Oxford Handbook of Music and Medievalism von Stephen C. Meyer (Englisch) Hardcover

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ISBN-13
9780190658441
Book Title
Oxford Handbook of Music and Medievalism
ISBN
9780190658441
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0190658444
ISBN-13
9780190658441
eBay Product ID (ePID)
23038306371

Product Key Features

Number of Pages
848 Pages
Language
English
Publication Name
Oxford Handbook of Music and Medievalism
Publication Year
2020
Subject
History & Criticism, Genres & Styles / Opera, Europe / Medieval
Type
Textbook
Author
Kirsten Yri
Subject Area
Music, History
Series
Oxford Handbooks Ser.
Format
Hardcover

Dimensions

Item Height
2 in
Item Weight
51.3 Oz
Item Length
6.9 in
Item Width
9.8 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2019-955815
Dewey Edition
23
TitleLeading
The
Illustrated
Yes
Dewey Decimal
781.59
Table Of Content
Introduction [Stephen Meyer and Kirsten Yri] Section 1: Romanticizing the Medieval: The Longing for the Middle Ages in the Nineteenth Century 1. Medievalisms in Early Nineteenth-Century German Thought [Laura K. T. Stokes]2. From Knight Errant to Family Man: Romantic Medievalism and Domesticity in Brahms's 15 Romanzen aus L. Tieck's Schöne Magelone, op. 33 (1865, 1869) [Marie Sumner Lott]3. Liszt's Medievalist Modernism [Balázs Mikusi]4. Soldiers and Censors: Verdi's Medieval Imagination [Liana Püschel]5. The Distant Past as Mirror and Metaphor:Ã,Portraying Medievalism in Historical French Grand Operas [Diana Hallman]6. Medievalism and Regionalist Identity in Lalo's Le Roi d'Ys [Elinor Olin]7. Romantic Medievalist Nationalism in Schumann's genoveva, Then and Now [Michael S. Richardson]8. The Middle Ages in Richard Wagner's Music Dramas [Barbara Eichner] Section 2: Performing the Middle Ages 9. Medievalism at the University: Collegia and Choral Societies [Jacob Sagrans]10. Medieval Folk in the Revivals of David Munrow [Edward Breen]11. Re-sounding Carl Dreyer's La Passion de Jeanne d'Arc [Donald Greig] Section 3: Medievalism and Compositional Practice in the Twentieth Century 12. Medievalism and Anti-Romanticism in Carl Orff's Carmina Burana [Kirsten Yri]13. Past Tense: Creative Medievalism in the Music of Margaret Lucy Wilkins [Lisa Colton]14. Hucbald's Fifths and Vaughan Williams's Mass: The New Medieval in Britain Between the Wars [Deborah Heckert]15. Complexity and Appeal of Codex Chantilly Six Hundred Years Hence [Aleksandra Vojcic]16. Linear Practices in the Music of Arvo Pärt [Laura Dolp]17. The Postmodern Troubadour [Anne Stone] Section 4: Reimagining the Medieval Woman 18. Tolling Bells and Otherworldly Voices: Joan of Arc's Sonic World in the Early Twentieth Century [Elizabeth Dister]19. Medievalism and Rued Langgaard's Romantic Image of Queen Dagmar [Nils Holger-Petersen]20. Nature as Enlightenment in Vision-Aus dem Leben der Hildegard von Bingen [Jennifer Bain]21. Disciplining Guinevere: Courtly Love and the Arthurian Tradition from Henry Purcell to Donovan Leitch [Gillian L. Gower] Section 5: Echoes of the Middle Ages in Folk, Rock, and Metal 22. Early Music and Popular Music: Medievalism, Nostalgia, and the Beatles [Elizabeth Upton]23. "Ramble On": Medievalism as Nostalgic Practice in Led Zeppelin's use of J. R. R. Tolkien [Caitlin Carlos]24. A Gothic Romance: Neomedieval Echoes of Fin'amor in Gothic and Doom Metal [Ross Hagen]25. Viking Metal [Simon Trafford]26. Medievalism and Identity Construction in Pagan Folk Music [Scott R. Troyer] Section 6: Medievalism of the Screen 27. From the Music of the Ainur to the Music of the Voiceover: Sounding Medievalism in The Lord of the Rings [Stephen C. Meyer]28. Faith, Fear, Silence and Music in Ingmar Bergman's Medieval Vision of The Virgin Spring and The Seventh Seal [Alexis Luko]29. Hope Against Fate or Fata Morgana? Music and Mythopoiesis in Boorman's excalibur [David Clem]30. The Many Musical Medievalisms of Disney [John Haines]31. Evil Medieval: Chant and the New Dark Spirituality of Vietnam-Era Film in America [James Deaville]32. Fantasy Medievalism and Screen Media (Game of Thrones) [James Cook]33. Gaming the Medievalist World in Harry Potter [Karen M. Cook]
Synopsis
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Prt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys . The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism., The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism., The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries., The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo P rt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys . The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism., Provides a point of departure for future scholarship on music and medievalism, Considers medievalism across diverse musical styles and eras, Includes studies of art music from the 19th, 20th, and 21st centuries Book jacket.
LC Classification Number
ML193.O94 2020

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