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Japanese Popular Music: Culture, - Hardcover, by Stevens Carolyn S. - Good
US $167,87
Ca.CHF 135,15
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eBay-Artikelnr.:405074494916
Artikelmerkmale
- Artikelzustand
- Book Title
- Japanese Popular Music: Culture, Authenticity and Power (Media, C
- ISBN
- 9780415380577
Über dieses Produkt
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
041538057X
ISBN-13
9780415380577
eBay Product ID (ePID)
21038298505
Product Key Features
Number of Pages
194 Pages
Language
English
Publication Name
Japanese Popular Music : Culture, Authenticity and Power
Publication Year
2007
Subject
Ethnic Studies / General, Philosophy & Social Aspects, Popular Culture, Genres & Styles / International, Ethnic, Genres & Styles / Pop Vocal
Type
Textbook
Subject Area
Music, Social Science
Series
Media, Culture and Social Change in Asia Ser.
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
19.2 Oz
Item Length
9.5 in
Item Width
7.2 in
Additional Product Features
Intended Audience
College Audience
LCCN
2007-004361
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
781.630952
Table Of Content
1. Introduction 2. Definitions of Japanese Music 3. The Particulars of History 4. The Business Side: Connections, Culture and Contexts 5. Technology, Consumption and Authenticity 6. Translations: "Internationalizing" Language and Music. Appendix A: Glossary. Appendix B: Major Record Labels in Japan
Synopsis
Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture. Based both on extensive textual and aural analysis, and on anthropological fieldwork, it provides a wealth of detail, finding differences as well as similarities between the Japanese and Western pop music scenes. Carolyn Stevens shows how Japanese popular music has responded over time to Japan's relationship to the West in the post-war era, gradually growing in independence from the political and cultural hegemonic presence of America. Similarly, the volume explores the ways in which the Japanese artist has grown in independence vis- -vis his/her role in the production process, and examines in detail the increasingly important role of the jimusho , or the entertainment management agency, where many individual artists and music industry professionals make decisions about how the product is delivered to the public. It also discusses the connections to Japanese television, film, print and internet, thereby providing through pop music a key to understanding much of Japanese popular culture more widely., Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture. Based both on extensive textual and aural analysis, and on anthropological fieldwork, it provides a wealth of detail, finding differences as well as similarities between the Japanese and Western pop music scenes. Carolyn Stevens shows how Japanese popular music has responded over time to Japan's relationship to the West in the post-war era, gradually growing in independence from the political and cultural hegemonic presence of America. Similarly, the volume explores the ways in which the Japanese artist has grown in independence vis-à-vis his/her role in the production process, and examines in detail the increasingly important role of the jimusho, or the entertainment management agency, where many individual artists and music industry professionals make decisions about how the product is delivered to the public. It also discusses the connections to Japanese television, film, print and internet, thereby providing through pop music a key to understanding much of Japanese popular culture more widely., Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture. Based both on extensive textual and aural analysis, and on anthropological fieldwork, it provides a wealth of detail, finding differences as well as similarities between the Japanese and Western pop music scenes. Carolyn Stevens shows how Japanese popular music has responded over time to Japan's relationship to the West in the post-war era, gradually growing in independence from the political and cultural hegemonic presence of America. Similarly, the volume explores the ways in which the Japanese artist has grown in independence vis-à-vis his/her role in the production process, and examines in detail the increasingly important role of the jimusho , or the entertainment management agency, where many individual artists and music industry professionals make decisions about how the product is delivered to the public. It also discusses the connections to Japanese television, film, print and internet, thereby providing through pop music a key to understanding much of Japanese popular culture more widely., Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture.
LC Classification Number
ML3917.J3S74 2007
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