belonging., Alien Encounters showcases innovative directions in Asian American cultural studies. In essays exploring topics ranging from pulp fiction to multimedia art to import-car subcultures, contributors analyze Asian Americans' interactions with popular culture as both creators and consumers. Written by a new generation of cultural critics, these essays reflect post-1965 Asian America; the contributors pay nuanced attention to issues of gender, sexuality, transnationality, and citizenship, and they unabashedly take pleasure in pop culture. This interdisciplinary collection brings together contributors working in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip hop and jazz, the emergence of an orientalist "Indo-chic" in U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee-channeling drag king, and immigrant television viewers' dismayed reactions to a Chinese American chef who is "not Chinese enough." The essays in Alien Encounters demonstrate the importance of scholarly engagement with popular culture. Taking popular culture seriously reveals how people imagine and express their affective relationships to history, identity, and belonging. Contributors . Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicu a Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, Thuy Linh Nguyen Tu, Oliver Wang, A collection of essays that examine the production and consumption of Asian American popular culture, from musical expression to television cooking shows., Alien Encounters showcases innovative directions in Asian American cultural studies. In essays exploring topics ranging from pulp fiction to multimedia art to import-car subcultures, contributors analyze Asian Americans' interactions with popular culture as both creators and consumers. Written by a new generation of cultural critics, these essays reflect post-1965 Asian America; the contributors pay nuanced attention to issues of gender, sexuality, transnationality, and citizenship, and they unabashedly take pleasure in pop culture. This interdisciplinary collection brings together contributors working in Asian American studies, English, anthropology, sociology, and art history. They consider issues of cultural authenticity raised by Asian American participation in hip hop and jazz, the emergence of an orientalist "Indo-chic" in U.S. youth culture, and the circulation of Vietnamese music variety shows. They examine the relationship between Chinese restaurants and American culture, issues of sexuality and race brought to the fore in the video performance art of a Bruce Lee-channeling drag king, and immigrant television viewers' dismayed reactions to a Chinese American chef who is "not Chinese enough." The essays in Alien Encounters demonstrate the importance of scholarly engagement with popular culture. Taking popular culture seriously reveals how people imagine and express their affective relationships to history, identity, and belonging. Contributors . Wendy Hui Kyong Chun, Kevin Fellezs, Vernadette Vicuña Gonzalez, Joan Kee, Nhi T. Lieu, Sunaina Maira, Martin F. Manalansan IV, Mimi Thi Nguyen, Robyn Magalit Rodriguez, Sukhdev Sandhu, Christopher A. Shinn, Indigo Som, Thuy Linh Nguyen Tu, Oliver Wang
LC Classification Number
E184
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Better World Books West
98,6% positive Bewertungen•1.5 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (426'243)
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- g***o (41)- Bewertung vom Käufer.Letzter MonatBestätigter KaufDelivery came ahead of schedule and books in excellent condition.
- 4***y (48)- Bewertung vom Käufer.Letzter MonatBestätigter KaufGot here fast and as advertised. Thanks much!
- 7***4 (11396)- Bewertung vom Käufer.Letzter MonatBestätigter KaufExcellent transaction all the way!!!
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