Mike Kelley Phaidon Book Raymond Pettibon Sonic Youth 1999 Destroy All Monsters

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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
Type
Paperback
Publication Name
Phaidon Press
Signed
No
ISBN-10
0714838349
Intended Audience
Young Adults, Adults
ISBN
9780714838342
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Phaidon Press, Incorporated
ISBN-10
0714838349
ISBN-13
9780714838342
eBay Product ID (ePID)
578736

Product Key Features

Book Title
Mike Kelley
Number of Pages
160 Pages
Language
English
Topic
Popular Culture, Photoessays & Documentaries
Publication Year
1999
Illustrator
Yes
Features
Revised
Genre
Art, Photography
Author
John C. Welchman, Isabelle Graw, Anthony Vidler
Book Series
Phaidon Contemporary Artists Ser.
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
36.1 Oz
Item Length
11.5 in
Item Width
10 in

Additional Product Features

Intended Audience
Trade
LCCN
00-500988
Dewey Edition
21
Reviews
On the Contemporary Artists Series "The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."--Artforum "The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."--Time Out "A unique series of informative monographs on individual artists."--The Sunday Times "Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."--The Art Book, On the Contemporary Artists Series "The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."-- Artforum "The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."-- Time Out "A unique series of informative monographs on individual artists."-- The Sunday Times "Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."-- The Art Book
Grade From
Eighth Grade
Dewey Decimal
700/.92
Grade To
College Graduate Student
Edition Description
Revised edition
Synopsis
Mike Kelley (b.1954) is one of the best contemporary examples of an artist who, like Yves Klein, Piero Manzoni and Vito Acconci before him, combines sculpture with performance. Best known for his assemblage sculptures made from stuffed children's toys, often set upon the 'stage' of a homemade Afghan rug, Kelley draws upon the Modernist traditions of the found object and collage in his colourful, irreverent sculptures. Childhood and adolescence are referenced with all the sexual ambiguity, tastelessness and low humour associated with those age groups. His attitude of aesthetic disobedience, bridging 'low' (crafts) and 'high' (sculpture, painting) forms of art, has its roots in the rejection of the social and moral fabric of American culture. Despite his subversion and anti-art tactics, Kelley has been recognized since the 1980s by the international art world as one of the most significant and representative artists working today in the United States, and his work has been shown at venues as diverse as the Los Angeles County Museum of Art and Paris's Musee du Louvre. In the Survey, California-based art historian and critic John C. Welchman exmaines Kelley's relationship to 1970s post-Minimalism, American popular cultures, 1980s appropriation and the conceptual vernacular of the 1990s. German art critic and editor Isabelle Graw discusses with the artist his aesthetic and symbolic strategies in the cultural contexts of America and Europe. In the Focus, architectural theorist Anthony Vidler explores the psycho-geography of Kelley's Educational Complex (1995), an architectural model based on the artist's memory traces of his educational environs. For the Artist's Choice, Kelley has selected two early twentieth-century texts that have influenced his investigations of primal psychological drives and aesthetics: The Use Value of D. A. F. de Sade (An Open Letter to My Current Comrades) (1929) by Georges Bataille and The Book of the Damned (1919) by Charles Fort. Mike Kelley's writings include project descriptions and accompanying texts from his major works; a retrospective view of his radical rock band Destroy All Monsters; and essays on prevailing themes, such as caricature, in the cultural history of representation., In a survey of Californian-based artist Mike Kelly, the author of this volume discusses with the artist his various aesthetic and symbolic strategies in both the American and In European contexts. Kelly's work is considered in the context of his anti-art predecessors since Dada and chronicles all of Kelly's work, from his earliest performances in the late 1970s to his large sculptural installations in the 1990s.
LC Classification Number
TR820.6.N33 1999

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