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Schostakowitsc
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- Sofort-KaufenSchostakowitsch und seine Welt von Laurel E. Fay (Englisch) Taschenbuch
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eBay-Artikelnr.:396916644547
Artikelmerkmale
- Artikelzustand
- ISBN-13
- 9780691120690
- Book Title
- Shostakovich and His World
- ISBN
- 9780691120690
Über dieses Produkt
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691120692
ISBN-13
9780691120690
eBay Product ID (ePID)
30875109
Product Key Features
Number of Pages
432 Pages
Publication Name
Shostakovich and His World
Language
English
Publication Year
2004
Subject
History & Criticism, Genres & Styles / Classical, Composers & Musicians
Type
Textbook
Subject Area
Music, Biography & Autobiography
Series
The Bard Music Festival Ser.
Format
Trade Paperback
Dimensions
Item Height
1.1 in
Item Weight
23.1 Oz
Item Length
9.2 in
Item Width
6.2 in
Additional Product Features
Intended Audience
College Audience
Dewey Edition
22
Series Volume Number
15
Illustrated
Yes
Dewey Decimal
780.9/2
Synopsis
Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, d cor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki . David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich., Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy.Simon Morrison provides an in-depth examination of the choreography, costumes, decor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki.David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich., Dmitri Shostakovich (1906-1975) has a reputation as one of the leading composers of the twentieth century. But the story of his controversial role in history is still being told, and his full measure as a musician still being taken. This collection of essays goes far in expanding the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations--historical, cultural, and political--that forged them. The collection contains documents that appear for the first time in English. Letters that young "Miti" wrote to his mother offer a glimpse into his dreams and ambitions at the outset of his career. Shostakovich's answers to a 1927 questionnaire reveal much about his formative tastes in the arts and the way he experienced the creative process. His previously unknown letters to Stalin shed new light on Shostakovich's position within the Soviet artistic elite. The essays delve into neglected aspects of Shostakovich's formidable legacy. Simon Morrison provides an in-depth examination of the choreography, costumes, décor, and music of his ballet The Bolt and Gerard McBurney of the musical references, parodies, and quotations in his operetta Moscow, Cheryomushki . David Fanning looks at Shostakovich's activities as a pedagogue and the mark they left on his students' and his own music. Peter J. Schmelz explores the composer's late-period adoption of twelve-tone writing in the context of the distinctively "Soviet" practice of serialism. Other contributors include Caryl Emerson, Christopher H. Gibbs, Levon Hakobian, Leonid Maximenkov, and Rosa Sadykhova. In a provocative concluding essay, Leon Botstein reflects on the different ways listeners approach the music of Shostakovich., Dmitri Shostakovich (1906 - 1975) has a reputation as one of the leading composers of the twentieth century. This work expands the traditional purview of Shostakovich's world, exploring the composer's creativity and art in terms of the expectations - historical, cultural, and political - that forged them.
LC Classification Number
ML410.S53
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grandeagleretail
98,2% positive Bewertungen•2.8 Mio. Artikel verkauft
Angemeldet als gewerblicher Verkäufer
Verkäuferbewertungen (1'056'289)
- e***_ (465)- Bewertung vom Käufer.Letzter MonatBestätigter KaufJust received the "Forest of Enchantment Tarot" set in about twelve days. It was packed well and arrived in perfect "NEW" condition. The appearance is great, very nice artwork on the box. It looks to be of good quality. I bought this as a gift, so I can't attest to what the rest is like. Just happy to find something to give that somebody wants!
- s***e (543)- Bewertung vom Käufer.Letzter MonatBestätigter KaufNicely packed, shipped quickly and i can't wait to read.
- 0***d (744)- Bewertung vom Käufer.Letzter MonatBestätigter KaufBook was well packaged and arrived as described.