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Becoming a Writer [ Brande, Dorothea ] Used - Very Good
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Becoming a Writer [ Brande, Dorothea ] Used - Very Good
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Becoming a Writer [ Brande, Dorothea ] Used - Very Good

Jenson Books
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    Artikelzustand
    Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
    ISBN
    9780874771640

    Über dieses Produkt

    Product Identifiers

    Publisher
    Penguin Publishing Group
    ISBN-10
    0874771641
    ISBN-13
    9780874771640
    eBay Product ID (ePID)
    1208593

    Product Key Features

    Number of Pages
    192 Pages
    Publication Name
    Becoming a Writer
    Language
    English
    Publication Year
    1981
    Subject
    Authorship, Creativity, Composition & Creative Writing
    Type
    Textbook
    Author
    Dorothea Brande
    Subject Area
    Language Arts & Disciplines, Self-Help
    Format
    Uk-B Format Paperback

    Dimensions

    Item Height
    0.5 in
    Item Weight
    5.7 Oz
    Item Length
    7.9 in
    Item Width
    4.9 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    80-053146
    Dewey Edition
    21
    Grade From
    Twelfth Grade
    Grade To
    UP
    Dewey Decimal
    808.3 [029.6]
    Table Of Content
    Foreword by John Gardner In Introduction 1. The Four Difficulties The Difficulty of Writing at All; The "One-Book Author"; The Occasional Writer; The Uneven Writer; The Difficulties Not in Technical Equipment. 2. What Writers are Like Cultivating a Writer's Temperament; False and Real Artists; The Two Sides of a Writer; "Dissociation" Not Always Psychopathic; Everyday Examples of Dual Personality; The Slough of Despond 3. The Advantages of Duplicity The Process of Story Formation; The "Born Writer"; Unconscious and Conscious; The Two Persons of the Writer; The Transparent Barrier; Keep Your Own Counsel; Your "Best Friend and Severest Critic"; The Right Recreation; Friends and Books; The Arrogant Intellect; The Two Selves Not at War; The First Exercise 4. Interlude: On Taking Advice Save Your Energy; Imagination Versus Will in Changing Habits; Displacing Old Habits; A Demonstration; The Right Frame of Mind 5. Harnessing the Unconscious Wordless Daydreams; Toward Effortless Writing; Double Your "Output" 6. Writing on Schedule Engaging to Write; A Debt of Honor; Extending the Exercise; Succeed, or Stop Writing 7. The First Survey Reading Your Work Critically; The Pitfalls of Imitation; Discovering Your Strength; A Footnote for Teachers 8. The Critic at Work on Himself A Critical Dialogue Be Specific in Suggestions Correction After Criticism The Conditions of Excellence Dictating a Daily Regime 9. Readings as a Writer Read Twice Summary Judgment and Detailed Analysis The Second Reading Points of Importance 10. On Imitation Imitating Technical Excellence How to Spend Words Counteracting Monotony Pick Up Fresh Words 11. Learning to See Again The Blinders of Habit Causes of Repetitiousness Recapturing Innocence of Eye A Stranger in the Streets The Rewards of Virtue 12. The Source of Originality The Elusive Quality Originality Not Imitation The "Surprise Ending" Honesty, the Source of Originality Trust Yourself "Your Anger and My Anger" One Story, Many Versions Your Inalienable Uniqueness A Questionnaire 13. The Writer's Recreation Busmen's Holidays Wordless Recreation Find Your Own Stimulus A Variety of Time-Fillers 14. The Practice Story A Recapitulation The Contagiousness of Style Find Your Own Style The Story in Embryo The Preparatory Period Writing Confidently A Finished Experiment Time for Detachment The Critical Reading 15. The Great Discovery The Five-Finger Exercises of Writing The Root of Genius Unconscious, Not Subconscious The Higher Imagination Come to Terms with the Unconscious The Artistic Coma and the Writer's Magic 16. The Third Person, Genius The Writer Not Dual But Triple The Mysterious Faculty Releasing Genius Rhythm, Monotony, Silence A Floor to Scrub 17. The Writer's Magic X Is to Mind as Mind to Body Hold Your Mind Still Practice in Control The Story Idea as the Object The Magic in Operation Inducing the "Artistic Coma" Valedictory In Conclusion: Some Prosaic Pointers Typewriting Have Two Typewriters Stationery At the Typerwriter: WRITE! For Coffee Addicts Coffee Versus Maté Reading Book and Magazine Buying Bibliography Index
    Synopsis
    A reissue of a classic work published in 1934 on writing and the creative process, Becoming a Writer recaptures the excitement of Dorothea Brande's creative writing classroom of the 1920s. Decades before brain research "discovered" the role of the right and left brain in all human endeavor, Dorothea Brande was teaching students how to see again, how to hold their minds still, and how to call forth the inner writer., A reissue of a classic work originally published in 1934 on writing and the creative process, Becoming a Writer recaptures the excitement of Dorothea Brande's creative-writing classroom of the 1920s. Decades before brain research "discovered" the particular roles of the right and left sides of the brain in human endeavor, Brande was teaching students how to see again, how to hold their minds still, how to call forth the inner writer. She had novice writers note the effects of everything in their environment on their writing. She showed them how to harness the unconscious, how to fall into "artistic coma," then how to reemerge and be their own critics. Becoming a Writer is Brande's legacy to all those who have ever wanted to express their ideas in written form. A sound, practical, inspirational, and charming approach to writing, it fulfills on the expectation in her introduction: "This book, I believe, will be unique... I think there is such magic and that it is teachable. This book is all about the writer's magic." Book jacket.
    LC Classification Number
    PN3355.B7 1981

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