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Sündige Melodien und Spirituals: Schwarze Volksmusik zum Bürgerkrieg (Musik in Ame...
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eBay-Artikelnr.:396845648263
Artikelmerkmale
- Artikelzustand
- Release Year
- 2003
- Book Title
- Sinful Tunes and Spirituals: Black Folk Music to the Civil War...
- ISBN
- 9780252071508
Über dieses Produkt
Product Identifiers
Publisher
University of Illinois Press
ISBN-10
0252071506
ISBN-13
9780252071508
eBay Product ID (ePID)
2737817
Product Key Features
Number of Pages
464 Pages
Language
English
Publication Name
Sinful Tunes and Spirituals : Black Folk Music to the Civil War
Subject
Religious / Gospel, General, Ethnic
Publication Year
2003
Type
Textbook
Subject Area
Music
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
21.9 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
22
Reviews
Winner of the Simkins Prize of the Southern Historical Association, 1979. "No previous scholar has told more about the manner of diffusion of African music and dance in the New World . . . . No one else has related with more telling effect the impact that Afro-American musical patterns had upon the sensibilities of the white public."--Lawrence W. Levine, Journal of American History, "Epstein has uncovered far more about early black music than anyone thought possible. Her luxuriant quotations and definitive treatments of a wide variety of musical subtopics make the book an essential reference volume and a marvelous storehouse of information."--John B. Boles, Journal of Southern History, "[A] definitive, indeed monumental study of black slave music in America."--Guthrie P. Ramsey Jr., Musical Quarterly, "No previous scholar has told more about the manner of diffusion of African music and dance in the New World . . . . No one else has related with more telling effect the impact that Afro-American musical patterns had upon the sensibilities of the white public."--Lawrence W. Levine, Journal of American History"Epstein has uncovered far more about early black music than anyone thought possible. Her luxuriant quotations and definitive treatments of a wide variety of musical subtopics make the book an essential reference volume and a marvelous storehouse of information."--John B. Boles, Journal of Southern History"Sinful Tunes ensures that we will never again be able to sing or listen to a spiritual in quite the same way. We can now see more clearly than ever before what has shaped it; we have been taken nearer the soul of the music."--Hugh Brogan, Times Literary Supplement, " Sinful Tunes ensures that we will never again be able to sing or listen to a spiritual in quite the same way. We can now see more clearly than ever before what has shaped it; we have been taken nearer the soul of the music."--Hugh Brogan, Times Literary Supplement, "No previous scholar has told more about the manner of diffusion of African music and dance in the New World . . . . No one else has related with more telling effect the impact that Afro-American musical patterns had upon the sensibilities of the white public."--Lawrence W. Levine, Journal of American History, ''No previous scholar has told more about the manner of diffusion of African music and dance in the New World ... No one else has related with more telling effect the impact that Afro-American musical patterns had upon the sensibilities of the white public.'' --Lawrence W. Levine, Journal of American History ''Epstein has uncovered far more about early black music than anyone thought possible. Her luxuriant quotations and definitive treatments of a wide variety of musical subtopics make the book an essential reference volume and a marvelous storehouse of information.'' --John B. Boles, Journal of Southern History ''Sinful Tunes ensures that we will never again be able to sing or listen to a spiritual in quite the same way. We can now see more clearly than ever before what has shaped it; we have been taken nearer the soul of the music.'' --Hugh Brogan, Times Literary Supplement ''[A] definitive, indeed monumental study of black slave music in America.'' -- Guthrie P. Ramsey Jr., Musical Quarterly
Illustrated
Yes
Dewey Decimal
784.756009
Table Of Content
Preface to the 2003 Paperback xiii Preface to the 1977 Edition xvii Prologue: The African Heritage and the Middle Passage 3 Part One: Development of Black Folk Music to 1800 19 1. Early Reports of African Music in British and French America 21 La Calinda and the Banza 30 Other African Dancing 38 2. More Black Instruments and Early White Reaction 47 Drums and Other African Instruments 47 The Balafo 55 Legal Restrictions on Instruments 58 3. The Role of Music in Daily Life 63 Funerals 63 Pinkster and Other African Celebrations in the North 66 Worksongs and Other Kinds of African Singing 68 4. The Acculturation of African Music in the New World 77 The Arrival of Africans and Their Music 78 Acculaturation in New Orleans 90 5. Conversion to Christianity 100 6. Acculturated Black Musicians in the Thirteen Colonies 112 The African Jig, a Black-to-White Exchange 120 Part Two: Secular and Sacred Black Folk Music, 1800-1867 125 7. African Survivals 127 Persisting Musical and Cultural Patterns 128 Black Music in New Orleans, 1820-67 132 8. Acculturated Dancing and Associated Instruments 139 Patting Juba 141 Drums, Quills, Banjo, Bones, Triangle, Tambourine 144 Fiddlers 147 Instrumental Combinations 155 9. Worksongs 161 Field Work and Domestic Chores 161 Industrial and Steamboat Workers 164 Boat Songs 166 Corn, Cane, and Other Harvest Songs 172 Singing on the March 176 Street Cries and Field Hollers 181 10. Distinctive Characteristics of Secular Black Folk Music 184 Whistling 184 Improvisation 184 Satire 187 Style of Singing 188 Other Secular Music 189 11. The Religious Background of Sacred Black Folk Music, 1801-67 191 Opposition to Religious Instruction of Slaves 192 Camp Meetings 197 Missions to the Slaves 199 Black Religious Groups 202 Opposition to Secular Music and Dancing 207 12. Distinctive Black Religious Music 217 Spirituals 217 Attempts to Suppress Black Religious Singing 229 The Shout 232 Funerals 234 Part Three: The Emergence of Black Folk Music during the Civil War 239 13. Early Wartime Reports and the First Publication of a Spiritual with Its Music 241 14. The Port Royal Experiment 252 Historical Background 252 Earliest Published Reports 256 Wartime Publication of Song Texts and Music 260 15. Reports of Black Folk Music, 1863-67 274 Criticism of "This Barbaric Music" 274 Recognition of a Distinctive Folk Music 275 The Shout 278 Worksongs 287 Performance Style 290 Introduction of "New" Songs by the Teachers 296 16. Slave Songs of the United States : Its Editors 303 William Francis Allen 304 Charles Pickard Ware 310 Lucy McKim Garrison 314 17. Slave Songs of the United States: Its Publication 321 The Contributors 321 Problems of Notation 326 Assembling the Collection 329 Publication and Reception 331 Conclusion 343 Appendices 349 I. Musical Excerpts from the Manuscript Diaries of William Francis Allen 349 II. Table of Sources for the Banjo, Chronologically Arranged 359 III. Earliest Published Versions of "Go Down, Moses" 363 Bibliography 374 Index 416
Synopsis
Awarded both the Chicago Folklore Prize and the Simkins Prize of the Southern Historical Association From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and ''shouts'' of freedmen, in Sinful Tunes and Spirituals Dena J. Epstein traces the course of early black folk music in all its guises. This classic work is being reissued with a new author's preface on the silver anniversary of its original publication.''No previous scholar has told more about the manner of diffusion of African music and dance in the New World . . . . No one else has related with more telling effect the impact that Afro-American musical patterns had upon the sensibilities of the white public.''--Lawrence W. Levine, Journal of American History ''Epstein has uncovered far more about early black music than anyone thought possible. Her luxuriant quotations and definitive treatments of a wide variety of musical subtopics make the book an essential reference volume and a marvelous storehouse of information.''--John B. Boles, Journal of Southern History ''Sinful Tunes ensures that we will never again be able to sing or listen to a spiritual in quite the same way. We can now see more clearly than ever before what has shaped it; we have been taken nearer the soul of the music.''--Hugh Brogan, Times Literary Supplement, From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, enslaved people created expansive forms of music from the United States to the West Indies and South America. Dena J. Epstein's classic work traces the course of early black folk music in all its guises. Anchored by groundbreaking scholarship, it redefined the study of black music in the slavery era by presenting the little-known development of black folk music in the United States. Her findings include the use of drums, the banjo, and other instruments originating in Africa; a wealth of eyewitness accounts and illustrations; in-depth look at a wide range of topics; and a collection of musical examples. This edition offers an author's preface that looks back on the twenty-five years of changes in scholarship that followed the book's original publication, Awarded both the Chicago Folklore Prize and the Simkins Prize of the Southern Historical Association From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, in Sinful Tunes and Spirituals Dena J. Epstein traces the course of early black folk music in all its guises. This classic work is being reissued with a new author's preface on the silver anniversary of its original publication., Awarded both the Chicago Folklore Prize and the Simkins Prize of the Southern Historical Association From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and ''shouts'' of freedmen, in Sinful Tunes and Spirituals Dena J. Epstein traces the course of early black folk music in all its guises. This ......
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Valleys_Books_andMore
99,4% positive Bewertungen•541 Tsd. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (175'604)
- 0***j (125)- Bewertung vom Käufer.Letzter MonatBestätigter Kauf++++
- p***d (199)- Bewertung vom Käufer.Letzter MonatBestätigter KaufSeller has great communication! easy to deal with! need more sellers like this on EBAY!!!
- 6***h (941)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThank you!