Wide Awake in Slumberland: Fantasy, Massenkultur und Moderne in der Kunst o...
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Wide Awake in Slumberland: Fantasy, Massenkultur und Moderne in der Kunst o...
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Standort: Bentonville, Arkansas, USA
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eBay-Artikelnr.:405930021071
Artikelmerkmale
- Artikelzustand
- Release Year
- 2014
- Literary Movement
- Modernism
- ISBN
- 9781617039607
Über dieses Produkt
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1617039608
ISBN-13
9781617039607
eBay Product ID (ePID)
174812221
Product Key Features
Book Title
Wide Awake in Slumberland : Fantasy, Mass Culture, and Modernism in the Art of Winsor Mccay
Number of Pages
222 Pages
Language
English
Publication Year
2014
Topic
Subjects & Themes / Science Fiction & Fantasy, History / Modern (Late 19th Century to 1945), Criticism & Theory, Form / Comic Strips & Cartoons, Popular Culture, History / General
Illustrator
Yes
Genre
Art, Humor
Book Series
Tom Inge Series on Comics Artists Ser.
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
58.8 Oz
Item Length
12.4 in
Item Width
9.2 in
Additional Product Features
Intended Audience
Trade
LCCN
2013-030494
Synopsis
Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America. McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism., Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend . McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America. McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism., Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend . McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America. McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black-and-white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.
LC Classification Number
NC1429.M474R64 2014
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Verkäuferbewertungen (924)
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- i***0 (1912)- Bewertung vom Käufer.Letzter MonatBestätigter KaufPrompt shipping. The book arrived in even better condition than expected. Great service. Thank you!
- i***0 (1912)- Bewertung vom Käufer.Letzter MonatBestätigter KaufPrompt shipping. The book arrived in even better condition than expected. Great service. Thank you!
- o***6 (1)- Bewertung vom Käufer.Letzter MonatBestätigter KaufThis seller was helpful and quick to respond. Seller went above and beyond when asking if we could get it in time for my son's birthday. It arrived earlier than scheduled, in time for birthday.
- a***a (15586)- Bewertung vom Käufer.Letzter MonatBestätigter KaufA+