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Schumann über Musik: Eine Auswahl - Taschenbuch, von Robert Schumann; Henry - gut
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eBay-Artikelnr.:405742314741
Artikelmerkmale
- Artikelzustand
- Type
- Paperback
- ISBN
- 9780486257488
Über dieses Produkt
Product Identifiers
Publisher
Dover Publications, Incorporated
ISBN-10
0486257487
ISBN-13
9780486257488
eBay Product ID (ePID)
594081
Product Key Features
Original Language
German
Book Title
Schumann on Music : a Selection from the Writings
Number of Pages
224 Pages
Language
Ger,Eng
Publication Year
2011
Topic
History & Criticism, Genres & Styles / Classical
Illustrator
Yes
Genre
Music
Book Series
Dover Books on Music Ser.
Format
Trade Paperback
Dimensions
Item Weight
9.3 Oz
Item Length
8.5 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Trade
LCCN
88-011800
Dewey Edition
19
Dewey Decimal
780/.903/4
Synopsis
Schumann's genius as a composer is well known; perhaps less well known is the fact that he was also a gifted music critic who wrote hundreds of perceptive essays, articles, and reviews for the Neue Zeitschrift fur M sik , the influential music journal he founded in 1834. The present work, translated and edited by noted critic Henry Pleasants, contains 61 of the most important critical pieces Schumann wrote for Neue Zeitschrift between 1834 and 1844. The articles are arranged in chronological order, with ample annotation, demonstrating not only Schumann's development as a writer and critic but also the evolution of music in Europe during a decisive decade. In addition to such major set pieces as "Florestan's Shrovetide Oration," the essays on Berlioz's Symphonie Fantastique and Schubert's Symphony in C Major, and the imaginative and literate "The Editor's Ball," this volume offers discerning observations on Mendelssohn, Chopin, Beethoven, Liszt, Cherubini, and other giants. Also included are critical considerations of an ensemble of minor masters: Sphor, Hiller, Moscheles, Hummel, and Gade, among others. The result is a rich and representative picture of musical life in the mid-19th century. Schumann's criticism has long been famous for its perceptiveness and literary style. Those qualities are in ample evidence in this treasury of his finest critical writings, now available to every music lover in this inexpensive, high-quality edition., Includes 61 important critical pieces Schumann wrote for the Neue Zeitschrift fur Musik, 18341844. Perceptive evaluations of Beethoven, Chopin, Schubert, other giants; also Spohr, Moscheles, Field, other minor masters. Annotated., Schumann's genius as a composer is well known; perhaps less well known is the fact that he was also a gifted music critic who wrote hundreds of perceptive essays, articles, and reviews for the Neue Zeitschrift fur Msik , the influential music journal he founded in 1834. The present work, translated and edited by noted critic Henry Pleasants, contains 61 of the most important critical pieces Schumann wrote for Neue Zeitschrift between 1834 and 1844. The articles are arranged in chronological order, with ample annotation, demonstrating not only Schumann's development as a writer and critic but also the evolution of music in Europe during a decisive decade. In addition to such major set pieces as "Florestan's Shrovetide Oration," the essays on Berlioz's Symphonie Fantastique and Schubert's Symphony in C Major, and the imaginative and literate "The Editor's Ball," this volume offers discerning observations on Mendelssohn, Chopin, Beethoven, Liszt, Cherubini, and other giants. Also included are critical considerations of an ensemble of minor masters: Sphor, Hiller, Moscheles, Hummel, and Gade, among others. The result is a rich and representative picture of musical life in the mid-19th century. Schumann's criticism has long been famous for its perceptiveness and literary style. Those qualities are in ample evidence in this treasury of his finest critical writings, now available to every music lover in this inexpensive, high-quality edition., Schumann's genius as a composer is well known; perhaps less well known is the fact that he was also a gifted music critic who wrote hundreds of perceptive essays, articles, and reviews for the Neue Zeitschrift fur Müsik , the influential music journal he founded in 1834. The present work, translated and edited by noted critic Henry Pleasants, contains 61 of the most important critical pieces Schumann wrote for Neue Zeitschrift between 1834 and 1844. The articles are arranged in chronological order, with ample annotation, demonstrating not only Schumann's development as a writer and critic but also the evolution of music in Europe during a decisive decade. In addition to such major set pieces as Florestan's Shrovetide Oration, the essays on Berlioz's Symphonie Fantastique and Schubert's Symphony in C Major, and the imaginative and literate The Editor's Ball, this volume offers discerning observations on Mendelssohn, Chopin, Beethoven, Liszt, Cherubini, and other giants. Also included are critical considerations of an ensemble of minor masters: Sphor, Hiller, Moscheles, Hummel, and Gade, among others. The result is a rich and representative picture of musical life in the mid-19th century. Schumann's criticism has long been famous for its perceptiveness and literary style. Those qualities are in ample evidence in this treasury of his finest critical writings, now available to every music lover in this inexpensive, high-quality edition.
LC Classification Number
ML160
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- 4***1 (345)- Bewertung vom Käufer.Letzter MonatBestätigter KaufBook, quality AAA, condition AAA, value AAA, appearance AAA I would buy from this seller again.
- 4***9 (2)- Bewertung vom Käufer.Letzter MonatBestätigter KaufJust as expected!
- u***m (745)- Bewertung vom Käufer.Letzter MonatBestätigter KaufHad some lose pages upon arrival. Not sure if this is a bad description or the result off poor packaging.