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Music and Modernity in Enlightenment Spain by Ana P Sánchez-Rojo: New
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eBay-Artikelnr.:405472995058
Artikelmerkmale
- Artikelzustand
- Book Title
- Music and Modernity in Enlightenment Spain
- Publication Date
- 2024-07-09
- Pages
- 308
- ISBN
- 9781837651153
Über dieses Produkt
Product Identifiers
Publisher
Boydell & Brewer, The Limited
ISBN-10
1837651159
ISBN-13
9781837651153
eBay Product ID (ePID)
3064891809
Product Key Features
Number of Pages
308 Pages
Language
English
Publication Name
Music and Modernity in Enlightenment Spain
Subject
History & Criticism, Modern / 18th Century, Genres & Styles / Opera
Publication Year
2024
Type
Textbook
Subject Area
Music, History
Series
Music in Society and Culture Ser.
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
22 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2024-563031
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
780.94609033
Table Of Content
Introduction: With Apologies to Modernity1 Critics vs. MusiciansCritics vs. Musicians: El Censor vs. El músico censor Critics vs. Musical Theater: Pablo Esteve's El teatro y los actores agraviados 2 Music, Medicine, and Tarantism in Madrid, 1787The Tarantism Craze in MadridMusical MedicineFrom theory to practice to SatireTarantism and the Modern Lifestyle3 Cosmopolitan OperaThe Italian Opera ComebackOpera in the Civilizational Aspirations of Madrid's Aristocracy and the Bourbon AgendaEducating the AudienceA Space for Policía and CivilizationOpera, Nationalism, and the Emergent Public SphereRejection of Opera and Mercantilist Mentality4 Bourbon Sentimentalities on the Musical StageGenre and policy in La Cecilia Those Treacherous SeguidillasThe Sentimental Musical TableauConclusion
Synopsis
By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought. Histories of modern Europe often present late eighteenth-century Spain as a backward place struggling to keep pace with modernity. During the reign of Charles III (1759-1788), Spain pushed for economic and cultural modernization, but encountered resistance from members of the public and the elite alike. They viewed the modern as a passing fad that would, in time, show its fragility, and believed Spain would withstand the collapse thanks to its firm grounding in the pillars of monarchy, religion, and traditional forms of knowledge. One source of this solid foundation was the long-established musical knowledge based on the rules of counterpoint. In contrast, modernizers argued that Spain could be true to its essence, yet simultaneously modern and cosmopolitan: they favoured cosmopolitan genres, such as Italian opera, and artistic expression over counterpoint rules. At times this led to more creative uses of music, such as reinterpreting pastoral and sentimental topics to accommodate reformist political trends. Music was considered crucial to the integrity of the Spanish nation by both sides. Whether and how Spain became modern would in many ways be defined and reinforced by the kinds of music that Spaniards composed and witnessed on stage. Through the study of press debates, opera reception, and musical theatre productions, this book shows how music intersected with wider cultural affairs, such as philosophy and criticism, medicine and the human body, civilization, Bourbon policy and sentimentality. Music and Modernity in Enlightenment Spain for the first time connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought., By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought.
LC Classification Number
ML315.3.S2 2024
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