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Respect for Acting [ Hagen, Uta ] Used - Good
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Respect for Acting [ Hagen, Uta ] Used - Good
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Respect for Acting [ Hagen, Uta ] Used - Good

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    Artikelmerkmale

    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    ISBN
    9780025473904

    Über dieses Produkt

    Product Identifiers

    Publisher
    Wiley & Sons, Incorporated, John
    ISBN-10
    0025473905
    ISBN-13
    9780025473904
    eBay Product ID (ePID)
    16804

    Product Key Features

    Book Title
    Respect for Acting
    Number of Pages
    240 Pages
    Language
    English
    Topic
    Television / General, Acting & Auditioning
    Publication Year
    1973
    Genre
    Performing Arts
    Author
    Uta Hagen, Haskel Frankel
    Format
    Hardcover

    Dimensions

    Item Height
    0.8 in
    Item Weight
    13.2 Oz
    Item Length
    8.5 in
    Item Width
    5.8 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    72-002328
    Dewey Edition
    22
    Dewey Decimal
    792.02/8
    Table Of Content
    PART ONE: The Actor. Introduction. 1. Concept. 2. Identity. 3. Substitution. 4. Emotional Memory. 5. Sense Memory. 6. The Five Senses. 7. Thinking. 8. Walking and Talking. 9. Improvisation. 10. Reality. PART TWO: The Object Exercises. Introduction. 11. The Basic Object Exercise. 12. Three Entrances. 13. Immediacy. 14. The Forth Wall. 15. Endowment. 16. Talking to Yourself. 17. Outdoors. 18. Conditioning Forces. 19. History. 20. Character Action. PART THREE: The Play and the Role. Introduction. 21. First Contact with The Play. 22. The Character. 23. Circumstances. 24. Relationship. 25. The Objective. 26. The Obstacle. 27. The Action. 28. The Rehearsal. 29. Practical Problems. 30. Communication. 31. Style. Epilogue. Index.
    Synopsis
    "This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute." -- Publishers Weekly "Uta Hagen's Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. crafts-woman. An illuminating discussion of the standards and techniques of enlightened stage acting." -- Brooks Atkinson "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." -- Library Journal "Respect for Acting is a simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting." -- Harold Clurman "Uta Hagen's Respect for Acting...is a relatively small book. But within it Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." -- Los Angeles Times "Uta Hagen is our greatest living actor; she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her." -- Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor. Respect for Acting is certainly a special book, perhaps for a limited readership, but of its "How-To" kind I'd give it four curtain calls, and two hollers of "Author, Author -- King Features Syndicate, "This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute." —Publishers Weekly "Uta Hagen's Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. craftswoman. An illuminating discussion of the standards and techniques of enlightened stage acting." —Brooks Atkinson "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her ‘object exercises’ display a wealth of detail with which to stimulate the student preparing a scene for presentation." —Library Journal "Respect for Acting is a simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting." —Harold Clurman "Uta Hagen's Respect for Acting…is a relatively small book. But within it Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." —Los Angeles Times "Uta Hagen is our greatest living act∨ she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her." —Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behindthescenes flavor. Respect for Acting is certainly a special book, perhaps for a limited readership, but of its "HowTo" kind I'd give it four curtain calls, and two hollers of "Author, Author —King Features Syndicate
    LC Classification Number
    PN2061
    As told to
    Frankel, Haskel

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