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Boten Gottes: Biblische Porträts und Legenden, gebraucht - sehr gut, Wiesel, Elie

Jenson Books
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“A clean, cared for item that is unmarked and shows limited shelf wear.”
ISBN
9780671541347

Über dieses Produkt

Product Identifiers

Publisher
Simon & Schuster
ISBN-10
067154134X
ISBN-13
9780671541347
eBay Product ID (ePID)
22038717234

Product Key Features

Book Title
Messengers of God : a True Story of Angelic Presence and the Return to the Age of Miracles
Number of Pages
256 Pages
Language
English
Publication Year
1985
Topic
Judaism / Sacred Writings, Judaism / Rituals & Practice, Biblical Commentary / Old Testament, Judaism / General, Religious, Folklore & Mythology, Biblical Biography / Old Testament, Biblical Criticism & Interpretation / Old Testament
Genre
Religion, Philosophy, Social Science
Author
Elie Wiesel
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
8.3 Oz
Item Length
8.2 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
84-024089
Dewey Edition
19
Dewey Decimal
221.9/22
Synopsis
Elie Wiesel's classic look at Job and seven other Biblical characters as they grapple with their relationship with God and the question of his justice."Wiesel has never allowed himself to be diverted from the role of witness for the martyred Jews and survivors of the Holocaust, and by extension for all those who through the centuries have asked Job's question: 'What is God doing and where is His justice?' Here in a masterful series of mythic portraits, drawing upon Bible tales and the Midrashim (a body of commentary), Wiesel explores 'the distant and haunting figures that molded him' Adam, Cain and Abel, Abraham and Isaac, Jacob, Joseph, and Job. With the dramatic invention of a Father Mapple and the exquisite care of a Talmudic scholar, Wiesel interprets the wellsprings of Jewish religious tradition as the many faces of man's greatness facing the inexplicable. In an intimate relationship with God it is possible to complain, to demand. Adam and Eve in sinning "cried out" against the injustice of their entrapment; Cain assaulted God rather than his brother; and Abraham's agreement to sacrifice his son placed the burden of guilt on Him who demanded it. As for Job, Wiesel concludes that he abdicated his defiance as did the confessing Communists of Stalin's time to 'underline the implausibility' of his trial, and thus become the accuser. Wiesel's concern with the imponderables of fate seems to move from strength to strength" (Kirkus Reviews)., Elie Wiesel's classic look at Job and seven other Biblical characters as they grapple with their relationship with God and the question of his justice. "Wiesel has never allowed himself to be diverted from the role of witness for the martyred Jews and survivors of the Holocaust, and by extension for all those who through the centuries have asked Job's question: 'What is God doing and where is His justice?' Here in a masterful series of mythic portraits, drawing upon Bible tales and the Midrashim (a body of commentary), Wiesel explores 'the distant and haunting figures that molded him': Adam, Cain and Abel, Abraham and Isaac, Jacob, Joseph, and Job. With the dramatic invention of a Father Mapple and the exquisite care of a Talmudic scholar, Wiesel interprets the wellsprings of Jewish religious tradition as the many faces of man's greatness facing the inexplicable. In an intimate relationship with God it is possible to complain, to demand. Adam and Eve in sinning "cried out" against the injustice of their entrapment; Cain assaulted God rather than his brother; and Abraham's agreement to sacrifice his son placed the burden of guilt on Him who demanded it. As for Job, Wiesel concludes that he abdicated his defiance as did the confessing Communists of Stalin's time to 'underline the implausibility' of his trial, and thus become the accuser. Wiesel's concern with the imponderables of fate seems to move from strength to strength" ( Kirkus Reviews )., Elie Wiesel's classic look at Job and seven other Biblical characters as they grapple with their relationship with God and the question of his justice. "Wiesel has never allowed himself to be diverted from the role of witness for the martyred Jews and survivors of the Holocaust, and by extension for all those who through the centuries have asked Job's question: 'What is God doing and where is His justice?' Here in a masterful series of mythic portraits, drawing upon Bible tales and the Midrashim (a body of commentary), Wiesel explores 'the distant and haunting figures that molded him' Adam, Cain and Abel, Abraham and Isaac, Jacob, Joseph, and Job. With the dramatic invention of a Father Mapple and the exquisite care of a Talmudic scholar, Wiesel interprets the wellsprings of Jewish religious tradition as the many faces of man's greatness facing the inexplicable. In an intimate relationship with God it is possible to complain, to demand. Adam and Eve in sinning "cried out" against the injustice of their entrapment; Cain assaulted God rather than his brother; and Abraham's agreement to sacrifice his son placed the burden of guilt on Him who demanded it. As for Job, Wiesel concludes that he abdicated his defiance as did the confessing Communists of Stalin's time to 'underline the implausibility' of his trial, and thus become the accuser. Wiesel's concern with the imponderables of fate seems to move from strength to strength" ( Kirkus Reviews ).
LC Classification Number
BM516.5.W5413 1985

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