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Arts & Crafts Movement Europe & America Design for the Modern World Fab Book
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Standort: Moscow, Idaho, USA
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eBay-Artikelnr.:405756237178
Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “very nice condition”
- Personalize
- No
- Literary Movement
- Modernism
- Signed
- No
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Personalized
- No
- Country/Region of Manufacture
- United States
- Inscribed
- No
- Vintage
- No
- ISBN
- 9780500238158
Über dieses Produkt
Product Identifiers
Publisher
Thames & Hudson
ISBN-10
0500238154
ISBN-13
9780500238158
eBay Product ID (ePID)
30792345
Product Key Features
Book Title
Arts and Crafts Movement in Europe and America : Design for the Modern World 1880-1920
Number of Pages
328 Pages
Language
English
Publication Year
2004
Topic
Collections, Catalogs, Exhibitions / General, General, European
Illustrator
Yes
Genre
Art, Crafts & Hobbies
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
64.9 Oz
Item Length
10.6 in
Item Width
9.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2004-101033
Dewey Edition
22
TitleLeading
The
Dewey Decimal
709/.034
Synopsis
The first assessment of the truly international influence of the Arts and Crafts movement, published to accompany a groundbreaking exhibition. At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. As the most industrialized country, Britain was also the first to generate a movement to counter what was seen as the malevolent effects of mass production. Protagonists such as John Ruskin and William Morris championed "joy in labor"the moral and spiritual uplift that would come with the revival of making objects by hand. The improvement of working conditions, integration of art into everyday life, and an "honest" aesthetic resulting from the use of indigenous materials and native traditions were also central to the movement's philosophy. At the end of the nineteenth century, these Arts and Crafts ideals were appropriated and adapted by the young avant-garde throughout Europe and the United States. With 260 objectsfurniture, ceramics, metalwork, textiles, and works on paperfrom Britain, Ireland, the United States, France, Belgium, Germany, Austria, Hungary, Scandinavia, and Finland, this is a visually stunning, definitive survey. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Gustav Stickley, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together. 360 illustrations, 300 in color. With contributions by: Alan Crawford, Rudiger Joppien, Juliet Kinchin Amy F. Ogata. Elisabet Stavenow-Hidemark, Christian Witt-Dorring., The first assessment of the truly international influence of the Arts and Crafts movement, published to accompany a groundbreaking exhibition. At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. As the most industrialized country, Britain was also the first to generate a movement to counter what was seen as the malevolent effects of mass production. Protagonists such as John Ruskin and William Morris championed joy in laborthe moral and spiritual uplift that would come with the revival of making objects by hand. The improvement of working conditions, integration of art into everyday life, and an honest aesthetic resulting from the use of indigenous materials and native traditions were also central to the movement's philosophy. At the end of the nineteenth century, these Arts and Crafts ideals were appropriated and adapted by the young avant-garde throughout Europe and the United States. With 260 objectsfurniture, ceramics, metalwork, textiles, and works on paperfrom Britain, Ireland, the United States, France, Belgium, Germany, Austria, Hungary, Scandinavia, and Finland, this is a visually stunning, definitive survey. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Gustav Stickley, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together. 360 illustrations, 300 in color. With contributions by: Alan Crawford, Rudiger Joppien, Juliet Kinchin Amy F. Ogata. Elisabet Stavenow-Hidemark, Christian Witt-Dorring., At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are still debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together before.
LC Classification Number
NK1140
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